2|Pocahontas|950623|admin|1995-06-23|2016-01-04|In 1607, a group of British adventurers led by the greedy governor John Ratcliffe, including a soldier named John Smith, have set sail for the New World, seeking gold and other treasures. Meanwhile, in Virginia, a young Native American named Pocahontas, the daughter of Chief Powhatan, ponders her path in life- should she marry Kocoum, the stern warrior her father has chosen for her or does destiny hold something else for her?

Upon their arrival, the Settlers begin digging up the countryside in a naive quest for gold. John Smith scouts the area and meets Pocahontas, and despite their initial apprehensions, they are attracted to one another and she introduces him to a world unlike any he has ever known. As their friendship blossoms, relations between the Settlers and the Natives continue to deteriorate. When Smith is captured by Powhatan and set to be executed, Pocahontas bravely places her own life on the line by declaring that he must kill her first. Smith reciprocates the sacrifice by saving Powhatan's life from a British bullet, but is wounded in the process. In the end, he and Pocahontas must part, knowing that their spirits will be forever joined on a path that never ends.|14288|47|2130|No|No|Yes|Yes|No|Yes|4.3|2.41|20|0|0000-00-00 00:00:00|2019-03-16 10:34:41|Pocahontas, John Smith, Grandmother Willow, Meeko, Flit, Governor Ratcliffe, Wiggins, Thomas, Lon, Kocoum, Ben, Percy, Kekata, Chief Powhatan, Nakoma|Academy Award Winner, Best Song "Color of the Wind", (Music: Alan Menken.
Lyrics: Stephen Schwartz), 1996.
Academy Award Winner, Best Original Musical or Comedy Score, (Music: Alan Menken.
Lyrics: Stephen Schwartz), 1996.
Golden Globe Award Winner, Best Original Song: Motion Picture, Color of the Wind, (Music: Alan Menken.
Lyrics: Stephen Schwartz), 1996.
Golden Globe Award Nominee, Best Original Score, (Music: Alan Menken.
Lyrics: Stephen Schwartz), 1996|disney/poc1.jpg|disney/poc1.jpg , disney/poc2.jpg|Pre-Release Poster , El Capitan Special Show Poster|0||46|Alexander Williams, Randy Haycock (Pocahontas).
Supervising Animators: Glen Keane (Pocahontas), John Pomeroy (John Smith), Ruben Aquino (Powatan), Duncan Marjoribanks (Radcliffe), Dave Pruiksma (Flit), Brian Ferguson (Meeko), Ken Duncan (Thomas), Richard Bazley.
Character Animator: David Kuhn, Barry Temple.
Effects Animation: Ted Kierscey.
Animation Clean-Up: Renee Holt-Bird (Pocahontas)|June 15, 1995 reflects Los Angeles and New York limited release date; nationwide release was on June 23, 1995.

Pocahontas was helmed by Mike Gabriel and animator Eric Goldberg, Glen Keane served as the supervising animator for Pocahontas and John Pomeroy returning to Disney to supervise John Smith (he had left Disney with fellow animators Don Bluth and Gary Goldman fifteen years prior in the kerfuffle surrounding The Fox And The Hound).

Director Gabriel first conceived the film as an animated Romeo and Juliet story, a love story amidst "two clashing worlds" not long after finishing work on The Rescuers Down Under. As production ramped up alongside The Lion King, this was the film the artists wanted to work on, thinking Pocahontas was a more prestigious project and the Lion story was unfocused and uncommercialg.

To help create a unique look for Pocahontas, directors Mike Gabriel and Eric Goldberg enlisted Michael Giaimo, a renowned artist and former Disney animator, to oversee the design and color elements. "We feel that we've pushed a lot of boundaries in this film with regard to design and color," says Giaimo. "For one thing, we set out to make the characters the brightest, punchiest, warmest element on the screen by sublimating the backgrounds. With deeper and darker backgrounds, the character's performance becomes the main objective and it was my job to showcase that performance in terms of lighting, color and design. This was pretty common with the Disney films of the late 1940's and through the 1950's but hadn't been done much in recent times."

Several visual elements for the film were suggested by the artistic team's field trips to Virginia. The tall forests of pine trees suggested a vertical theme that Giaimo incorporated into the character design. The background artists also used color; depth and tone in such a way as to add to the emotion of each scene. Lighting was another important design element that was used to elicit the desired emotional response from the audience. In this film, lighting is both highly controlled and boldly stylized.

Due to the complexity of the color schemes, shapes, and expressions in the animation, the production of Pocahontas lasted five years. As a result, animators who worked on the movie have regarded it as one of the most difficult films the studio has produced. For instance, a total of 55 animators worked on the design of Pocahontas' character alone.

One final visual element used to best advantage in Pocahontas is effects animation. Waterfalls, a sea storm, swirls of multi-colored leaves, misty environments and blazing fires were all rendered by the effects animation team to add excitement and credibility to the story.

Disney premiered the film in a big way, in front of a crowd of over 100,000 people on June 10, 1995, in New York's Central Park (though police place the estimate at closer to 70,000).

The film was budgeted at 55 million dollars, and grossed 140 million in the US and almost 350 million worldwide in its initial release.

This was the 33th film in the official Disney list of animated films.|Irene Bedard (Pocahontas), Judy Kuhn (Pocahontas, Singing), Mel Gibson (John Smith), Linda Hunt (Grandmother Willow), Jon Kassir (Meeko), Frank Welker (Flit), David Ogden Stiers (Governor Ratcliffe, Wiggins), Christian Bale (Thomas), Joe Baker (Lon), James Apaumut Fall (Kocoum), Billy Connolly (Ben), Danny Mann (Percy), Gordon Tootoosis (Kekata), Russell Means (Powhatan), Michelle St. John (Nakoma), Jim Cummings (Powanton, Wise Man)|Mike Gabriel, Eric Goldberg|Carl Binder, Susannah Grant, Philip LaZebnik.
Story: Chris Buck, Robert Gibbs, Francis Glebas, Ed Gombert, Joe Grant, Kaan Kalyon, Glen Keane, Todd Kurosawa, Duncan Marjoribanks, Burny Mattinson, Bruce Morris, Ralph Zondag.
Additional Story: Randy Cartwright, Andrew Chapman, Vincent DeFrances, Don Dougherty, Will Finn, T. Daniel Hofstedt, Broose Johnson, Jorgen Klubien, Tom Mazzocco, Dave Pruiksma, Nik Ranieri|James Pentecost.
Associate Producer: Baker Bloodworth|Alan Menken.
Lyrics: Stephen Schwartz|H. Lee Peterson.
Assistant Editor: Anna Solorio-Catalano.
Associate Editor: Mark A. Hester|Walt Disney Studios|Walt Disney Feature Animation|Buena Vista Pictures Distribution||TechniColor|81|1|1|4|U.S.A.|||4|B0084IHVN4|B0084IHVIY|
  • Casting: Ruth Lambert.
  • Casting Assistant: Meredith Layne.
  • Art Direction: Michael Giaimo.
  • Production Manager: Traci Tolman Mars.
  • Artistic Coordinator: Dan Hansen.
  • Character Design: Joe Grant.
  • Artistic Supervisor, Layout: Rasoul Azadani.
  • Artistic Supervisor, Background: Cristy Maltese.
  • Artistic Supervisor, CGI: Steve Goldberg.
  • Visual Effects: Don Paul.
  • Technology Staff: Dave Remba.
  • Animator, Additional Effects: Peter Demund.
  • Checking: Pat Sito.
  • Digital Scanning Pre-checker: Michael D. Lusby.
  • Choreographer: D.J. Giagni.
  • Rough Inbetweener: James Baker.
  • Scene Planning Coordinator, Florida: Karen N. Sickles.
  • Software Engineer: Bruce Hatakeyama.
  • Special EFX, Animating Assistant: Colbert Fennelly.
  • Technical Assistant: Earl Coffman.
  • Technology Production Supporters: Kee-Suk 'Ken' Hahn, Thomas Moore, Jr.
  • Technology Supporters: Mark M. Tokunaga, Tony Matthews.
  • Title Designer: Susan Bradley.
  • Music Production Supervisor: Tod Cooper.
  • Music Arrangers: Chris Boardman, Martin Erskine.
  • Music Scoring Mixer: John Richards.
  • Orchestrator: Danny Troob.
  • Vocalist, "Colors Of The Wind": Vanessa L. Williams.
  • Vocalist, "If I Never Knew You": Jon Secada, Shanice.
  • Supervising Sound Editor: Larry Kemp.
  • Sound Editor: Rick Morris.
  • Sound Designers: David Kneupper, Scott Martin Gershin.
  • Sound Effects Editor: Brian Mcpherson.
  • Sound Re-Recording Mixers: Dean A. Zupancic, Terry Porter.
  • Supervising ADR Editor: Curt Schulkey.
  • Ian Abercrombie: ADR Loop Group (Uncredited).
  • Foley Artists: Neal J. Anderson, Patrick N. Sellers.
  • Foley Mixer: Mary Jo Lang.
  • Production Assistants: Carrie Wilksen, Lorry Ann Shea.
    • |No||Yes|No|1995-06-23|||||2147483647|0|0|0|B003QSOFFO|||_dqHMbl9j3E||||||||/cartoon/7261-Pocahontas_II_Journey_To_A_New_World , http://blog.bcdb.com/disney-animated-film-list/33-pocahontas/|Pocahontas II: Journey To A New World , Disney Classic Animated Film List|||1995-06-15 , 1995-06-23 , 1996-02-28|Limited Release (New York, Los Angeles) , Wide US Theatrical Release date , VHS Masterpiece Collection Release|||$55 million|$346.1 million|Walt Disney Studios/Feature Films|0 3|The Lion King|940624|admin|1994-06-24|2016-01-03|A young lion cub, Simba, struggles to follow in the regal paw prints of his father, King Mufasa, after Mufasa is killed through the treachery of his uncle Scar. Simba is convinced that he is actually responsible for his father's death, and Scar urges him to run away from the Pride lands and never return.

    Frightened and guilt-stricken, Simba flees into exile where he is befriended by Pumbaa, a warmhearted warthog, and Timon, his freewheeling Meerkat companion. Simba adopts their attitude of "Hakuna Matata" (no worries), until he matures into an adult lion.

    When his childhood friend, Nala, arrives on the scene, Simba is persuaded to take his rightful place as king, returning to the Pride lands which have suffered under Scar's reign.|56070|105|7472|No|No|Yes|Yes|No|Yes|9.2|4.43|65|0|0000-00-00 00:00:00|2019-03-16 12:06:56|Simba, Nala, Scar, Mufasa, Rafiki, Zazu, Timon, Pumbaa, Sarafina, Sarabi, Banzai, Ed, Shenzi|Academy Award Winner, Best Original Song, "Can You Feel the Love Tonight" (Music: Elton John.
    Lyrics: Tim Rice), 1995.
    Academy Award Winner, Best Original Score, Hans Zimmer, 1995.
    Academy Award Nominee, Best Original Song, "Circle Of Life" (Music: Elton John.
    Lyrics: Tim Rice), 1995.
    Academy Award Nominee, Best Original Song, "Hakuna Matata" (Music: Elton John.
    Lyrics: Tim Rice), 1995.
    Golden Globe Award Winner, Best Motion Picture (Musical or Comedy), 1995.
    Golden Globe Award Winner, Best Original Score (Motion Picture), Hans Zimmer, 1995.
    Golden Globe Award Winner, Best Original Song (Motion Picture, "Can You Feel the Love Tonight" (Music: Elton John.
    Lyrics: Tim Rice), 1995.
    Golden Globe Award Nominee, Best Original Song (Motion Picture), "Circle Of Life" (Music: Elton John.
    Lyrics: Tim Rice), 1995|disney/lion_king1.jpg|disney/lion_king1.jpg , disney/lion_king3.jpg , disney/lion_king4.jpg , disney/lion_king5.jpg , disney/lion_king2.jpg , disney/lion_king6.jpg|Original Advance Poster , Release Poster , Release Poster , 2003 Release Poster , 2003 IMAX Re-Release Poster , 3D Re-Release Poster|0|885|44|Alexander Williams.
    Adult Simba: Dale Baer, Joe Ekers, Lorna Cook, Michael Cedeno, Randy Haycock.
    Mufasa: Phillip Young, Brad Ruha, Chris Wahl.
    Young Simba: Danny Wawrzaszek, T. Daniel Hofstedt, Tom Bancroft.
    Zazu: Randy Cartwright.
    Assistant Animators: Sean Mullen, Kent Holaday.
    Lead Animator, Scar: Andreas Deja.
    Supervising Animators: Anthony de Rosa (Adult Nala), Ruben Aquino (Adult Simba), Mark Henn (Young Simba), Tony Fucile (Mufasa), Tony Bancroft (Pumbaa), Michael Surrey (Timon), Ellen Woodbury (Zazu), Aaron Blaise.
    Character Animators: Barry Temple, Carl P. Hall.
    Effects Animator: Ted Kierscey|The initial idea for this film came from a conversation between Jeffrey Katzenberg, Roy E. Disney and Peter Schneider on a flight to Europe in 1988 to promote Oliver & Company. By November, Thomas Disch had written a treatment entitled King of the Kalahari, and then Linda Woolverton began a frantic year of writing drafts of the script, which at various times was titled King of the Beasts and then King of the Jungle.

    Oliver & Company's George Scribner was brought in to direct, and he was soon joined by Roger Allers who in turn brought in Brenda Chapman as head of story.

    One of the first ideas considered for The Lion King was the incorporation of African design motifs into the design of the film. Artists studied sculptures, fabrics, and decorations from many parts of Africa, and applied their interpretations to landscape, vegetation and other film elements.

    To capture the natural beauty and diversity of the African landscapes, several of the film makers traveled to Eastern Africa in the early stages of pre-production (November 1991) to observe the land firsthand, and photograph and sketch the land and its creatures for research. Several small concept studies by an artist named Hans Bacher were again reviewed by the team after their return from Africa. These drawings were found to encapsulate the balance of naturalism and stylization that the team had decided would define The Lion King. The backgrounds are unique in that, for the first time since Bambi (1942), they present nature in a pristine state, without the presence or artifacts of human beings.

    As the story took a turn from a more documentary feel to a musical, Scribner decided to leave the project, and he was replaced by Rob Minkoff. With the move to the savannahs of Kenya as the setting, Jungle was dropped from the title, and the film became The Lion King.

    As animators began to develop their characters, a group of wild animals was brought to the studio under the auspices of Jim Fowler, once co-host of the television series Mutual of Omaha's Wild Kingdom. An exhaustive series of drawing sessions were held featuring live models of meerkats, a baboon, a lion cub, two young adult lions and a fully-grown male and female lion. Since the characters were not anthropomorphized, all the animators had to learn to draw realistic four-legged animals, and the story and character development was done through usage of longer shots following the characters.

    The film employed more than 650 artists, animators and technicians over the course of its production. Work was split between the coasts, with Mark Henn animating young Simba in Florida while adult Simba was animated by Ruben A. Aquino, Andreas Deja did Scar, and Tony Fucile supervised Mufasa in Burbank. Nearly 20 minutes of the film, including the "I Just Can't Wait to Be King" sequence, were completed at the Disney-MGM Studios facility in Florida.

    Prior to its nationwide release, this film was shown at two theaters, El Capitan Theater in Hollywood and Radio City Music Hall in New York City. Despite the limited release, the film placed tenth at the box office, and the average of $793,377 per theater stands as the largest ever achieved during a weekend. Its first week in wide release the film brought in 41 million dollars. By the end of its theatrical run the film had earned over 300 million dollars making it the most commercially successful animated film.

    After the success of Fantasia 2000 in IMAX and Dolby Digital multi-channel soundtrack, The Lion King was also digitally transferred to an Imax print and an enhanced multi-channel soundtrack for limited release in 2001.

    While the comparisons to Hamlet are obvious and undeniable, there were also many allegations that Disney borrowed heavily from a 1960's Japanese anime series Jungle Taitei (Kimba the White Lion) from Mushi Productions. In fact, voice actor Matthew Broderick initially thought that he was working on a remake of Kimba for Disney. The studios official response is that the similarities are all coincidental.

    As with previous films, the American Life League protested a scene in which they saw something sexual. The scene in question is a night scene in which Simba collapses in exhaustion and exasperation to the veldt, and a cloud of dust is raised. As the dust swirls, it seems to form letters. Conservative activist Donald Wildmon contends that the dust spells out "SEX",and that it was a subliminal message intended to promote sexual promiscuity (because Disney is so well known for secretly promoting sexual promiscuity). A much more logical explanation is that the dust spells out "SFX", a common abbreviation in the film industry for Special eFfects. Hmmmm...

    This was the 32th film in the official Disney list of animated films.|Jonathan Thomas (Young Simba), Jason Weaver (Young Simba, singing), Matthew Broderick (Adult Simba), Joseph Williams (Adult Simba, singing), Niketa Calame (Young Nala), Laura Williams (Young Nala, singing), Moira Kelly (Adult Nala), Sally Dworsky (Adult Nala, singing), Rowan Atkinson (Zazu), Robert Guillaume (Rafiki), Jeremy Irons (Scar), James Earl Jones (Mufasa), Nathan Lane (Timon), Ernie Sabella (Pumbaa), Zoe Leader (Sarafina), Madge Sinclair (Sarabi), Whoopi Goldberg (Shenzi), Cheech Marin (Banzai), Jim Cummings (Ed, Gopher, Scar Singing), Madge Sinclair (Sarabi), Cathy Cavadini, Judi M. Durand, Daamen J. Krall, David McCharen, Philip Proctor, David J. Randolph, Frank Welker|Rob Minkoff, Roger Allers|Linda Woolverton, Jonathan Roberts, Irene Mecchi.
    Story: Jim Capobianco, Lorna Cook, Thom Enriquez, Andy Gaskill, Francis Glebas, Ed Gombert, Kevin Harkey, Barry Johnson, Mark Kausler, Jorgen Klubien, Larry Leker, Rick Maki, Burny Mattinson, Joe Ranft, Chris Sanders, Tom Sito, Gary Trousdale|Don Hahn.
    Executive Producer: Sarah McArthur, Thomas Schumacher.
    Associate Producer: Alice Dewey|Elton John.
    Lyrics: Tim Rice.
    Incidental Music: Hans Zimmer.
    Additional Music: Lebo M.|Tom Finan, John Carnochan|Walt Disney Studios|Walt Disney Feature Animation|Buena Vista Pictures Distribution||TechniColor|89|1|1|4|U.S.A.|||4|B001AQR3JY|B004WDRT1Y|
  • Casting: Brian Chavanne.
  • Art Direction: Andy Gaskill.
  • Production Design: Chris Sanders.
  • Production Manager: Dana Axelrod.
  • Production Coordinator: Karen N. Sickles.
  • Story Supervisor: Brenda Chapman.
  • Story Artists: Brenda Chapman, Barry Johnson, Burny Mattinson, Thom Eriquez, Andy Gaskill, Lorna Cook, Jim Catobianco, Kevin Harkey, Gary Trousdale, Chris Sanders, Tom Sito, Larry Linker, Francis Glebas, Rick Maki, Ed Gombert, Joe Ranft, Mark Kausler.
  • Character Design: Joe Grant.
  • Camera Operator: Joe Jiuliano.
  • Artistic Coordinator: Randy Fullmer.
  • Storyboard Artists: Francis Glebas, Kevin Harkey, Larry Leker, Rick Maki, Gary Trousdale.
  • Breakdown Artist: Noreen Beasley.
  • Layout Supervisor: Dan St. Pierre.
  • Assistant Layout Supervisor: Ed Ghertner.
  • Layout Artist: Sherilan Weinhart.
  • Background Supervisor: Doug Ball.
  • Backgrounds: Debbie Dubois, Dominick Domingo, Sunny Apinchapong, Don Moore, Gregory Drolette, Natalie Franscioni-Karp, Kathy Altieri, Dan Cooper, Tom Woodington, Serge Michaels, Dave McCamley.
  • Clean-Up Supervisor: Vera Lanpher.
  • Titles: Susan Bradley, Burke Mattsson.
  • Visual Effects Supervisor: Scott Santoro.
  • CG Imagery: Scott F. Johnston.
  • Digital Compositor: David J. Rowe.
  • Assistant Color Model Mark-Up: Rhonda L. Hicks.
  • Supervising Sound Editors: Richard L. Anderson, Mark A. Mangini.
  • Supervising Music Editor: Adam Milo Smalley.
  • Orchestrations, Cut Song "He Lives In You": Mark Mancina.
  • Music Production Assistance: Nico Golfar.
  • Sound Editor: James Christopher.
  • Dialogue Editor: R. J. Kizer.
  • Foley Mixer: Mary Jo Lang.
  • Sound Re-Recording Mixer: Terry Porter.
  • Sound Effects Librarian: Steve Lee.
  • Sound Transfer: Matthew C. Beville.
  • Software Engineer: Bruce Hatakeyama.
  • Technology Development And Support: Michael T. Sullivan.
  • Technology Production Support: Thomas Moore Jr.
  • Technology Support: Tony Matthews, Alan A. Patel, Mark M. Tokunaga.
  • Technical Assistant: Earl Coffman.
  • Assistant Engineer: Bruno Roussel.
  • Post-Production Administrator: Jeannine Berger.
    • |No||Yes|No|1994-06-24|||Le Roi Lion (French) , El Rey León (Spanish)||2147483647|0|0|0||||8zLx_JtcQVI||||||||/cartoon/25090-Lion_King_1_%BD , /cartoon/7260-Lion_King_II_Simbas_Pride , /cartoons/Walt_Disney_Studios/Television/The_Lion_King_s_Timon_and_Pumbaa/ , /cartoons/Walt_Disney_Studios/Television/The_Lion_Guard/ , http://blog.bcdb.com/disney-animated-film-list/32-lion-king/|Lion King 1½ , Simba's Pride , The Lion King's Timon and Pumbaa , The Lion Guard , Disney Classic Animated Film|||1994-06-15 , 1994-06-24 , 1995-03-03 , 2002-12-25 , 2011-08-26|Limited Release (New York, Los Angeles) , Wide US Theatrical Release date , VHS Masterpiece Collection Release , IMAX Rerelease , 3D Version|||$45 million|$987.5 million|Walt Disney Studios/Feature Films|0 4|Aladdin|921125|admin|1992-11-25|2016-01-03|Aladdin is a street-smart young thief in the mythical city of Agrabah. He meets and falls in love with the Sultan's daughter, Jasmine, an independent soul who, much like Aladdin, seeks escape from her circumstances.

    Jafar, the Sultan's evil vizier, deceives Aladdin into helping him retrieve a magic lamp, which ends up in the possession of Aladdin and his monkey friend, Abu. The lamp's occupant is a lunatic, shape-shifting genie, who promises his master three wishes, and though he cannot make Jasmine fall in love with Aladdin- he can certainly make things easier for him.

    Posing as the rich and handsome Prince Ali, Aladdin completely fails to impress the Princess, and discovers that it was his true self she was interested in all along. Using his own cunning and courage, Aladdin defeats Jafar and his evil schemes, earning princely tide-and the hand of the Princess.|17375|59|2699|No|No|Yes|Yes|No|Yes|9.17|4.63|24|0|0000-00-00 00:00:00|2019-03-16 09:59:05|Aladdin, Jasmine, Abu, Rajah, The Genie, The Sultan, The Flying Carpet, Jafar, Iago|Academy Award Winner, Best Music (Original Score), Alan Menken, 1993.
    Academy Award Winner, Best Original Song, "A Whole New World" (Music: Alan Menken.
    Lyrics: Howard Ashman), 1993.
    Academy Award Nominee, Best Original Song, "Friend Like Me" (Music: Alan Menken.
    Lyrics: Howard Ashman), 1993.
    Academy Award Nominee, Best Sound, David Hudson, Doc Kane, Mel Metcalfe, Terry Porter, 1993.
    Academy Award Nominee, Best Sound Effects Editing, Mark Mangini, 1993.
    Golden Globe Award Winner, Best Original Score, 1993.
    Golden Globe Award Winner, Best Original Song (Motion Picture), "A Whole New World", 1993.
    Golden Globe Award Winner, Special Achievement Award, Robin Williams, 1993.
    Golden Globe Award Nominee, Best Picture (Musical or Comedy), 1993.
    Golden Globe Award Nominee, Best Original Song, "Friend Like Me" (Music: Alan Menken.
    Lyrics: Howard Ashman), 1993.
    Golden Globe Award Nominee, Best Original Song, "Prince Ali" (Music: Alan Menken.
    Lyrics: Howard Ashman), 1993|disney/aladdin1.jpg|disney/aladdin1a.jpg , disney/aladdin2a.jpg , disney/aladdin3a.jpg , disney/aladdin4a.jpg , disney/aladdin5a.jpg , disney/aladdin6a.jpg , disney/Aladdin1.jpg , disney/Aladdin2.jpg|Original Advance Poster , Original Release Poster (Style A) , Original Release Poster (Style B) , Release Poster , Release Poster , Release Poster , The blind Sultan does not see the plans of the evil Jafar. , With Jafar's plans foiled, the freed Genie is on permanent vacation now that all is well.|0||43|Ken Duncan, Tom Sito.
    Supervising Animators: Duncan Marjoribanks (Abu), Glen Keane (Aladdin), Will Finn (Iago), Eric Goldberg (Genie), Andreas Deja (Jafar), Mark Henn (Jasmine), Dave Pruiksma (Sultan), Randy Cartwright (Carpet), Aaron Blaise.
    Character Animator: Barry Temple.
    Lead Animator: T. Daniel Hofstedt (Gazeem, Achmed).
    Effects Animator: Ted Kierscey.
    Animator's Assistant: Randy Haycock (Rajah, Guards), Emily Jiuliano (Jasmine)|Release date reflects the date of general release to the public. This film went into limited release the week before the general release, with shows in Los Angeles and New York.

    With the success of the last film, #31 on the list was eagerly anticipated by audiences all over the world. By all accounts, Aladdin did not disappoint. Still a musical, but heavy on the adventure and the comedy, served up at an energy level that only comic crazy Robin Williams could achieve.

    Aladdin was first proposed by Howard Ashman during the build up to The Little Mermaid in 1988. Beauty and the Beast writer Linda Woolverton took a whack at the story and directors John Musker and Ron Clements picked it from among three projects offered as a follow up to 1989's The Little Mermaid. (The other two projects offered were Swan Lake and King of the Jungle - which would morph into The Lion King).

    Screenwriters Ted Elliott and Terry Rossio were brought in to clean up Musker and Clements first drafts. They dropped Aladdin's mother, and make Jasmine the main female character. Aladdin's was changed from a 13 year old boy to an 18 year old young man. The character was updated to be more like Tom Cruise than Michael J. Fox, and "a little rougher, like a young Harrison Ford." His dancing- and, to some extent, his wardrobe, was inspired by rapper M.C. Hammer. The parrot Iago, originally to be a calm and serious character, was reworked into a manic role inspired by Gilbert Gottfried's character in Beverly Hills Cop II.

    But the production really hit its stride when Robin Williams came on board as the Genie. In an unusual move for an animated film, the directors had Williams' ad-lib all his dialogue. Musker and Clements would give Williams topics and direction for the dialogue, but allow him to just go crazy with his lines. Eric Goldberg, supervising animator for the Genie, then reviewed Williams' recorded dialogue and selected the best gags and lines to fit into each scene. Typically, animators work from established dialogue. But in the case of using a someone so known for on the spot improvisation as Williams, letting him go wild was probably the best way to create more energy ion the film.

    Williams did the film for scale- $75,000- but demanded that neither his name or image could be used to promote the film. Disney reneged on the deal, and this caused a rift between the two that lasted years. The first two direct to video Aladdin sequels featured Dan Castellaneta voicing the Genie because of this. Williams remained miffed at the studio until Katzenberg left, and his replacement Joe Roth apologies for the studio.

    Further controversies continued to follow the film; one was incited by the American-Arab Anti-Discrimination Committee (ADC) who felt the lyrics to the opening song "Arabian Nights" were offensive to their sensibilities. Specifically, they felt the line "Where they cut off your ear if they don't like your face" portrayed Arabs in a demeaning light. In July 1993 the line was changed to "Where it's flat and immense and the heat is intense."

    Later, Anna Runge and the American Life League suggested (among other allegations) that Aladdin says "Good teenagers, take off your clothes," to Rajah the Tiger during the balcony scene. The groups considered this a subliminal reference to promiscuity, and totally inappropriate for inclusion in a film their kids watched endlessly. Disney's official statement was the line reads "Good kitty, take off and go..." and the word "kitty" is overlapped by Rajah's snarl. After the word kitty, a second voice can be heard which has been suggested was accidentally grafted onto the soundtrack. Because of the controversy, Disney replaced the phrase with "Down, kitty" on the DVD release.

    The film was made for about 28 million dollars. It ended up making back 20 million its first weekend, and 207 million US /504 million worldwide in its initial release. A slow climber, it opened as the number two film in the US, but by its fifth week had risen to number one, a rank it held 5 times during its 22 week run. Aladdin is the twenty-sixth highest grossing animated film and the third highest grossing traditionally animated feature worldwide, behind The Lion King and The Simpsons Movie.

    Aladdin set a new record for video sales, according to The Guinness Book of Records. The video was released in North America in October 1993, and had sold over 24 million units in the United States and Canada by April 1994.

    The film achieved record admissions in Brazil, where the video sold 280,000 units, also setting a new record for video sales in that country. The video also set a sales record in Japan (2.2 million copies by 1997).

    Although the sultan allows Aladdin and Jasmine to wed, they don't actually manage this until the end of the second sequel.

    This was the 31th film in the official Disney list of animated films.|Scott Weinger (Aladdin, speaking), Brad Kane (Aladdin, singing), Linda Larkin (Jasmine, speaking), Lea Salonga (Jasmine, singing), Jonathan Freeman (Jafar), Robin Williams (Genie), Douglas Seale (Sultan), Bruce Adler (Merchant, Narrator), Gilbert Gottfried (Iago), Frank Welker (Abu), Jim Cummings (Razoul), Russi Taylor (Rajah), Chris Wahl (Guard), Philip Young (Guard), Kathy Zielinski (Begger the Prisoner, Snake Jafar), Charlie Adler, Jack Angel, Corey Burton, Philip L. Clarke, Jennifer Darling, Debi Derryberry, Bruce Gooch, Jerry Houser, Vera Lockwood, Sherry Lynn, Mickie McGowan, Patrick Pinney, Philip Proctor|John Musker, Ron Clements|Ron Clements, John Musker, Ted Elliott, Terry Rossio.
    Story: Roger Allers|John Musker, Ron Clements.
    Co-Producers: Amy Pell, Donald W. Ernst|Alan Menken.
    Lyrics: Howard Ashman, Tim Rice|H. Lee Peterson.
    Assistant Editor: Eric C. Daroca.
    First Assistant Editor: Sharon Smith Holley|Walt Disney Pictures.|Walt Disney Feature Animation|Buena Vista Pictures Distribution||TechniColor|90|1|1|4|U.S.A.|||4|B0001I561E|B00CCXL9OE|
  • Production Design: Richard Vander Wende.
  • Art Director: Bill Perkins.
  • Artistic Coordinator: Dan Hansen.
  • Assistant Paint Supervisor: Rhonda L. Hicks.
  • Story Artists: Ed Gombert, Burny Mattinson, Rodger Allers, Kevin Harkey, Sue Nichols, Kevin Lima, Kirk Hanson, James Fujii, Larry Lener, Darrel Rooney, Francis Glebas, Rebecca Rees, David Smith, Chris Sanders, Brian Pimental, Patrick Ventura.
  • Key Layout: Dan St. Pierre.
  • Backgrounds Supervisor: Kathy Altieri.
  • Backgrounds: Cristy Maltese, John Emerson.
  • Background Painting: Dan Cooper, Thomas Cardone, Ian Gooding.
  • Breakdown Artist: Noreen Beasley.
  • Paint Make-Up: Irma Velez, Micki Zurcher.
  • CGI Artistic Supervisor: Steve Goldberg.
  • Effects Breakdown: Peter Demund.
  • Visual Effects Animator: Scott Santoro.
  • Digital Compositor: David J. Rowe.
  • Orchestrators: Michael Starobin, Danny Troob.
  • Supervising Sound Editor: Mark A. Mangini.
  • Supervising ADR Editor: Curt Schulkey.
  • Supervising Dialogue Editor, Foley Artist: Alicia Stevenson.
  • Sound Designer: Sandy Berman.
  • Sound Transfer: Matthew C. Beville.
  • Sound Effects Editor: Teresa Eckton, Geoffrey G. Rubay.
  • Foley Mixer: Mary Jo Lang.
  • Foley Artist: John Roesch.
  • Sound Re-Recording Mixer: Terry Porter.
  • Post-Production Administrator: Jeannine Berger.
  • Technical Administrator: Blaine Kennison.
  • Technology Supporter: Mark M. Tokunaga.
  • Software Engineer: Bruce Hatakeyama.
    • |No||Yes|No|1992-11-25|||||2147483647|0|0|0|B003V5HWWA|||G-e06GNDBsY||||||||/cartoon/7273-Return_Of_Jafar , /cartoon/7274-Aladdin_And_The_King_Of_Thieves , http://blog.bcdb.com/disney-animated-film-list/31-aladdin/|Return Of Jafar , Aladdin And The King Of Thieves , Disney Classic Animated Film|||1992-11-18 , 1992-11-25 , 1993-10-01|Limited Release (New York, Los Angeles) , Wide US Theatrical Release date , VHS Masterpiece Collection Release|||$28 million|$504 million|Walt Disney Studios/Feature Films|0 5|Beauty And The Beast|911122|admin|1991-11-22|2016-01-03|In a small French village, the beautiful and intelligent Belle ignores her suitor, the vain and boorish Gaston, as she cares for her father, eccentric inventor Maurice.

    On his way to the fair, Maurice stumbles upon a foreboding castle in the woods, and is thrown into a dungeon by the castle's occupant-a huge savage beast. Belle comes to rescue her ailing father, and offers to take his place as the Beast's prisoner. Belle discovers that the castle's house staff has been transformed into objects by the same magic spell that made their master a beast. In order to break the spell, the Beast must learn to love another and be loved in return.

    As she remains in the castle, Belle and Beast find their apprehension replaced by affection; but Belle misses her father, and the Beast reluctantly allows her to leave.

    Gaston- incensed at Belle's affection for the Beast- leads a mob of townspeople to storm the castle. Belle rushes back in time to confess her love for the Beast, and the spell is broken.|26584|69|4801|No|No|Yes|Yes|No|Yes|9.11|4.45|36|0|0000-00-00 00:00:00|2019-03-16 12:51:10|Belle, Beast, Gaston, Maurice, Le Fou, Philippe, Mrs. Potts, Chip, Cogsworth, Lumiere, Featherduster|Academy Award Winner, Best Music, Original Score, 1992.
    Academy Award Winner, Best Music, Song (Beauty and the Beast), 1992.
    Academy Award Nominee, Best Picture, 1992.
    Academy Award Nominee, Best Music, Song (Be Our Guest), 1992.
    Academy Award Nominee, Best Music, Song (Belle), 1992.
    Academy Award Nominee, Best Sound, 1992.
    Golden Globe Award Winner, Best Motion Picture (Musical or Comedy), 1992.
    Golden Globe Award Winner, Best Original Score (Motion Picture), 1992.
    Golden Globe Award Winner, Best Original Song (Motion Picture), Beauty and the Beast, 1992.
    Golden Globe Award Nominee, Best Original Song (Motion Picture), "Be Our Guest", 1992|disney/bnb1.jpg|disney/bnb1.jpg , disney/bnb2.jpg , disney/bnb3.jpg , disney/bnb4.jpg|Original Release Poster Style A , Original Release Poster Style B , 2002 IMAX Release , 2002 Rerelease|0|254|42|Ken Duncan, Tom Sito; Randy Cartwright (Belle, Asylum Director), Tony Anselmo (Wardrobe), Russ Edmonds (Philippe), Larry White (Wolves).
    Supervising Animators: James Baxter, Mark Henn (Belle), Glen Keane (Beast), Ruben Aquino (as Ruben A. Aquino) (Maurice), Will Finn (Cogsworth), Nik Ranieri (Lumiere), Dave Pruiksma (Mrs. Potts, Chip), Andreas Deja (Gaston), Chris Wahl (Le Fou).
    Character Animator: Barry Temple.
    Clean-Up Character Lead: Emily Jiuliano (Le Fou).
    Effects Animator: Ted Kierscey|Release date reflects the date of general release to the public. This film went into limited release the week before the general release, with shows in Los Angeles and New York. Additional, sneak-peek shows were given at the Lincoln Theater at Disneyland on November 13, 1991.

    The story had always been one Disney wanted to do, starting story work on project in both the 30's and the 50's, but he always found it too challenging. During production on Who Framed Roger Rabbit?, the Disney studio brought back the Beauty and the Beast project and asked Richard Williams, who had directed the animated portions of Roger Rabbit, to direct. Williams declined in favor of continuing work on his long-gestating project The Thief and the Cobbler, but recommenced English animation director Richard Purdum. In an unusual move, Disney CEO Michael Eisner brought in Linda Woolverton as a writer for the project.

    The first version was a non-musical version set in Victorian France. In 1989, Walt Disney Studios chairman Jeffrey Katzenberg decided it was not working and ordered a complete restart to make it more like their recently successful The Little Mermaid project. Richard Purdum resigned the project, and was replaced by Disney newcomers Kirk Wise and Gary Trousdale. The songwriting team of Howard Ashman and Alan Menken, who had been such an important part of The Little Mermaid team, returned to add the music to the project.

    Because of time lost in pre-production on the non-musical version, animation was restricted to two years- about half- the time needed for a film of this stature. The use of the CAPS coloring system helped with this tighter schedule, and added to the artistic pallet of the film. Colors were richer, self-inked lines became the norm, and a vastly more opulent color design was achieved. The CAPS system also allowed shots that could have never been achieved before, specifically the long crane and tracking shot at the top of the ballroom scene.

    From the grand to the sublime, the new CAPS system touched the film. Delicate shading was now possible on moving characters, in a precision never before possible (compare the blush on Snow White's checks to Belles... subtle, but impressive). The light of candles or fires could now be modeled on characters, bringing a level of life-likeness unseen in any previous animated film. The tools available to the animators had been opened wide up, and they took advantage of their new freedom.

    As in The Little Mermaid, the music was instrumental in moving the story along. In a very Broadway-like manner, the story unfolded in a series of production numbers which added to the ability of the animators to move the story along.

    The film was an instant and monster hit. Produced for 25 million, the film brought in over 145 million in North America on its first release. Beauty and the Beast received six nominations for Academy Awards that year, and became the first animated film to be nominated for an Academy Award for Best Picture. The film was instrumental in the Academy of Motion Picture Arts and Sciences opening up a new category for Best Animated Feature in the annual Oscar competitions. Beauty and the Beast did not win best picture that year, but it did win two other Oscars for Best Music, Song (Beauty and the Beast) and Best Music, Original Score.

    But all the success of Beauty and the Beast was also bittersweet; lyricist Howard Ashman died of AIDS six months before the films release. The film was dedicated to him in the closing credits crawl with these words: "To our friend, Howard, who gave a mermaid her voice, and a beast his soul. We will be forever grateful. Howard Ashman: 1950-1991."

    On December 16, 2002, Librarian of Congress James H. Billington announced that Beauty and The Beast was one of 25 "culturally, historically or aesthetically" significant motion pictures that he selected to be added to the National Film Registry.

    A sequence containing the song "Human Again," written by Alan Menken and Howard Ashman for the original movie, was initially cut. It debuted in the Broadway version of the film to great success. This encouraged the filmmakers to restore the sequence to the movie.

    Beauty and the Beast set an all-time record for video sales, according to The Guinness Book of Records. However, this was soon eclipsed by such other Disney animated features as "Aladdin."

    The first Academy Award nomination for producer Don Hahn.

    This was the 30th film in the official Disney list of animated films.|Paige O'Hara (Belle), Robby Benson (Beast), Richard White (Gaston), Jerry Orbach (Lumiere), David Ogden Stiers (Cogsworth, Narrator), Angela Lansbury (Mrs. Potts), Bradley Pierce (Chip), Rex Everhart (Maurice), Jesse Corti (LeFou), Hal Smith (Philippe), Jo Anne Worley (Wardrobe), Brian Cummings (Stove), Alvin Epstein (Bookseller), Tony Jay (Monsieur D'Arque), Alec Murphy (Baker), Kimmy Robertson (Featherduster), Kath Soucie (Bimbette), Mary Kay Bergman (Bimbette), Frank Welker (Footstool, Vocal Effects), Bruce Adler (Villager), Jack Angel (Villager), Scott Barnes (Villager), Vanna Bonta (Villager), Maureen Brennan (Villager), Liz Callaway (Villager), Philip L. Clarke (Villager), Margery Daley (Villager), Jennifer Darling (Villager), George Dvorsky (Villager), Bill Farmer, Bruce Fifer, Johnson Flucker, Larry Hansen, Randy Hansen, Mary Ann Hart, Alexandra Korey, Alex Korey, Phyllis Kubey, Herndon Lackey, Sherry Lynn, Mickie McGowan, Larry Moss, Susan Napoli, Stephani Ryan, Panchali Null, Wilbur Pauley, Jennifer Perito, Caroline Peyton, Patrick Pinney, Philip Proctor, Cynthia Richards-Hewes, Gordon Stanley, Stephen Sturk, Albert de Ruiter|Gary Trousdale, Kirk Wise|Linda Woolverton.
    Story: Roger Allers.
    Original Story: Jeanne-Marie Leprince de Beaumont|Don Hahn.
    Executive Producer: Howard Ashman.
    Associate Producer: Sarah McArthur|Alan Menken.
    Lyrics: Howard Ashman|John Carnachan.
    Assistant Editor: Eric C. Daroca.
    Associate Editor: Gregory Perler|Walt Disney Studios|Walt Disney Feature Animation|Buena Vista Pictures Distribution||TechniColor|84|1|1|4|U.S.A.|||4|B00003CX8Y|B003DZX3US|
  • Art Director: Brian McEntee.
  • Post-Production Coordinator: Jeannine Berger.
  • Camera Operator: Robert Edward Crawford.
  • Story Artists: Roger Allers, Kelly Asbury, Brenda Chapman, Tom Ellery, Kevin Harkey, Robert Lence, Burny Mattinson, Brian Pimental, Joe Ranft, Christopher Sanders, Bruce Woodside.
  • Key Layout Artist: Dan St. Pierre.
  • Layout Supervisor: Ed Ghertner.
  • Layout: Bill Perkins.
  • Background Supervisor: Lisa Keene.
  • Background Supervisor, Florida: Richard John Sluiter.
  • Background Painter: Cristy Maltese.
  • Backgrounds: John Emerson.
  • Titles: Nina Saxon.
  • Breakdown Artist: Noreen Beasley.
  • Key Assistant: Ken Cope.
  • Live Action Model: Sherri Stoner, Peter Hastings.
  • Effects Inbetweener: Peter Demund.
  • CGI Artistic Director: Jim Hillin.
  • Digital Compositor: David J. Rowe.
  • Color Model Mark-Up: Rhonda L. Hicks.
  • Digital Film Print Supervisor: Ariel Velasco-Shaw.
  • Supervising Sound Editor: David E. Stone, Mark A. Mangini.
  • Sound Editor: Julia Evershade.
  • Foley Artists: Vanessa Theme Ament, John Roesch, Catherine Rowe.
  • ADR Editor: Julia Evershade.
  • Sound Re-Recording Mixer: Terry Porter.
  • Sound Transfer: Matthew C. Beville.
  • Orchestrators: Michael Starobin, Danny Troob.
  • Engineer: Mark M. Tokunaga.
  • Software Engineer: Bruce Hatakeyama.
    • |No||Yes|No|1991-11-22|||La Belle Et La Bête (French)||2147483647|0|0|0|B0060D13XY|||oeoPtz0F2Ck||||||||/cartoon/7272-Beauty_And_The_Beast_The_Enchanted , /cartoon/7271-Belles_Magical_World , http://blog.bcdb.com/disney-animated-film-list/30-beauty-and-the-beast/|Beauty And The Beast Enchanted Christmas , Belle's Magical World , Disney Classic Animated Film List|||1991-09-29 , 1991-11-13 , 1991-11-15 , 1991-11-22|New York Film Festival Work In Progress Preview , Sneak-Peek at Lincoln Theater at Disneyland , Limited Release (New York, Los Angeles) , General Theatrical Release|||$25 million|$425 million|Walt Disney Studios/Feature Films|0 6|Hercules|970627|admin|1997-06-27|2016-01-03|A Disney update of classic mythology. Hercules, the son of the Greek Gods Zeus and Hera, is abducted from his Mount Olympus home and taken to Earth by Pain and Panic- the sidekicks of Hades, the God of the Underworld. The fiery figure sees Zeus's son and an obstacle to his plans to take over Olympus. Pain and Panic bungle their mission by not administering the whole bottle of poison, which leaves the infant with god-like strength but human mortality.

    As Hercules grows up, he discovers the truth of his origins, and sets out to prove himself a true hero (with the help of veteran hero-trainer Philoctetes) so he can return to his home on Olympus. Hades tries to kill him with a variety of calamities including a multi-headed Hydra, a Minotaur, a Cyclops and an army to Titans. Along the way, Herc meets and falls in love with Megara, not knowing she is another of Hades pawns. Only after saving her from the Underworld does Hercules discover what it really is to be a hero.|14214|41|2588|No|No|Yes|Yes|No|Yes|7.17|3.54|16|0|0000-00-00 00:00:00|2019-03-16 09:23:00|Hercules, Philoctetes, Pegasus, Hades, Megara, Pain, Panic, Zeus, Hera, Alcmene, Amphitryon, Hermes, The Fates, Cyclops, Calliope, Clio, Melpomene, Terpsichore, Thalia|Academy Award Nominee, Best Music, Song, "Go The Distance", 1998.
    Golden Globe Nominee, Best Original Song- Motion Picture, "Go The Distance", Alan Menken (Music), David Zippel (Lyrics), 1997|disney/hercules1.jpg|disney/hercules1.jpg , disney/hercules4.jpg , disney/hercules5.jpg , disney/hercules2.jpg , disney/hercules3.jpg|Pre-Release Teaser Poster , Pre-Release Teaser Poster , Pre-Release Teaser Poster , Pre-Release Teaser Poster , Release Poster|0|4347-999|49|Sahin Ersoz, Colbert Fennelly, David Kuhn, Mike Kunkel.
    Animator, Hades: James Baker.
    Animator, Baby, Young Hercules: Robb Pratt.
    Animator, Muses: T. Daniel Hofstedt.
    Supervising Animators: Richard Bazley, Randy Haycock (Baby, Young Hercules), Andreas Deja (Hercules), Ken Duncan (Megara), Eric Goldberg (Phil), Ellen Woodbury (Pegasus), Nik Ranieri (Hades), Brian Ferguson (Pain), James Lopez (Panic), Oskar Urretabizkaia (Hydra), Mike Show (Muses), Nancy Beiman (Fates), Chris Bailey (Nessus).
    Character Animator: Mark Pudleiner (Megara).
    Effects Animator: Kevin M. O'Neil|June 14, 1997 reflects limited release showing. National release began on June 27, 1997.

    In most versions of the Greek mythology, Hera is the antagonist while Hades is a neutral character. Here, it's the other way around.

    This was the 35th film in the official Disney list of animated films.|Tate Donovan (Hercules), Joshua Keaton (Young Hercules), Roger Bart (Young Hercules, singing), Danny DeVito (Philoctetes), James Woods (Hades), Susan Egan (Megara), Bobcat Goldthwait (Pain), Matt Frewer (Panic), Rip Torn (Zeus), Samantha Eggar (Hera), Barbara Barrie (Alcmene), Hal Holbrook (Amphitryon), Paul Shaffer (Hermes), Amanda Plummer (The Fates), Carole Shelley (The Fates), Paddi Edwards (The Fates), Patrick Pinney (Cyclops), Lillias White (Calliope), Vanñese Y. Thomas (Clio), Cheryl Freeman (Melpomene), La Chanze (Terpsichore), Roz Ryan (Thalia), Corey Burton (Titans, Burnt Man, End-of-the World Man, Tour Bus Guide), Jim Cummings (Nessus, Pot Maker, Tall Thebian, Elderly Thebian), Keith David (Apollo), Mary Kay Bergman (Earthquake Lady, Wood Nypmh, Water Nymph, Earth Nymph, Teenage Girls), Kathleen Freeman (Heavyset Woman), Bug Hall (Little Boy), Kellen Hathaway (Little Boy), Wayne Knight (Demetrius), Aaron Michael Metchik (Ithicles), Charlton Heston (Narrator), Tawatha Agee, Jack Angel, Shelton Becton, Bob Bergen, Rodger Bumpass, Jennifer Darling, Debi Derryberry, Bill Farmer, Milt Grayson, Sherry Lynn, Mickie McGowan, Denise Pickering, Phil Proctor, Jan Rabson, Riley Steiner, Fronzi Thornton, Erik von Detten, Ken Williams|John Musker, Ron Clements|John Musker, Ron Clements, Don McEnery, Irene Mecchi, Bob Shaw.
    Story: Barry Johnson|Ron Clements, Alice Dewey, John Musker.
    Executive Producer: Howard Ashman.
    Associate Producer: Kendra Haaland|Alan Menken.
    Lyrics: David Zippel|Tom Finan, Robert W. Hedland.
    Animation Editor: James Melton.
    Assistant Editors: Julie Rogers, John K. Carr, Jeff Jones|Walt Disney Studios|Walt Disney Feature Animation|Buena Vista Pictures Distribution||TechniColor|93|1|1|4|U.S.A.|||4|B00004R99S|B00K5ZXJFI|
  • Casting: Ruth Lambert.
  • Casting Assistants: Stephen Blackehart, James Curreri, Tamlyn Freund, Meredith Layne.
  • Production Design: Gerald Scarfe.
  • Art Director: Andy Gaskill.
  • Assistant Production Manager, Story and 3-D Effects: Kevin Susman.
  • Costume Design: Kate Bergh.
  • Assistant Costume Designer: Jane Holland.
  • Artistic Coordinator: Tom Mazzocco.
  • Production Coordinator, Interstitials: Lorry Ann Shea.
  • Production Stylist: Sue C. Nichols.
  • Camera Operator, Digital Camera: David J. Rowe.
  • Story Animation Supervisor: Barry Johnson.
  • Story Artist: Randy Cartwright, Vance Gerry, Kaan Kalyon, Kelly Wightman.
  • Scene Planner: Mark Henley.
  • Artist: Frank Dietz.
  • Key Visual Development: Gay Lawrence, Valerio Ventura.
  • Layout Artist: Rasoul Azadani, Robert Cardone.
  • Backgrounds: Thomas Cardone.
  • Rough Inbetweener: Noreen Beasley.
  • Inbetweener: Stuart M. Ellis.
  • Props: Philip Ivey.
  • Title Designer: Susan Bradley.
  • Special Effects Supervisor, Paris Effects Unit: Peter Demund.
  • Visual Effects Supervisor: Mauro Maressa.
  • Visual Effects: Colbert Fennelly.
  • Effects Technical Director: Chris Hummel.
  • Supervising Visual Effects Animators: James Devalera Mansfield, Dorse A. Lanpher.
  • Key Assistant Clean-Up Artist: Emily Jiuliano (Hercules).
  • Effects Technical Director: Chris Hummel.
  • Technical Director: Kee-Suk 'Ken' Hahn.
  • Render I/O Technical Lead: Mark M. Tokunaga.
  • Digital Ink and Paint Artists: Dawn Gates, Nika Dunne.
  • Digital Trainer: Caleb Gonzalez.
  • Compositor: Jason Buske.
  • Computer Graphics Technical Director: Jeff Wolverton.
  • CGI Technical Director, Hydra: Sergi Sagas.
  • Executive Music Producer: Chris Montan.
  • Executive Music Producer, Lyricist "No Importa La Distancia": Renato Lopez.
  • Lyricist, "No Importa La Distancia": Javier Ponton.
  • Conductor, Music Arranger, "Go The Distance": Jeremy Lubbock.
  • Conductor, Music Arranger, Vocal Arrangements: Michael Kosarin.
  • Music Production Supervisors: Ted Cooper, Tod Cooper.
  • Music Producer: Alan Menken.
  • Music Producer, "I Won't Say I'm In Love": Pascal Gabriel.
  • Music Producer, "No Importa La Distancia": Ian Blake.
  • Music Producer, "Shooting Star": Nigel Wright.
  • Music Producer, "The Gospel Truth" and "A Star Is Born": Alan Glass.
  • Music Arranger, Orchestrator: Danny Troob.
  • Music Arrangers, Producers, "Go The Distance": Walter Afanasieff, Michael Bolton.
  • Music Arranger, Producer, "No Importa La Distancia": K.C. Porter.
  • Music Arranger, Musician, "I Won't Say I'm In Love": Paul Statham.
  • Music Arranger, Strings, "Shooting Star": Pete Adams.
  • Music Engineer, "Shooting Star": Robin Sellars.
  • Music Engineer, Drum Programmer, "The Gospel Truth" and "A Star Is Born": Sheridan Tongue.
  • Music Programmer, "Shooting Star": Lee McCutheon.
  • Orchestra Contractors: Sandy De Crescent, John Miller.
  • Orchestrator, "Go The Distance": John Kurlander.
  • Additional Score Orchestrators: Brian Besterrman, Michael Starobin.
  • Supervising Music Copyist: Dominic Fidelibus.
  • Musician, Live Piano, "The Gospel Truth" and "A Star Is Born": Robbie Taylor.
  • Musician, Organ, "The Gospel Truth" and "A Star Is Born": Luke Smith.
  • Muscian, Guitars, "The Gospel Truth" and "A Star Is Born": Milton MacDonald.
  • Vocal Contractors: Bobbi Page, Fonzi Thornto.
  • Singers, "Go The Distance": Roger Bart, Michael Bolton.
  • Singer, "I Won't Say I'm In Love": Belinda Carlisle.
  • Singer, "No Importa La Distancia": Ricky Martin.
  • Singer, "Shooting Star": Boyzone.
  • Singer, "The Gospel Truth" and "A Star Is Born": Jocelyn Brown.
  • Singers, "The Gospel Truth", "A Star Is Born", "A True Hero/A Star Is Born" and "Zero To Hero": Cheryl Freeman, La Chanze, Lillias White.
  • Singer, "Zero To Hero": Tawatha Agee.
  • Singer, "Gospel Truth", "A Star Is Born", "A True Hero/A Star Is Born" and "Zero To Hero": Roz Ryan.
  • Background Singers, "A Star Is Born" and "The Gospel Truth": Lance Ellington, Hazel Fernandez, Juliette Roberts.
  • Background Singer, "I Won't Say I'm In Love": Anna Ross.
  • Supervising Sound Editor: Tim Holland.
  • Sound Designer: Gary Rydstrom.
  • Foley Editors: Mary Helen Leasman, Marian Wilde.
  • Foley Artists: Dennie Thorpe, Jana Vance.
  • Music Editors: Kathleen Fogarty-Bennett, Earl Ghaffari.
  • Assistant Music Editor: Daniel Gaber.
  • Score Mixer, Recordist: John Richards.
  • Song Recordists: John Richards, Frank Wolf.
  • Sound Recordists "Go The Distance": Dana Jon Chappelle, David Reitzas.
  • Additional Song Recordists: Josh Abbey, Michael Pollack.
  • Sound Mixers, Songs: John Richards, Frank Wolf.
  • Sound Mixer, Song "Go The Distance": Mick Guzauski.
  • Music Recording Assistants: Thom Cadley, Tom Hardisty, David Marquette, Andrew Page, Brian Vibberts, Paul Wertheimer.
  • Sound Re-Recording Mixer: Shawn Murphy.
  • Additional Production Supporter: Tony Matthews.
  • Production Assistant: Carrie Wilksen.
  • Technical Coordinator: Ann Tucker.
  • Senior Technology Managers: Edward Kummer, Enrique Santos, Dean Schiller.
  • Technology Manager: Kirk Bodyfelt, Ben Croy, Michael R. Fodor, Kevin J. Hussey, Michael Jedlicka, Edwin R. Leonard, Thomas Moore Jr., James J. Sepe.
  • Multimedia Administrator: Dominique Patard.
  • Software Engineer: Andy King.
  • Technology Crew: Hans Ku, Lyle S. Nojima.
  • Technology Production Support: Graham S. Allan, Richard M. Barnes, Frank N. Bassi, Michael S. Blum, Brad Brooks, Letha L. Burchard, Mark R. Carlson, Nhi H. Casey, Bernard O. Ceguerra, Loren Chun, Peter Chun, Ray C. Coleman, Maria De Jesus Gomez, Ludovic Delmond, Jerry A. Eisenberg, Norbert Faerstain, Robert Falco, Todd Friedline, Mark Gilicinski, John D. Hoffman, Le Hua, Dave Kagels, Kevin E. Keech, Gordon Kent, Michael R. King, Christina C. Lau, Li-Ming 'Lawrence' Lee, Jean Mandonnet, Robert A. Mortensen, Jack Muleady, Jeff Nash, Troy R. Norin, Alan A. Patel, Todd Scopio, Kevin P. Shauger, Jeffrey Sickler, John Stimson, Sandy Sunseri, Joe Suzow, Warren Lee Theriot, Laurie Tracy, David Troude.
  • Additional Technology Supporters: Raul Anaya, Michael C. Bolds, Brent Burley, Lawrence Chai, Gina Chen, Carol J. Choy, Charlie Collins, Michael Deerkoski, Scott Dolim, Elena Driskill, Dale Drummond, Scott Garrett, Steven L. Groom, Don Gworek, Gregory S. Heflin, Jason Hilkey, Bill James, Mark Jankins, Mark Kimball, R. Todd King, Stanley B. Lippmann, Brad Lowman, Michael Neville, Neil Okamoto, John Outten, Carlos Quinonez, Charles Stoner, Michael Sullivan, Scott S. Terek, Dave Tonnesen, Jon Y. Wada, Mark R. Wilkins, Derek E. Wilson.
  • Special Thanks: Dick Caldwell.
    • |No||Yes|No|1997-06-27|||||2147483647|0|0|0|B003SI3URQ|||_oAJX-WaeHM||||||||/cartoon/100520-Hercules_Zero_to_Hero , http://blog.bcdb.com/disney-animated-film-list/35-hercules/|Zero to Hero , Disney Classic Animated Film List|||1997-06-14 , 1997-06-27 , 1998-02-03|Limited Release (New York, Los Angeles) , Wide US Theatrical Release date , VHS Masterpiece Collection Release|||$85 million|$252.7 million|Walt Disney Studios/Feature Films|0 7|Mickey Mouse|281118|admin|1928-11-18|2019-03-07|Mickey Mouse made his screen debut on November 18, 1928, as star of the first synchronized sound cartoon, Steamboat Willie, at the Colony Theatre in New York. Walt Disney created Mickey early in 1928 as Disney was returning from a meeting at which his cartoon creation, Oswald the Rabbit, had been wrested from him by his financial backers. Since the character was copyrighted under their name, they took control of it.

    Upon returning to his studio, Walt and his small staff immediately began work on the first Mickey Mouse cartoon, Plane Crazy (1928). Their enthusiasm faded when no distributor wanted to buy the film. Refusing to give in, Walt forged into production on another silent Mickey, The Gallopin' Gaucho (1928). But "the talkies" had debuted in late 1927 with The Jazz Singer. Seeing sound films as the future of the motion picture industry, Walt began a third Mickey cartoon, this one with sound- Steamboat Willie.

    Walt sank everything he had into the film, and it scored an overwhelming success, so Walt added sound to Plane Crazy and The Gallopin' Gaucho, and soon had three hit shorts. As with all of Mickey's pictures through World War II, Walt himself supplied Mickey's voice. (Veteran Disney sound and vocal effects man Jim Macdonald took over for Walt in 1947. Wayne Allwine became Mickey's voice with Mickey's Christmas Carol in 1983, a role he has held ever since.)

    Of Mickey's 121 short cartoons, 87 were produced in the 1930's. Mickey played everything from fireman to giant killer, cowboy to inventor, detective to plumber. Technically and artistically, Mickey Mouse cartoons were far superior to other contemporary cartoons and gave life to an entire family of animated characters: Goofy, Pluto, Donald Duck, and many others. Their artistic success was honored with an Academy Award to Walt Disney in 1932 for having created Mickey.

    With the advent of World War II, the Disney Studio suspended nearly all commercial activity and concentrated on aiding the war effort. Mickey played his part by appearing on insignia and posters urging national security and the purchase of war bonds. Following the war, Mickey returned to making cartoons and appeared in his second feature, Fun and Fancy Free (1947), in which he co-starred with Donald Duck and Goofy in a new version of "Jack and the Beanstalk."

    Through the forties and early fifties, Mickey made fewer cartoons, giving ground to Donald, Goofy and Pluto, who were more flexible as characters. Mickey's evolution into a Disney symbol made it increasingly difficult to create story situations for him. If he lost his temper or did anything sneaky, fans would write in insisting, "Mickey just wouldn't do that."

    After the success of the "Disneyland" television show in 1954, Disney agreed to create an afternoon program for ABC. He gave them "The Mickey Mouse Club," which remains one of the most successful children's shows ever.

    Over the years, Mickey has been frequently seen on dozens of Disney television shows and specials, and in 1988, he actually appeared on the Academy Awards(r) telecast, presenting an envelope to actor Tom Selleck.

    In 1983, Mickey returned to the theater screen in the featurette Mickey's Christmas Carol, a Disney version of the Dickens classic, where Mickey played Bob Crachit. In 1990, Mickey again appeared in a theatrical featurette, this time playing a dual role in The Prince and the Pauper. In 1995, a new theatrical short cartoon for Mickey, Runaway Brain, was released.

    One of the finest tributes to Mickey was given by Walt Disney himself when, on one of his first TV shows, as he surveyed Disneyland, Walt said, "I hope we never lose sight of one fact... that this was all started by a Mouse.|18104|123|0|No|No|Yes|Yes|No|Yes|4.5|4.34|27|0|1955-11-11 00:00:00|2019-03-16 08:37:43|||disney/mic/steamboat1.gif.jpg|disney/mickey_logo1.jpg|Modern Model of Mickey Mouse|0||0|||Walt Disney (1928-1942)
  • Jim Macdonald (1946-1960's)
  • Les Perkins (1980's)
  • Wayne Allwine (Late 1980's-2009)
  • Bret Iwan (2009-current)
  • Chris Diamantopoulos (2013-current)|Walt Disney|||||Walt Disney Studios||||Black & White, Color||3|0|11|U.S.A.|||3||||No||No|No|1928-11-18|||||2147483647|0|0|0||||||||||||||||||||||0000-00-00|Walt Disney Studios/Characters|0 8|Donald Duck|340609|admin|1934-06-09|2019-03-07|He is one of the world's most famous and beloved personalities. He is an Academy Award winner. He is an American original. He is the incarnation of every man, facing life boldly against all odds. He is a duck.

    Universally acclaimed, Donald Duck has become one of filmdom's most popular citizens with movie fans in 76 countries, readers who follow his daily comic strip in 100 foreign newspapers, friends who read his comic books published in 47 nations and television families who watch him in 29 countries.

    The web-foot wonder was actually "born" with the June 9,1934, release of Walt Disney's The Wise Little Hen, in which the sailor-suited duck danced a jaunty hornpipe. Donald's success story truly began in the early 1930's when Walt Disney heard a Los Angeles radio personality named Clarence Nash creating animal sounds. When Nash performed a nervous recitation of "Mary Had a Little Lamb," (in a voice that he had intended as a frightened baby goat) Walt Disney declared, "That's our talking duck!" For the next fifty years, Clarence "Ducky" Nash provided Donald's distinctive voice, until his death in 1985. Disney animator Tony Anselmo- personally trained by Nash in the quacker's art- took over for Ducky.

    Following The Wise Little Hen, Donald's next appearance was in Orphan's Benefit (1934). He was given more lines in his second role, and his personality began to take shape. His short-fused temper, explosive tantrums, and flustered incompetence in the face of obstacles and irritants had audiences delirious with laughter at his antics-and empathizing with his enraged response to life's frustrations. By 1937, Donald had become a star.

    In that year's Don Donald, the gallant bird wooed an exotic senorita named Donna, who later evolved into Daisy Duck-every bit Donald's match in independent thinking, fortitude and tenacity Naturally, they've been crazy for each other since. And in a 1938 cartoon tided Donald's Nephews, Donald's sister, Dumbella, sent three hellion nephews- Huey, Dewey and Louie- for Donald to look after. She still hasn't come back for them.

    Donald's rise to fame led to roles in more than 150 short subjects, as well as appearances in the feature films The Reluctant Dragon (1941), Saludos Amigos (1943), The Three Caballeros (1945), and the featurettes Mickey's Christmas Carol (1983) and The Prince and the Pauper (1990). Donald's piano duel with a daffy cartoon colleague was a highlight of Who Framed Roger Rabbit (1988).

    Der Fuehrer's Face (1943), one of the most famous Donald Duck cartoons ever made, won the Academy Award as Best Cartoon Short Subject of 1942-43. Although Donald was drafted in 1942, the Army overlooked one thing-his discharge. Finally, in 1984, the U.S. Army granted an honorable discharge to Private Donald Fauntleroy Duck.

    Besides features and cartoon shorts, Donald has also starred in a number of "awareness" featurettes and educational films including Donald in Mathmagic Land (1959) and Donald's widely-screened safety production, Donald's Fire Survival Plan (1966).

    When Walt Disney entered the television industry in 1954, Donald Duck was right at his side, making numerous appearances over three decades on the many Disney television shows. The Disney Channel has created yet another venue for Donald, in a variety of programming including his series Quack Attack, seen weekday mornings.

    In 1984, Donald received one of the greatest show-biz honors, when he left his webbed footprints in cement in a ceremony at the world-famous Chinese Theater in Hollywood. And, of course, Donald personally greets millions of guests annually at Disneyland.

    To Donald's adoring public, this quote from Noel Coward's Brief Encounter seems very appropriate: "Thank heaven for Donald Duck.|9746|61|0|No|No|Yes|Yes|No|Yes|10|4.54|13|0|1955-11-11 00:00:00|2019-03-16 08:41:10|||disney/char/donald.jpg|||0||0|||Clarence "Ducky" Nash
  • Tony Anselmo (current)|Wilfred Jackson|||||Walt Disney Studios||||Color||3|0|11|U.S.A.|||3||||No||No|No|1934-06-09|||||2147483647|0|0|0||||||||||||||||||||||0000-00-00|Walt Disney Studios/Characters|0 9|Goofy|320512|admin|1932-05-12|2019-03-10|The character we know today as Goofy first appeared more than six decades ago in Mickey's Revue (1932). Then a bit player (as an obnoxious "laughter" in a barnyard audience). He sported whiskers and square spectacles and was called Dippy Dawg.

    Walt Disney often described the physical humor used in the Studio's cartoons as "goofy," and with Orphan's Benefit (1934), that name officially stuck to this affable character. But Goofy's personality really began to take shape in the 1935 cartoon Moving Day, in which animator Art Babbitt built up Goofy's role and gave his character definition.

    Goofy's "rube" voice and distinctive guffawing laugh were the creation of gag-man Pinto Colvig. Colvig later put a similar voice to use when he created Bozo the Clown for Capitol Records in 1946, but occasionally returned to the studio to voice Goofy until his death in 1967. Several "fill-in" actors have voiced Goofy, but Bill Farmer has been the official "a-hyuck" since 1987.

    The second half of the 1930's was a golden age for Disney cartoon shorts, and Goofy was teamed with Mickey and Donald in a variety of comedy situations that frequently ended in chaos. Shorts such as Mickey's Service Station (1935), Lonesome Ghosts (1937), Clock Cleaners (1937), Boat Builders (1938), and Mickey's Trailer (1938) looked at how each of the three characters reacted to similar circumstances. Goofy's first solo cartoon was Goofy and Wilbur (1939).

    In 1941, Goofy began starring in a series of popular "how to" sporting films including The Art of Skiing (1941) and How to Play Baseball (1942). In these shorts, Goofy responds in pantomime to a droll, professorial narration, the stodgy seriousness of the narrator playing in sharp contrast to Goofy's clumsy demonstrations. The result is a hilarious visual depiction of "how not to" accomplish the task being described. But through it all, Goofy remains undaunted, ready to move on to the next lesson. It is probably for this series of nearly two-dozen cartoons that Goofy's film career is most fondly remembered.

    In the 1950's, Goofy was frequently cast in suburban settings as the "common man," occasionally with wife and son, to showcase some of the pitfalls of modern living. In this unusual guise, he was often known as Mr. George Geef, and even shed his distinctive voice for some of these roles. This mature role for Goofy utilized his skills as an "actor" rather than playing upon his traditional persona.

    After Disney ceased production of short cartoons in 1956, Goofy and all the classic characters got a new lease on life through the medium of television. Goofy was frequently seen on the Disney television show and has been an integral part of The Disney Channel since its inception in 1983.

    In 1992, Goofy became the first of the classic Disney "gang" (Mickey, Minnie, Donald, Goofy and Pluto) to star in his own television series, Goof Troop, which features him in a contemporary setting, as a single father with an eleven-year-old son, Max. The popularity of the series led to the production of a full-length animated feature starring Goofy and Max, A Goofy Movie (1995).

    Why is Goofy so enduringly popular? Primarily, it's because he's funny. In any language, with any age group, Goofy's antics always communicate. But beyond that, it is the source of his humor. Audiences see Goofy ever-valiantly attempting things that they might fear themselves, and "goofing" them up in a way they fear they might. And yet, shining through it all are the qualities to which most people would aspire; Goofy is cheerful, eternally loyal, and always willing to help his friends. He has a gentle, childlike innocence and wonder about the world around him. And-perhaps most important of all- Goofy always assumes the best in mankind.|9917|95|0|No|No|Yes|Yes|No|Yes|9.33|3.69|12|0|1955-11-11 00:00:00|2019-03-16 11:02:09|||disney/char/goofy.jpg|||0||0|||Pinto Colvig (1932-1965)
  • George Johnson (1939-1940)
  • Bob Jackman (1951)
  • Hal Smith (Mickey's Christmas Carol, 1983)
  • Tony Pope (1980's)
  • Will Ryan (1980's)
  • Bill Farmer (current)|Wilfred Jackson|||||Walt Disney Studios||||Black & White, Color||3|0|11|U.S.A.|||3||||No||No|No|1932-05-12|||||2147483647|0|0|0||||||||||||||||||||||0000-00-00|Walt Disney Studios/Characters|0 10|The Rescuers Down Under|901116|admin|1990-11-16|2016-01-03|In Australia, the young Cody discovers that evil poacher Perceval McLeach has captured the magnificent eagle, Marahute. He manages to set her free- only to be kidnapped himself and see Marahute later recaptured. A frantic call for help goes out to the Rescue Aid Society, which sends Miss Bianca and Bernard to help Cody. The two are aided by Wilbur the albatross, Jake, a kangaroo mouse, and Frank, a frill-necked lizard. Together Cody and his animal friends outwit McLeach and free his animal prisoners-including Marahute.|13936|45|4390|No|No|Yes|Yes|No|Yes|5.86|3.21|19|0|0000-00-00 00:00:00|2019-03-16 03:13:02|Bernard, Miss Bianca, Wilbur, Jake, Cody, McLeach, Frank, Krebbs, Joanna, Chairman, Doctor, Red, Baitmouse, Francois, Faloo, Mother, Nurse Mouse, Radio Announcer, Airplane Captain, French Mouse, International Mice||disney/rescuers_du1.jpg|disney/rescuers_du1.jpg , disney/rescuers_du2.jpg|Original Release Poster Style A , Original Release Poster Style B|0||41|Ruben Aquino, David Cutler, Anthony de Rosa, Ken Duncan, Russ Edmonds, Ed Gombert, Mark Henn, Duncan Marjoribanks, Jacques Muller, Nik Ranieri, Kathy Zielinski.
    Supervising Animator: Glen Keane (Marahute).
    Special Effects Animator: Randy Fullmer.
    Effects Animator: Ted Kierscey|1990's The Rescuers Down Under has two very important distinctions: it was both the first fully animated using Disney's new CAPS coloring system and it was their first animated sequel. It was based on the characters from the hit 1977 Disney animated feature The Rescuers, which, in turn, was based on the novels Miss Bianca and The Rescuers, both written by Margery Sharp.

    Animated by a team of over 415 artists and technicians, this was the first animated film that takes place in Australia. As would become commonplace for films in the Disney Renaissance, members of the animation team traveled to the locations from the film to get a feel for the real places depicted in the film.

    Beginning with this film, final color animation was accomplished using a digital method of importing the animators drawings called CAPS (Computer Animation Production System), which was developed for Disney by a northern California computer company called Pixar.

    It is important to understand CAPS is not computer animation. Animation was still done by hand in the time-honored style. CAPS took those completed drawings and imported them into a computer environment. There, the drawings could be manipulated, resized, colored and copied as needed by the production on demand.

    The CAPS system would save substantial amounts of time and money by eliminating the whole step of inking and painting cels; in fact, cels became a relic of the past. By working in the digital realm, the multi-plane camera and other optical effects used in the production of animated films could be previewed in real time rather than after days or weeks of animation and optical work.

    The Rescuers Down Under does not include any musical numbers, only the second film to exclude character songs.

    Released with the featurette "The Prince and the Pauper."

    This was the 29th film in the official Disney list of animated films.|Bob Newhart (Bernard), Eva Gabor (Miss Bianca), John Candy (Wilbur), Tristan Rogers (Jake), Adam Ryen (Cody), George C. Scott (McLeach), Wayne Robson (Frank), Douglas Seale (Krebbs), Frank Welker (Joanna, Special Vocal Effects), Bernard Fox (Chairman, Doctor), Peter Firth (Red), Billy Barty (Baitmouse), Ed Gilbert (Francois), Carla Meyer (Faloo, Mother), Russi Taylor (Nurse Mouse), Peter Greenwood (Radio Announcer, Airplane Captain [uncredited]), Phil Proctor (French Mouse), Mickie McGowan (International Mice), Charlie Adler, Jack Angel, Vanna Bonta, Patrick Pinney|Hendel Butoy, Mike Gabriel|Jim Cox, Karey Kirkpatrick, Joe Ranft, Byron Simpson.
    Original Books The Rescuers, Miss Bianca: Margery Sharp|Thomas Schumacher.
    Associate Producer: Kathleen Gavin|Bruce Broughton|Michael Kelly|Walt Disney Studios|Walt Disney Feature Animation|Buena Vista Pictures Distribution||TechniColor|74|1|1|4|U.S.A.|||4|B0084IHVUC|B0084IHVQG|
  • Art Director: Maurice Hunt.
  • Storyboard Artist: Gary Trousdale.
  • Layout Artist: Bill Perkins.
  • Background Painter: Cristy Maltese.
  • Assistant Paint Supervisor: Rhonda L. Hicks.
  • Key Visual Development: Gay Lawrence, Valerio Ventura.
  • Breakdown Artist: Noreen Beasley.
  • Supervising Character Lead: Emily Jiuliano.
  • Effects Inbetweener: Peter Demund.
  • Digital Compositor: Disney: David J. Rowe.
  • Digital Production System Developers: Randy Cartwright, David Coons, Lem Davis, Jim Houston, Mark Kimball, Dylan Kohler.
  • Software Engineers, Pixar: Thomas Hahn, Peter Nye, Michael Shantzis.
  • Orchestrator: Mark McKenzie.
  • Supervising Sound Editor: Paul Timothy Carden.
  • Sound Re-Recording Mixer: Terry Porter.
    • |No||Yes|No|1990-11-16|||||2147483647|0|0|0|B003QS65MK|||||||||||/cartoon/40-Rescuers , /cartoon/6450-Prince_And_The_Pauper , http://blog.bcdb.com/disney-animated-film-list/29-rescuers-down-under/|Rescuers , The Prince and the Pauper , Disney Classic Animated Film List|||1990-11-16 , 1991-09-20|Original US Theatrical Release date , VHS Release||||$27.9 million|Walt Disney Studios/Feature Films|0 11|The Little Mermaid|891117|admin|1989-11-17|2016-10-20|A beautiful mermaid, Ariel, is fascinated by the human world-much to the dismay of her father King Triton, ruler of the Mer-people. Ariel spies handsome Prince Eric and falls hopelessly in love. Sebastian, the crab, is sent by Triton to keep an eye on Ariel, but he cannot stop her from saving Eric's life during a storm at sea.

    Ursula, the sea witch, plots to grant Ariel's wish to be human and marry her prince, but only as part of a larger scheme to gain control of Triton's undersea kingdom. In the end, Eric and Ariel join forces to destroy Ursula, and Ariel, transformed into a human, is given Triton's blessing to marry Prince Eric.|25170|56|4121|No|No|Yes|Yes|No|Yes|9.26|4.59|23|0|0000-00-00 00:00:00|2019-03-16 10:22:18|Ariel, Eric, Sebastian, Flounder, Triton, Ursula/Vanessa, Flotsam, Jetsam, Scuttle, Louis, Grimsby, Carlotta|Academy Award Winner, Best Music, Original Score, 1990.
    Academy Award Winner, Best Music, Song ("Under The Sea"), 1990.
    Academy Award Nominee, Best Music, Song ("Kiss The Girl"), 1990.
    Golden Globe Award Winner, Best Original Score (Motion Picture), 1990.
    Golden Globe Award Winner, Best Original Song (Motion Picture), "Under the Sea", 1990.
    Golden Globe Award Nominee, Best Picture (Musical or Comedy), 1990.
    Golden Globe Award Nominee, Best Original Song (Motion Picture), "Kiss the Girl", 1990|disney/mermaid1.jpg|disney/lit_mer_1.jpg , disney/lit_mer_4.jpg , disney/lit_mer_2.jpg , disney/lit_mer_3.jpg|Advance Poster , Advance Poster B , Original Release Poster Style A , Original Release Poster Style B|0||39|David Stephan, Phil Young, Anthony de Rosa, Doug Krohn, David A. Pacheco, Tony Anselmo, Chris Bailey, James Baxter, Michael Cedeno, David Cutler, Russ Edmonds, Rick Farmiloe (Scuttle), Tony Fucile, Chuck Harvey, Ron Husband, Jay Jackson, Dan Jeup, Leon Joosen, Shawn Keller, Jorgen Klubien, Rob Minkoff, David Pruiksma, Nik Ranieri, Tom Sito, Dave Spafford, Barry Temple, Chris Wahl, Ellen Woodbury.
    Assistant Animators: Michael A. Genz, Sue Adnopoz, Debra Armstrong, Kathleen M. Bailey, Judith Barnes, Arland Barron, Carl Bell, Gee Boedoc, Christopher Cho, Kent Culotta, Margie Daniels, Umberto De La Fuente, Marcia Kimura Dougherty, Lee Dunkman, Teresa Eidenbock, Ray Harris, Carole Holliday, Broose Johnson, Nancy Kniep, Terrey Hamada Legrady, Steve Lubin, Kaaren Lundeen, Brian McKim, Mike McKinney, Terry Naughton, David Nethery, Brett Newton, Dana M. Reemes, Maria Rosetti, Natasha Selfridge, Mike Show, Alan Smart, Dan Tanaka, Peggy Tonkonogy, Alex Topete, Janet Tucker.
    Supervising Animators: Matthew O'Callaghan, Janet Bruce, Mark Henn (Ariel), Glen Keane (Ariel), Duncan Marjoribanks (Sebastian), Andreas Deja (King Triton), Ruben Aquino (Ursula).
    Character Animators: Philo Barnbart, Chris Buck, Dan Haskett, Kathy Zielinski, Ed Gombert, Andreas Deja, Glen Keane (Ariel).
    Effects Animators: Dave Bossert, Glenn Chaika, Barry Cook, Randy Fullmer, Christine Harding, Jeff Howard, Christopher Jenkins, Ted Kierscey, Dorse A. Lanpher, Mark Myer, Don C. Paul, Eusebio Torres, Kelvin Yasuda.
    Assistant Effects Animators: Mark Barrows, Allen Blyth, Dan Chaika, Margaret Craig-Chang, Mabel Gesner, Tom Hush, Craig Littell-Herrick, Mike Nguyen, Steve Starr, Allen Stovall, John Tucker|Initial anticipation was that the film would not even do as well as the previous Oliver & Company, mainly because Mermaid was a "girls film"- Jeffrey Katzenberg's words, not ours. But as the release date neared, all involved knew they had lightning in a bottle, and it would be a big hit. Katzenberg even went back on his initial assessment and proclaimed that The Little Mermaid would be a blockbuster, and be the first animated film to top 100 million in box office. It only reached 85 million.

    The idea of doing Hans Christian Andersen's The Little Mermaid had been around the studio for a long time. It was first thought of as a segment in one of the anthology films from the 1940's. Ron Clements proposed it as a full-length feature while still involved in directing The Great Mouse Detective. In 1985, with Tom Hanks and Daryl Hannah's Splash still fresh in his mind, Katzenberg felt the project too similar and vetoed the idea. But even then there was something to the proposal, and he soon relented.

    In 1987, off-Broadway songwriter Howard Ashman was brought in to start working on songs for the film. he was familiar to the Disney team having contributed a song to Oliver & Company. In an off-handed remark, Ashman mentioned an idea to update a minor character named Clarence to a Jamaican Rastafarian crab. This small change ended up snowballing through the whole production, changing the focus and energy of the whole film. Music suddenly became one of the main characters of the film, and the story was modified to become a Broadway-style story structure.

    Hopes for the film rose ate the studio, and more money was allocated to the budget. The film ended up costing more than 40 million dollars, and amount almost unheard of for an animated film. To create the undersea world, and animate floating characters required a whole new style of animating, and more special effects for any film since Fantasia. Effects animation supervisor Mark Dindal estimated that over a million bubbles were drawn for this film, in addition to the use of other special processes such as airbrushing, back lighting, superimposition, and limited computer animation added to the costs of the movie. There was even an attempt to bring Disney's venerable multi-plane camera into use for the first time in decades. But the machine was in such dilapidated condition there was no way they could use it and the multi-plane shots ended up being photographed at an outside animation camera facility.

    While they did not realize it during production, The Little Mermaid would be the last Disney feature to use the traditional hand-painted cel method of animation. Beginning with their next film, final color animation would be accomplished using a digital method of importing the animators drawings, then coloring and combining scanned drawings. This process was called CAPS (Computer Animation Production System), and was developed for Disney by a northern California computer company called Pixar. The CAPS system would save substantial amounts of time and money by eliminating the whole step for inking and painting cels; in fact, cels became a relic of the past. By working in the digital realm, the multi-plane camera and other optical effects used in The Little Mermaid could be previewed in real time rather than after days or weeks of work.

    Originally released with the Wallace and Gromit short A Grand Day Out.

    So what caused this resurgence in interest in Disney Animated Films? First, the studio was firing on all cylinders, with great animation (Glen Keane and Mark Henn sharing duties on Ariel, Andreas Deja supervising King Triton and Ruben Aquino positively owning Ursula), great music (Broadway-style songs from Alan Menken and incredible lyrics by Howard Ashman) and a great story written by directors Ron Clements and John Musker.

    But most of all, it was a return to the Disney roots of animated film making. The Little Mermaid was the first fairy tale the studios had animated since 1959's Sleeping Beauty (a thirty year lapse, for those who are counting). And like the other great Disney classic animated films, The Little Mermaid featured a strong, scary villain, not the milquetoast or comic villains so common through the dark ages of Disney.

    The critics saw something they liked, too... The Little Mermaid was nominated for three Oscars (the first Disney film to be so honored since 1977's The Rescuers). It won two, for Best Song ("Under the Sea") and Best Score. The Disney Studios had not been an Academy Award Winner for an animated feature film since 1941 for Dumbo... or 1947 for Song of the South if you want to count that film.

    This was the 28th film in the official Disney list of animated films.

    Voice actor Samuel E. Wright is also known as actor on "The Dukes of Hazzard" spinoff "Enos" as Officer Turk Adams.|Jodi Benson (Ariel), Christopher Daniel Barnes (Prince Eric), Pat Carroll (Ursula), Jason Marin (Flounder), Samuel E. Wright (Sebastian), Kenneth Mars (Triton), Buddy Hackett (Scuttle), Rene Auberjonois (Louis), Ben Wright (Grimsby), Paddi Edwards (Flotsam, Jetsam), Edie McClurg (Carlotta), Will Ryan (Seahorse), Charles Adler, Jack Angel, Hamilton Camp, Nancy Cartwright, Jim Cummings, Tim Curry, J.D. Daniels, Jennifer Darling, Ed Gilbert, Gerrit Graham, Mark Hamill, Anne Lockhart, Rod McKuen, Malachi Pearson, Lee Tockar, Robert Weil, Frank Welker|John Musker, Ron Clements.
    Assistant Director: Michael Serrian|Ron Clements, John Musker.
    Story: Roger Allers.
    Original Fairy Tale: Hans Christian Andersen|Howard Ashman, John Musker.
    Associate Producer: Maureen Donley|Alan Menken.
    Songs: Robby Merkin.
    Lyrics: Howard Ashman|Mark Hester, John Carnochan.
    Assistant Editor: Scot Scalise.
    First Assistant Editor: Barbara Gerety.
    First Assistant Film Editor: Bill Wilner.
    Second Assistant Film Editor: H. Lee Peterson|Walt Disney Studios|Walt Disney Feature Animation (Burbank)|Buena Vista Pictures Distribution||TechniColor|82|1|1|4|U.S.A.|||3|B00EV1YZ96|B00C7607FS|
  • Casting: Mary V. Buck, Susan Edelman.
  • Production Design: Maureen Donley, Donald Towns.
  • Art Directors: Michael Peraza Jr., David Towns.
  • Production Manager: Maureen Donley.
  • Assistant Production Managers: Sutherland C. Ellwood, Stephen Hickner.
  • Production Managers, Animation: Dorothty Aronica McKim, Richard Sullivan.
  • Character Designer: Kevin Lima.
  • Concept Designer: David A. Dunnet.
  • Live-Action Model: Ariel: Sherri Stoner.
  • Studio Supervisors: John White, Joe Holmes, Joe Parra.
  • Story Supervisors: Brenda Chapman, Thom Enriquez, Ed Gombert, Joel Rault, Gary Trousdale, Matthew O'Callaghan.
  • Script Supervisor: Nancy Parent.
  • Animation Camera: Rob Maine, Steve P. Damani, Dan Larsen, Harry Moreau, Lin-Z Rogers.
  • Camera Operator: Dave Link, John Aardal, Errol Aubry, Ed Austin, Chris Beck, Veronica Hantke, Brandy Hill, Ron Jackson, Chuck Warren.
  • First Camera Operator: Joe Jiuliano.
  • Lamp Operators: David Thomson, Ann Tucker.
  • Projectionist: Don Henry.
  • Color Timer: Tom Shaffer.
  • Key Layout Artist: Dan St. Pierre.
  • Layout Designers: Kelly Asbury, Gary Eggleston, Andy Gaskill, Doug Lefler, Bruce Morris, Kendall O'Connor, Chris Van Allsburg, Rowland B. Wilson.
  • Layout Artists: Fred Cline, Lorenzo Martinez, Rasoul Azadani, Fred Cline, Bill Perkins, James Biehold.
  • Background Supervisor: Donald A. Towns.
  • Key Background Artists: Jo Ann Brewer, Robyn Roberts, Dean Stanley, Bert Wilson.
  • Background Painter: Cristy Maltese.
  • Background Artists: Tia Kratter, Andrew Richard Phillipson, Kathy Altieri, Doug Ball, Jim Coleman, Greg Drolette, Dennis Durrell, Dean Gordon, Lisa Keene, Philip Phillipson, Craig Robertson, Brian Sebern, Robert Edward Stanton.
  • Assistant Background Artists: Jennifer Cha, Jennifer Chiao, Marc S. Christenson, Fred Craig, Rene Garcia, Mac George, Mark Kalesniko, Dan McHugh, Roxy Steven, Lin Yuan.
  • Background Plate Photography: Bernie Gagliano.
  • Color Styling Supervisor: Elrene Cowan.
  • Key Color Stylists: Barbara McCormack, Jill Stirdivant.
  • Color Stylists: Betsy Ergenbright, Cindy Finn, Carolyn Guske, Linda McCall, Christina Stocks, Brigitte Strother, Linda Webber.
  • Modeler: Rub? Procopio.
  • Ink And Paint Supervisors: Gretchen Maschmeyer Albrecht, Carmen Sanderson, Hortensia Casagran.
  • Ink And Paint Artists: Jason Buske, Irma Cataya, Greg Chin, Janet English, Robert Kerr, Al Kirsten, Fran Kirsten, Michael D. Lusby, Pam Manes, M?ica M?dez, Lisa Reinert, Laurie Sacks, Elsa Sesto, Andrew Simmons, Joann Tzuanos, Pam Vastbinder, Sharon Vincent, Loretta Weeks, Victoria Winner.
  • Ink And Paint Assistants: Chris Hecox, Cherie McGowan.
  • Paint Supervisors: Jan Browning, Susan Burke, Penny Coulter, Chuck Gefre, Maria Gonzalez, Barbara Hamane, Ginni Mack, Bethann McCoy, Tanya Moreau, Saskia Raevourl, Heidi Shellhorn, Debra Y. Siegel, Ann Sorensen, Annette Vandenberg.
  • Paint Artists: Helga Van Den Berge, Renee Ilsa Alcazar, Joyce Alexander, Lada Babicka, Phyllis Bird, Russell Blandino, Tania Burton, Mimi Frances Clayton, Chris Conklin, Patti Cowling, Elena Marie Cox, Sybil Cuzzort, Sharon M. Dabek, Jean A. Dubois, Phyllis Fields, Joyce Frey, Etsuko Fujioka, Paulino Garc?, Kate Hepburn, Eddie Hofmann, Gina Howard, Melody Hughes, David Karp, Kathlyn Kephart, Annette Leavitt, Denise A. Link, Ashley Lupin, Teri McDonald, Celeste McDonald-Perry, Debbie Mihara, Stephanie Myers, Chris Naylor, Leslie Nober, Belle Norman, Barbara Palmer, Melanie Pava, Patricia Pettinelli, Bruce Phillipson, Marilyn Pierson, Ronna Pincus, Gale A. Raleigh, Bonnie Ramsey, Linda Redondo, Sharon Rehme, Colene Riffo, Nellie B. Rodriguez, Ania Rubisz, Gary G. Shafer, Sheryl Ann Smith, Fumiko R. Sommer, Rose Ann Stire, Roxanne M. Taylor, Pattie A. Torocsik, Cookie Tricarico, Britt Van Der Nagel, Irma Velez, Helen Vives, Kathy Walters, Kathy Day Wilbur, Susan Wileman, Denise Wogatzke, Lee Wood, Micki Zurcher, David J. Zywicki.
  • Paint Assistants: Gary Eggleston, Janette Hulet, James 'J.R.' Russell.
  • Painters: Jason Buske, Irma Cataya, Greg Chin, Janet English, Robert Kerr, Al Kirsten, Fran Kirsten, Michael D. Lusby, Pam Manes, Cherie McGowan, M?ica M?dez, Lisa Reinert, Laurie Sacks, Elsa Sesto, Andrew Simmons, Joann Tzuanos, Pam Vastbinder, Sharon Vincent, Loretta Weeks, Victoria Winner.
  • Paint Checkers: Jan Browning, Susan Burke, Chuck Gefre, Maria Gonzalez, Tanya Moreau, Saskia Raevourl, Heidi Shellhorn, Ann Sorensen, Annette Vandenberg, Rhonda L. Hicks.
  • Airbrush Artists: William Arance, John Emerson.
  • Animation Coordinators: Karen S. Paat, Lisa Poitevint, Bob Revell, Mavis E. Shafer, Barbara Wiles.
  • Animation Crew: Francesca Allen, Scott E. Anderson, Dorris Bergstrom, Jerry Lee Brice, Sheila Brown, Merry Kanawyer Clingen, Lee Crowe, Jim A. Davis, Eileen Dunn, Tom Ellery Jr., Mark Fisher, James Fujii, Daniel A. Gracey, Peter Gullerud, Karen Hardenbergh, Tim Ingersolf, Patrick Joens, Jason Lethcoe, Teresa Martin, Tom Mazzocco, Cynthia Overman, Don Parmele, Ginny Parmele, Eric Pigors, Brian Pimental, Michael Polvani, William Recinos, Stan Somers, Bruce Strock, Juliet Stroud, Mike Swofford, Mary Ann Tucker, Tuck Tucker, Jim Van Der Keyl, Dave Woodman, Susan M. Zytka.
  • Mark-Up: Rhonda L. Hicks.
  • Clean-Up Artists: Bette Isis Baker, Dorothea Baker, Philo Barnbart, Bill Berg, Wesley Chun, Brian Clift, Jes? Cort?, Lou Dellarosa, Tom Ferriter, Margaret Flores Nichols, Gail Frank, June K. Fujimoto, Renee Holt, Richard Hoppe, Emily Jiuliano, Marty Korth, Vera Lanpher, Dori Littell Herrick, Lori M. Noda, Gilda Palinginis, Dave Suding, Lureline Weatherly, Cyndee Whitney, Chuck Williams, Stephan Zupkas.
  • Animation Checker, Ink Supervisors: Kris Brown, Laura Craig, Eleanor Dahlen, Peggy Gregory, Anne Hazard, Darlene Kanagy, Robin D. Kane, Charlene Miller, Kitty Schoentag, Karan Lee Storr, Tatsuo Watanabe.
  • Checking Supervisors: Monica Albracht, Bonnie Blough, Deborah Mooneyham, Madlyn O'Neill, Ann Oliphant, Howard Schartz, Pat Sito.
  • Animator Trainees: Ashley Brannon, Bob Bryan, Natalie Franscioni, Dan Boulos, Debbie Du Bois, Brad Kuha, Serge Michaels, Pres Romanillos, Ed Gutierrez.
  • Cel Cleaners: Sutherland C. Ellwood, Stephen Hickner.
  • Cel Service: Florida M. D'Ambrosio, Rose Dibacci, Shannon Fallis Kane, Frances Moralde, Jessie A. Palubeski, Teresita M. Proctor, Jim Stocks, S. Ann Sullivan.
  • Xerography Supervisor: Bill Brazner.
  • Xerography: Tina Baldwin, Marlene Burkhart, Douglas E. Casper, Karen Chiu, Warren Coffman, Bob Cohen, Lynnette Cullen, Diana Dixon, Gareth Fishbaugh, Cindy Garcia, Kathryn Gilmore, Suzanne Inglis, Cynthia Neill Knizek, Catherine F. Parotino, Janet Rea, Sherri Vandoli.
  • Visual Effects Supervisor: John Cunningham, Mark Dindal, Marti Julian, Joseph Thomas, John T. Vanvliet.
  • Visual Effects Projectionist: Don Henry.
  • Motion Control: Rob Maine.
  • Visual Development: Kay Nielsen.
  • Special Effects Coordinator: Jonathan Levis.
  • Computer Graphics Animators, ILM: Tina Price, Andrew Schmidt.
  • Music Producers: Howard Ashman, Robert Kraft, Alan Menken.
  • Musical Director: Robby Merkin.
  • Orchestrator: Thomas Pasatieri.
  • Conductor: J.A.C. Redford.
  • Singer, "Kiss The Girl", "Under The Sea": Samuel E. Wright.
  • Singer, "Part Of Your World", "Poor Unfortunate Souls": Jodi Benson.
  • Singer, "Poor Unfortunate Souls": Pat Carroll.
  • Singer, "Les Poissons": Rene Auberjonois.
  • Post-Production Supervisor: Dennis Edwards.
  • Executives In Charge Of Sound Post-Production: Ahmed Agrama, ?car I. D?z, Kent Harrison Hayes.
  • Post-Production Sound Coordinator: Fabiola Stevenson.
  • Sound Editor Supervisors: Richard C. Franklin Jr., Louis L. Edemann.
  • Supervising Sound Editor: Charles L. Campbell.
  • Sound Editors: P. Bruce Richardson, Leonard T. Geschke, Chris Jargo, Nils C. Jensen, Chuck Neely.
  • Assistant Sound Editor: Pamela G. Kimber.
  • Sound Editor Trainee: Jack Nietzsche Jr..
  • Dialogue Editors: Theressa Gilroy, Armetta Jackson-Hdamlett, Jim Melton.
  • Dialogue Loop Editors: Dennis Moshers Larry Singer.
  • Foley Artists: Joe Sabella, Ellen Heuer, John Roesch.
  • Foley Recordists: Gregg Orloff, Carolyn Tapp.
  • Supervising Music Editor: Kathleen Bennett.
  • Music Mixer: John Richards.
  • Sound Effects Editors: Alan Howarth, Mel Neiman.
  • Sound Re-Recording Mixers: David J. Hudson, Mel Metcalfe, Terry Porter.
  • Sound Re-Recording Mixer: Foreign Language Versions: Derek Marcil.
  • Technology Production Supporter: Mary Jane 'M.J.' Turner.
  • Video Engineer: Bryan J. Rusenko.
  • Video Technicians: Jorge Alia Gregory Hinde Brian Jolley David Jones Hugo Olguin Al Vasquez.
  • Administrator: Jim Ballantine.
  • Auditor: Dennis Park.
  • Production Coordinator: Brett Hayden.
  • Production Secretarys: Charlene Rogers, Sandee Terzis.
  • Copying & Shipping: Wilma I. Guenot, Ann Neale.
  • Liner Notes: Gerrit Graham, Samuel Graham, Chris Hubbell.
  • Production Assistants: Ron Allen, Bonnie Buckner, Donovan Cook, Stacy R. Meyer.
  • Special Thanks: Arlene Schwartz, Albert Tavares, Lulu Washington.
    • |No||Yes|No|1989-11-17|||||2147483647|0|0|0|B00FJTWYWO|||jgA2xo0HYrE||||||||/cartoon/32494-Grand_Day_Out , /cartoon/7270-Little_Mermaid_II_Return_To_The_Sea , /cartoon/93453-Little_Mermaid_Ariels_Beginning , http://blog.bcdb.com/disney-animated-film-list/28-little-mermaid/|A Grand Day Out , Return To The Sea , Ariel's Beginning , Disney Classic Animated Film List|||1989-11-14 , 1990-05-18 , 1997-11-17 , 1998-03-31 , 1999-00-00 , 2008-12-16 , 2013-09-13 , 2013-10-01|Original Theatrical Release , VHS/Laser Disk Release , Second Theatrical Release , DVD Release , Masterpiece Collection VHS Release , Platinum Edition DVD , Limited 3D Theatrical Release , Walt Disney Diamond Edition Blu-ray/DVD Release|||$40 million|$211.3 million|0000-00-00|Walt Disney Studios/Feature Films|0 12|The Hunchback Of Notre Dame|960621|admin|1996-06-21|2016-01-04|The year is 1487, in the gritty and tumultuous urban center of Paris, where the magnificent Gothic cathedral of Notre Dame towers above all else, and the sound of its bells are the soul of the city. The bell-ringer of Notre Dame is a mysterious and misshapen outcast named Quasimodo, secluded in the cathedral since his infancy under the watch of his repressive guardian, Judge Frollo. As penance for causing the death of Quasimodo's gypsy mother, Frollo has been forced to care for the deformed child. Now twenty years old, Quasimodo yearns to leave the cathedral and consort with the population, but is forbidden by Frollo. On the day of the Feast of Fools, Quasimodo finds the courage to join the celebration below, where he meets the beautiful gypsy dancer Esmeralda and Frollo's heroic new Captain of the Guards, Phoebus. Quasimodo is crowned King of Fools, but the crowd's delight turns to fear when they realize that he is not wearing a mask. Esmeralda rescues Quasimodo from the jeering crowd, but Phoebus is ordered to arrest her. Outwitting the soldiers, Esmeralda finds sanctuary with Quasimodo in the Cathedral. Touched by her acts of kindness toward him, the bell-ringer befriends her and helps her to escape. Phoebus has fallen in love with Esmeralda, and is torn between conscience and duty when ordered by the vengeful Frollo to hunt her down. In the end, Quasimodo must find the self-reliance to defy the only parent he has ever known in order to save Esmeralda- and himself.|15822|65|2070|No|No|Yes|No|No|Yes|8.57|4.15|11|0|0000-00-00 00:00:00|2019-03-16 01:04:31|Quasimodo, Esmeralda, Judge Claude Frollo, Phoebus, Clopin, Laverne, Victor, Hugo|Academy Award Nominee, Best Music, Original Musical or Comedy Score, 1997.
    Golden Globe Award Nominee, Best Original Score, 1997|disney/hunchback1.jpg|disney/hunchback1.jpg , disney/hunchback2.jpg , disney/hunchback3.jpg , disney/hunchback4.jpg|Pre-Release Poster , Original Release Poster (Style A) , Original Release Poster (Style B) , Poster|0|1483|48|David Brewster, T. Daniel Hofstedt.
    Supervising Animators: James Baxter (Quasimodo), Tony Fucile (Esmeralda), Russ Edmonds (Phoebus), Ron Husband (Djali), Will Finn (Laverne), David Pruiksma (Victor, Hugo), Michael Surrey (Clopin), Kathy Zielinski (Frollo), Dave Burgess (Archdeacon).
    Character Animator: Mark Pudleiner (Esmeralda).
    Assistant Animators: Jay N. Davis, Brian Wesley Green.
    Effects Animator: Kevin M. O'Neil|Stylistically, artistic coordinator Randy Fullmer, art director Dave Goetz, layout supervisor Ed Ghertner and background supervisor Lisa Keane set out to incorporate Hugo's Gothic vision and spent considerable time analyzing the author's own drawings and artwork. His concept of a three-tiered universe with heaven above, the gritty streets of urban Paris viewed as Hell, and the bell tower of Notre Dame as the bridge between the two became one of the film's central themes. Quasimodo is symbolically viewed as being trapped between the two worlds.

    During the early stages of development, the creative team took a ten-day field trip to Paris to closely observe the cathedral at Notre Dame and other key locations (the Palace of Justice, the location of the Court of Miracles). Hugo used the cathedral as a centerpiece of his tale and the film makers remained faithful to that concept by making it a multifaceted character; expressing different moods and reactions to each of the principals.

    As production got underway in Burbank, co-producer Roy Conif relocated to France to supervise a team of 100 artists and animators at Disney's Paris-based feature animation studio. Utilizing a tremendous pool of talent from all over Europe, this group added an element of authenticity and contributed about ten minutes of animation to the overall effort, including the prologue and a portion of the climactic battle sequence. Renowned film makers Paul and Gaetan Brizzi, who played a key role in storyboarding the film, served as sequence directors in Paris.

    This was the 34th film in the official Disney list of animated films.|Tom Hulce (Quasimodo), Demi Moore (Esmeralda), Heidi Mollenhauer (Esmeralda, singing), Mary Kay Bergman (Young Esmeralda), Tony Jay (Judge Frollo), Kevin Kline (Phoebus), Paul Kandel (Clopin), Charles Kimbrough (Victor), Jason Alexander (Hugo), Mary Wickes (Laverne), Jane Withers (Laverne, additional dialogue), David Ogden Stiers (Archdeacon), Corey Burton (Brutish Guard), Gary Trousdale (Old Heretic), Frank Welker (Baby Bird), Bill Fagerbakke (Oafish Guard), Jim Cummings (Misc. Guards, Gypsies), Patrick Pinney (Misc. Guards, Gypsies)|Gary Trousdale, Kirk Wise|Irene Mecchi, Tab Murphy, Jonathan Roberts, Bob Tzudiker, Noni White.
    Story: Tab Murphy.
    Original Novel: Victor Hugo|Don Hahn, Roy Conli.
    Associate Producer: Philip Lofaro|Alan Menken.
    Lyrics: Stephen Schwartz|Ellen Keneshea|Walt Disney Studios|Walt Disney Feature Animation|Buena Vista Pictures Distribution||TechniColor|90|1|1|4|U.S.A.|||4|B00005TN8K|B00AO686E2|
  • Casting: Ruth Lambert.
  • Casting Assistants: Stephen Blackehart, James Curreri, Tamlyn Freund.
  • Art Direction: David Goetz.
  • Assistant Digital Production Manager: Tony Matthews.
  • Assistant Production Manager: Tone Thyne.
  • Artistic Coordinator: Randy Fullmer.
  • Title Designer: Susan Bradley.
  • Character Design: Joe Grant.
  • Scene Planning Coordinator: Karen N. Sickles.
  • Scene Planner: Mark Henley.
  • Storyboard Artists: Gañtan Brizzi, Paul Brizzi.
  • Story Artists: Kevin Harkey, Gaetan Brizzi, Paul Brizzi, Edward Gombert, Brenda Chapman, Jeff Snow, Jim Capobianco, Denis Rich, Burny Mattinson, John Sanford, Kelley Wlightman, James Fujii, Gee Fwee Buedoe, Floyd Norman, Francis Blebas, Kirk Hanson, Christine Blum, Sue Nichols, Will Finn.
  • Layout Supervisor: Ed Ghertner.
  • Layout Supervisor, Paris: Dan St. Pierre.
  • Layout Artist: Sherilan Weinhart.
  • Background Supervisor: Lisa Keene.
  • Additional Background Artist: John Emerson.
  • Rough Inbetweeners: James Baker, Noreen Beasley.
  • Effects Technical Director: Kevin Paul Sheedy.
  • Senior Manager Of Digital Technology: Dean Schiller.
  • Senior Manager Of Digital Production: Edward Kummer.
  • CGI Supervisor: Kiran Bhakta Joshi.
  • Visual Effects Supervisor: Christopher Jenkins.
  • Visual Effects Animator: Peter Demund.
  • Scanner Operator: Jason Buske.
  • Camera Operator: John Aardal.
  • Camera Operator, Digital: David J. Rowe.
  • Color Timer: Dale E. Grahn.
  • Music Production Supervisor: Tod Cooper.
  • Orchestrators: Michael Starobin, Danny Troob.
  • Singers, "A Guy Like You": Jason Alexander, Charles Kimbrough, Mary Stout, Mary Wickes.
  • Singers, "God Help The Outcasts": Bette Midler, Heidi Mollenhauer.
  • Singer, "Heaven's Light/Hellfire" and "Out There": Tom Hulce.
  • Singers, "Someday" (As All-4-One): Tony Borowiak, Delious, Jamie Lamar Jones, Alfred Nevarez.
  • Singer, "The Bells Of Notre Dame": David Ogden Stiers.
  • Singer, "The Bells Of Notre Dame", "Heaven's Light/Hellfire" and "Out There": Tony Jay.
  • Singer, "The Bells Of Notre Dame", "The Bells Of Notre Dame (Reprise)", "The Court Of Miracles" and "Topsy Turvy": Paul Kandel.
  • Supervising Sound Designer: Lon Bender.
  • Sound Designer: Scott Martin Gershin.
  • Supervising Sound Editor: Larry Kemp.
  • Sound Editor: Frederick H. Stahly.
  • Supervising ADR Editor: Curt Schulkey.
  • ADR Editor: Richard Dwan Jr.
  • Supervising Dialogue Editor: Curt Schulkey.
  • Dialogue Editor: Richard Dwan Jr.
  • Music Editor: Mark Green.
  • Preview Music Editor: Mark Green.
  • Foley & Sound Effects Editor: Chris Hogan.
  • Foley Mixer: Mary Jo Lang.
  • Sound Effects Editor: Nancy MacLeod.
  • Sound Re-Recording Mixers: Terry Porter, Dean A. Zupancic.
  • Director Of Technology: Paul Yanover.
  • Technical Assistant: Earl Coffman.
  • Technology Crew: Lyle S. Nojima.
  • Technology Managers: Kirk Bodyfelt, Kevin J. Hussey, Michael Jedlicka, Edwin R. Leonard, Enrique Santos.
  • Technology Production Support: Jeff Alden, Graham S. Allan, Richard M. Barnes, Frank N. Bassi, Michael S. Blum, Michael C. Bolds, Brad Brooks, Letha L. Burchard, Nhi H. Casey, Lawrence Chai, Carol J. Choy, Peter Chun, Dave Coons, Ben Croy, Dale Drummond, Norbert Faerstain, Robert Falco, Michael R. Fodor, Todd Friedline, Don Gworek, Kee-Suk 'Ken' Hahn, Jason Herschaft, Jason Hilkey, John D. Hoffman, Shyh-Chyuan Huang, Bill James, Mark Jankins, Kevin E. Keech, Gordon Kent, Mark Kimball, Michael R. King, R. Todd King, Hans Ku, Li-Ming 'Lawrence' Lee, Brad Lowman, Jason MacDonald, Jean Mandonnet, Thomas Moore Jr., Jack Muleady, Troy R. Norin, Neil Okamoto, Carlos Quinonez, Cary Sandvig, James J. Sepe, Kevin P. Shauger, John Stimson, Charles Stoner, Joe Suzow, Scott S. Terek, Warren Lee Theriot, Mark M. Tokunaga, Laurie Tracy, David Troude, Mary Jane 'M.J.' Turner, Phillip Wangenheim, Derek E. Wilson, Mark Gilicinski, Christina Lau, Michael Sullivan, Alan A. Patel, Raul Anaya, Charles Collins, David Remba, Jefferson Crutchfield, Scott Dolim, Elena Driskill, Mark Hall, Stanley B. Lippman, John Outten, Jim Pirzyk, Hanns-Oskar Porr, Dave Tonnesen.
  • Final Checker: Michael D. Lusby.
  • Production Assistants: Heather Elisa Hill, Carrie Wilksen.
    • |No||Yes|No|1996-06-21|||Le Bossu De Notre-Dame (French)||2147483647|0|0|0|B003QSLWIW|||VrZP4EyQPsw||||||||/cartoon/23328-Hunchback_Of_Notre_Dame_II , http://blog.bcdb.com/disney-animated-film-list/34-hunchback-of-notre-dame/|Hunchback Of Notre Dame II , Disney Classic Animated Film List|||1996-06-21 , 1997-03-04|Original US Theatrical Release date , VHS Masterpiece Collection Release|||$100 million|$325.3 million|Walt Disney Studios/Feature Films|0 13|Snow White And The Seven Dwarfs|371221|admin|1937-12-21|2016-01-04|In her effort to be "fairest in the land," a jealous and evil queen attempts to be rid of her beautiful stepdaughter, Snow White. Frightened and scared, Snow takes refuge in the forest cottage of the seven dwarfs. The queen, disguised by magic as an old peddler woman, tempts Snow White with a poisoned apple, which puts her into an enchanted sleep until the spell can be broken by love's first kiss.|36794|64|4896|No|No|Yes|Yes|No|Yes|9.12|4.25|61|0|0000-00-00 00:00:00|2019-03-16 11:01:19|Snow White, Prince, The Evil Queen/Witch, Bashful, Doc, Dopey, Grumpy, Happy, Sleepy, Sneezy, Huntsman|Honorary Oscar in 1939, recognized as a significant screen innovation which has charmed millions and pioneered a great new entertainment field (one statuette - seven miniature statuettes).
    Academy Award Nominee, Best Music, Score, Leigh Harline, 1938|disney/snow_white1.jpg|disney/snow_1.jpg , disney/snow_2.jpg , disney/snow_5.jpg , disney/snow_4.jpg , disney/snow_3.jpg , disney/snow_8.jpg , disney/snow_6.jpg , disney/snow_7.jpg|Original Release Poster , Alternate Original Release Poster , Rerelease Poster , Rerelease Poster , 1987 50th Anniversary Release Poster , Modern Release , Title Card , Fairy Tale Book|0|2001|1|James Algar, Art Babbitt (as Arthur Babbitt), Jack Campbell, Les Clark, Shamus Culhane (Heigh-Ho sequence), Ugo D'Orsi, Al Eugster, Bernard Garbutt, Milton Kahl, Ward Kimball, Eric Larson, Dick Lundy, Robert Martsch, Joshua Meador, Grim Natwick, Stan Quackenbush, Wolfgang Reitherman (as Woolie Reitherman), Bill Roberts, George Rowley, Fred Spencer, Robert Stokes, Frank Thomas, Marvin Woodward, Cy Young.
    Supervising Animators: Hamilton Luske, Vladimir Bill Tytla, Fred Moore, Norm Ferguson (as Norman Ferguson)|The first animated feature film to be nominated for an Academy Award.

    In 1989, Snow White and the Seven Dwarfs was the first cartoon to be added by the Library of Congress' National Film Preservation Board to the National Film Registry (it was the registry's inaugural year).

    In England the film was deemed too scary for children and no one under 14 could go and see it by themselves.

    This film was released to video in the United States in 1994 (beginning its "Masterpiece Collection" line) and in 2001 (a DVD of this film was also released that year).

    This was the first film in the official Disney list of animated films.|Adriana Caselotti (Snow White), Harry Stockwell (Prince), Lucille LaVerne (Queen/Witch), Scotty Mattraw (Bashful), Roy Atwell (Doc), Pinto Colvig (Grumpy, Sleepy), Otis Harlan (Happy), Billy Gilbert (Sneezy), Moroni Olsen (Mirror), Stuart Buchanan (Humbert, The Queen's Huntsman), Marion Darlington (Bird), Wesley Tuttle (Yodeling Man, uncredited), A. Purves Pullen (Animals, uncredited)|David Hand (Supervising).
    Sequence Directors: Perce Pearce, William Cottrell, Wilfred Jackson, Larry Morey, Ben Sharpsteen.
    Director, uncredited: Hal Adelquist|Dorothy Ann Blank, Richard Creedon, Merrill De Maris, Otto Englander, Earl Hurd, Dick Rickard, Ted Sears, Webb Smith.
    Original Story: Jacob Grimm, Wilhelm Carl Grimm|Walt Disney|Frank Churchill, Leigh Harline, Ned Washington, Paul J. Smith||Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|83|1|1|4|U.S.A.|||3|B00003CXCQ|B001V9LPWQ|
  • Art Directors: Charles Philippi, Hugh Hennesy, Terrell Stapp, McLaren Stewart, Harold Miles, Tom Codrick, Gustaf Tenngren, Kenneth Anderson, Kendall O'Connor, Hazel Sewell; John Hubley (uncredited).
  • Character Design: Albert Hurter, Joe Grant.
  • Backgrounds: Mique Nelson, Merle Cox, Claude Coats, Phil Dike, Ray Lockrem, Maurice Noble, Samuel Armstrong.
  • Performance Model, Voice Effects for Dopey: Eddie Collins (uncredited).
    • |No||Yes|No|1937-12-21|||Blanche-Neige Et Les Sept Nains (French)||2147483647|0|0|0||||||||||||/cartoons/Walt_Disney_Studios/Television/The_7D/ , http://blog.bcdb.com/disney-animated-film-list/1-snow-white-and-the-seven-dwarfs/|The 7D , Disney Classic Animated Film List|||1937-12-21 , 1944-00-00 , 1952-00-00 , 1958-00-00 , 1967-00-00 , 1975-00-00 , 1983-00-00 , 1987-00-00 , 1993-00-00 , 1994-10-28 , 2001-10-09 , 2009-10-06 , 2009-11-24|Original Release Date , First Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , Walt Disney Masterpiece Collection (VHS) , Platinum Edition DVD , Diamond Edition Blu-ray , New DVD Edition|||$1,488,423|$418.2 million|Walt Disney Studios/Feature Films|0 14|Pinocchio|400207|admin|1940-02-07|2016-01-04|Lonely woodcarver Geppetto longs for a child, and his wish is granted- partly- when the Blue Fairy brings a wooden marionette named Pinocchio to life. In order to become a real boy, Pinocchio must prove himself worthy and sets out into the world, accompanied by his "conscience," Jiminy Cricket. Pinocchio is led astray by a wicked fox named J. Worthington Fowlfellow, first to "a life in the theater"- Stromboli's puppet show- then to Pleasure Island, where the boys behave (and become!) jackasses. Pinocchio finally redeems himself by saving Geppetto from Monstro, the whale.|22154|57|4208|No|No|Yes|Yes|No|Yes|9.29|4.39|23|0|0000-00-00 00:00:00|2019-03-16 12:51:15|Pinocchio, Geppetto, Jiminy Cricket, Figaro, Cleo, J. Worthington Fowlfellow, Gideon, Stromboli, Lampwick, Monstro, the Blue Fairy|Academy Award Winner, Best Original Song, "When You Wish Upon a Star" (Music: Leigh Harline, Lyrics: Ned Washington), 1941.
    Academy Award Winner, Best Original Score, Leigh Harline, Paul Smith, Ned Washington, 1941|disney/pinocchio1.jpg|disney/pinocchio8.jpg , disney/pinocchio.jpg , disney/pinocchio7.jpg , disney/pinocchio1.jpg , disney/pinocchio2.jpg , disney/pinocchio3.jpg , disney/pinocchio5.jpg , disney/pinocchio4.jpg|Original Release Poster , Title Card , Alternate Original Release Poster , Alternate Original Release Poster , Alternate Original Release Poster , Tall Original Release Poster , Rerelease Poster , 1990's Release Poster|0|2003|2|Preston Blair, John Bradbury, Jack Campbell, Les Clark, John Elliotte, Hugh Fraser, Ollie Johnston (as Oliver M. Johnston Jr), Lynn Karp, John Lounsbery, Don Lusk, Robert Martsch, John McManus, Joshua Meador, Charles Nichols (as Charles A. Nichols), Art Palmer, Don Patterson, George Rowley, Norman Tate, Don Tobin, Don Towsley, Bernard Wolf, Marvin Woodward; Shamus Culhane (uncredited).
    Animation Direction: Fred Moore, Frank Thomas (Pinocchio), Milt Kahl, Vladimir Bill Tytla, Ward Kimball (Jiminy), Art Babbitt, Eric Larson, Wolfgang Reitherman|The first animated film to win an Academy Award for best original song for best original score.

    In 1994, Pinocchio was one of 25 films added by the Library of Congress' National Film Preservation Board to the National Film Registry.

    Songs and scenes from Pinocchio were recreated for a Christmas 1939 broadcast of CBS Radio and Cecil B. DeMille's Lux Radio Theater Show. Dickie Jones, Christian Rub, Eve Venabile, Walter Catlett and Cliff Edwards performed their characters on the radio adaptation of the movie.

    The scenes of Pleasure Island were based upon the images of the 1939/1940 New York World's Fair. The intention was to satirize its hideous atmosphere in the film.

    Despite this film's success with American moviegoers, Pinocchio was not accepted by the surviving members of the Collodi family, who felt that the film misused the strong social satire of the original book. To this day, Disney's Pinocchio is criticized by the Collodi family.

    Walt Disney employed more than 750 staff members on Pinocchio, working them for several years.

    Technicians developed an enhanced multiplane camera which could dolly in and out of an animated scene (similar to live-action photography), as opposed to the vertical method of shooting used in Snow White.

    Animators pioneered using glass plates over the animation to create a realistic underwater look for the scene in the ocean, and established a technique called "the blend" to give the two-dimensional animation some depth.

    Twelve artists labored for 18 months to design the character of Pinocchio alone. Disney, a perfectionist, is rumored to have thrown out over 2,300 feet of footage (representing at least five months of work) because it did not fit his vision.

    Box-office returns for Pinocchio did not surpass those for Snow White, as Disney had hoped.

    This film was rereleased theatrically in 1945, 1954, 1962, 1971, 1978, and 1984. The film went under a full restoration process in 1991 and was reissued in 1992 as a "special edition."

    Pinocchio was released to video in 1984, starting the "Walt Disney Classics" video series. The digitally remastered version was released to video in 1993, and again in 1999 on both VHS and DVD as a "40th Anniversary" edition.

    This was the second film in the official Disney list of animated films.|Dickie Jones (Pinocchio), Cliff Edwards (Jiminy), Christian Rub (Geppetto), Walter Catlett (Fowlfellow), Mel Blanc (Gideon, Hiccup sound effects), Charles Judels (Stromboli, Coachman), Evelyn Venable (Blue Fairy), Frankie Darro (Lampwick), Don Brodie (Barker)|Ben Sharpsteen, Hamilton Luske (as Hamilton S. Luske).
    Sequence Directors: Bill Roberts, Norm Ferguson (as Norman Ferguson), Jack Kinney, Wilfred Jackson, T. Hee|Ted Sears, Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner, Aurelius Battaglia.
    Based on the Original Serial By: Carlo Lorenzini (Collodi)|Walt Disney|Ned Washington, Leigh Harline, Paul Smith||Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|88|1|1|4|U.S.A.|||3|B001ILFUDC|B001ILFUDM|
  • Art Directors: Charles Philippi, Hugh Hennesy, Kenneth Anderson, Dick Kelsey, Kendall O'Connor, Terrell Stapp, Thor Putnam, John Hubley, McLaren Stewart, Al Zinnen.
  • Character Design: Joe Grant, Al Hurter, John P. Miller, Campbell Grant, Martin Provensen, John Walbridge.
  • Backgrounds: Claude Coats, Merle Cox, Ed Starr, Ray Huffine.
    • |No||Yes|No|1940-02-07|||||2147483647|0|0|0||||||||||||http://blog.bcdb.com/disney-animated-film-list/2-pinocchio/|Disney Classic Animated Film List|||1940-02-07 , 1945-00-00 , 1954-00-00 , 1962-00-00 , 1971-00-00 , 1984-00-00 , 1985-07-15 , 1986-10-14 , 1992-00-00 , 1993-03-26 , 1999-00-00 , 2009-03-10|General Release , Theatrical Re-release (RKO) , Theatrical Re-release (RKO) , Theatrical Re-release (Buena Vista) , Theatrical Re-release (Buena Vista) , Theatrical Re-release (Buena Vista) , Walt Disney Classics VHS , VHS Release , Theatrical Re-release (Buena Vista) , VHS Release , VHS and DVD Release , Platinum Edition Blu-ray|||$2,289,247|$84 million|Walt Disney Studios/Feature Films|0 15|Fantasia|401113|admin|1940-11-13|2016-01-03|Fantasia is nothing less than a symphony concert, illustrated by Disney animation, with Leopold Stokowski conducting the Philadelphia Orchestra. The eight sequences are: "Toccata and Fugue in D Minor" (J. S. Bach), "The Nutcracker Suite" (Tchaikovsky), "The Sorcerer's Apprentice" (Dukas), "The Rite of Spring" (Stravinsky), "The Sixth Symphony (The Pastoral)" (Beethoven), "Dance of the Hours" (Ponchielli) and "Night on Bald Mountain/Ave Maria" (Mussorgsky/Schubert).|19627|48|3648|No|No|Yes|Yes|No|Yes|9.62|4.48|28|0|0000-00-00 00:00:00|2019-03-16 12:45:53|Mickey Mouse, Hop Low, Mushroom Dancers, Dewdrop Fairies, Autumn Fairies, Yen Sid, Mlle. Upanova, Hyacinth Hippo, Elephanchine, Ben Ali Gator, Chernabog|Special Certificate (Academy Award) for Fantasound|disney/fantasia1.jpg|disney/Fantasia1.jpg , disney/Fantasia2.jpg , disney/Fantasia4.jpg , disney/Fantasia3.jpg , disney/Fantasia5.jpg , disney/Fantasia6.jpg , disney/Fantasia7.jpg , disney/Fantasia9.jpg , disney/Fantasia8.jpg , disney/Fantasia10.jpg , disney/Fantasia11.jpg , disney/Fantasia12.jpg|Original Release Poster , Alternate Original Release Poster , Original Release Program Book , 1960's Release Poster , Rerelease Poster , Rerelease Poster , 1990 50th Anniversary Rerelease Poster , Film Title Card , Deleted Sunflower Character , Deleted Sunflower Character , Deleted Sunflower Character , Deleted Sunflower Character|0|2004|3|Ed Aardal, Daniel MacManus, Joshua Meador, Art Palmer, George Rowley, Cornett Wood, Cy Young (Toccata and Fugue in D minor).
    Animators, The Nutcracker Suite Sequence: Art Babbitt, Les Clark, Don Lusk, Robert Stokes, Cy Young.
    Animators, The Sorcerer's Apprentice Sequence: Preston Blair, Les Clark, Ugo D'Orsi, Edward Love, George Rowley, Cornett Wood, Marvin Woodward.
    Animators, The Rite of Spring Sequence: Ed Aardal, Paul Busch, Philip Duncan, Paul B. Kossoff, John McManus, Art Palmer.
    Animators, Pastoral Symphony Sequence: Jack Bradbury, Jack Campbell, John Elliotte, Harry Hamsel, Bill Justice, Lynn Karp, Walt Kelly, Don Lusk, James Moore, Milt Neil, Bernard Wolf, Robert W. Youngquist.
    Animators, Dance of the Hours Sequence: Preston Blair, Art Elliott, Hugh Fraser, Franklin Grundeen, Hicks Lokey, John Lounsbery, Ray Patterson, Grant Simmons, Howard Swift.
    Animators, A Night on Bald Mountain/Ave Maria Sequence: Bob Carlson, John McManus, Lester Novros, Don Patterson, William Shull.
    Supervising Animators, The Sorcerer's Apprentice Sequence: Fred Moore, Bill Tytla.
    Supervising Animators, The Rite of Spring Sequence: Joshua Meador, Wolfgang Reitherman.
    Supervising Animators, Pastoral Symphony Sequence: Art Babbitt, Ollie Johnston (as Oliver M. Johnston Jr), Ward Kimball, Eric Larson, Fred Moore, Don Towsley.
    Supervising Animator, Dance of the Hours Sequence: Norm Ferguson (as Norman Ferguson).
    Supervising Animators, A Night on Bald Mountain/Ave Maria Sequence: Bill Tytla.
    Special Effects Animation, A Night on Bald Mountain/Ave Maria: Daniel MacManus, Joshua Meador, Miles E. Pike, John F. Reed|The first feature to be released with a stereophonic soundtrack. This show had a limited-release premier run in 7 channel "Fantasound". In the original roadshow release, the film had an intermission and extra intro snippits.

    The name of the character "Yen Sid" is "Disney" in reverse.

    Working title: "The Concert Feature."

    In 1990, Fantasia was one of 25 films added by the Library of Congress' National Film Preservation Board to the National Film Registry.

    This was the third film in the official Disney list of animated films.|Deems Taylor (Master of Ceremonies), Leopold Stokowski (Conductor, The Philadelphia Orchestra), Walt Disney (Mickey Mouse), Julietta Novis (Soloist "Ave Maria"), James Macdonald (Percussionist, uncredited), Paul J. Smith (Violinist, uncredited), Hugh Douglas (Narrator, 1982 re-release), Tim Matheson (Narrator, 1982 re-release)|Ben Sharpsteen.
    Sequence Director: Sam Armstrong (as Samuel Armstrong) (Toccata and Fugue in D minor and Nutcracker Suite).
    Sequence Director: James Algar (The Sorcerers Apprentice).
    Sequence Director: Bill Roberts, Paul Satterfield (The Rite of Spring).
    Sequence Director: Hamilton Luske (as Hamilton S. Luske), Jim Handley, Ford Beebe (Pastoral Symphony).
    Sequence Director: T. Hee, Norm Ferguson (Dance of the Hours).
    Sequence Director: Wilfred Jackson (A Night on Bald Mountain)|Joe Grant, Dick Huemer (Orchestral Sequence).
    Writer, Toccata in D Minor Sequence: Lee Blair, Elmer Plummer, Phil Dike.
    Writer, The Nutcracker Suite Sequence: Sylvia Moberly-Holland, Norman Wright, Albert Heath, Bianca Majolie, Graham Heid.
    Writer, The Sorcerer's Apprentice Sequence: Perce Pearce, Carl Fallberg.
    Writer, Rite of Spring Sequence: William Martin, Leo Thiele, Robert Sterner, John McLeish.
    Writer, Pastoral Symphony Sequence: Otto Englander, Webb Smith, Erdman Penner, Joseph Sabo, Bill Peet, Vernon Stallings.
    Writer, Bald Mountain/Ave Maria Sequence: Campbell Grant, Arthur Heinemann, Phil Dike|Walt Disney.
    Production Supervisor: Ben Sharpsteen (uncredited)|Leopold Stokowski (Conductor).
    Composer, "Toccata and Fugue in D Minor" : Johann Sebastian Bach.
    Composer, "Nutcracker Suite Op. 71a" : Pyotr Ilyich Tchaikovsky.
    Composer, "l'Apprenti Sorcier" : Paul Dukas.
    Composer, "The Rite of Spring" : Igor Stravinsky.
    Composer, "6th symphony in F, Op.68 'Pastorale'" : Ludwig van Beethoven.
    Composer, "La Gioconda: Dance of the Hours" : Amilcare Ponchielli.
    Composer, "A Night on Bald Mountain" : Modest Mussorgsky.
    Composer, "Ave Maria" : Franz Schubert.
    Choral Director, A Night on Bald Mountain/Ave Maria: Charles Henderson|Stephen Csillag.
    Film Editor, 1990 Restoration: John Carnochan|Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|120|1|1|4|U.S.A.|||3|B0040QTNSU|B0040QTNSK|
  • Art Direction: Robert Cormack (Toccata and Fugue in D minor).
  • Bruce Bushman, Arthur Byram, Robert Cormack, Curtiss D. Perkins, Al Zinnen (The Nutcracker Suite).
  • Tom Codrick, Charles Philippi, Zack Schwartz (The Sorcerer's Apprentice).
  • John Hubley, Dick Kelsey, McLaren Stewart (The Rite of Spring).
  • Kenneth Anderson, Yale Gracey, Hugh Hennesy, J. Gordon Legg, Lance Nolley, Herbert Ryman (Pastoral Symphony).
  • Harold Doughty, Ernest Nordli, Kendall O'Connor (Dance of the Hours).
  • Kay Nielsen, Charles Payzant, Thor Putnam, Terrell Stapp (A Night on Bald Mountain/Ave Maria).
  • Concept: Oskar Fischinger (uncredited) (Toccata and Fugue in D minor).
  • Backgrounds: Nino Carbe, John Hench, Joe Stahley (Toccata and Fugue in D minor).
  • Nino Carbe, John Hench, Ethel Kulsar (The Nutcracker Suite).
  • Claude Coats, Albert Dempster, Eric Hansen, Stan Spohn (The Sorcerer's Apprentice).
  • Edward Levitt, Brice Mack, Ed Starr (The Rite of Spring).
  • W. Richard Anthony, Claude Coats, Roy Forkum, Ray Huffine, Gerald Nevius, Arthur Riley (Pastoral Symphony).
  • Charles Conner, Albert Dempster (Dance of the Hours).
  • W. Richard Anthony, Merle Cox, Ray Lockrem, Robert Storms (A Night on Bald Mountain/Ave Maria).
  • Character Design: Ethel Kulsar, Elmer Plummer, John Walbridge (The Nutcracker Suite).
  • James Bodrero, John P. Miller, Lorna S. Soderstrom (Pastoral Symphony).
  • James Bodrero, Earl Hurd, Martin Provensen, Duke Russell (Dance of the Hours).
  • Special Camera Effects: Gail Papineau, Leonard Pickley (The Rite of Spring, A Night on Bald Mountain/Ave Maria).
  • Musical Film Editor: Stephen Csillag.
  • Sound Recordist: William E. Garity, J.N.A. Hawkins, C.O. Slyfield.
    • |No||Yes|No|1940-11-13|||||2147483647|0|0|0|B004JZ66VY|||||||||||/cartoon/7259-Fantasia_2000 , http://blog.bcdb.com/disney-animated-film-list/3-fantasia/|Fantasia 2000 , Disney Classic Animated Film List|||1940-11-13 , 1940-11-13 , 1942-01-00 , 1946-01-00 , 1956-02-07 , 1963-02-20 , 1969-12-17 , 1977-04-15 , 1982-01-00 , 1985-01-00 , 1990-10-05 , 1991-11-01 , 2000-11-00 , 2010-11-00|General Release , Road Show Edition (13 Theatrers) , Theatrical 1:20 Length Version , Theatrical 1:55 Length Version , SuperScope/Stereo Re-release , Standard and SuperScope/Stereo Re-release , Theatrical Re-release (Buena Vista) , Theatrical Re-release (Buena Vista) , Theatrical Re-release (Buena Vista) , Theatrical Re-release (Buena Vista) , 50th Anniversary Theatrical Re-release , VHS and Laser Disc , Fantasia/Fantasia 2000 DVD , DVD Blu-ray|||$2.28 million|$83.3 million|Walt Disney Studios/Feature Films|0 16|The Reluctant Dragon|410620|admin|1941-06-20|2016-01-03|Robert Benchley is at the new Walt Disney Studios, there to pitch a story idea for an animated version of The Reluctant Dragon by Kenneth Grahame. As he is searching for Walt Disney, he goes into various departments, and sees a variety of the work that goes into making an animated film.|10702|41|1366|No|No|Yes|No|No|Yes|9|3.23|11|0|0000-00-00 00:00:00|2019-03-16 13:09:56|Casey, Jr. ("Casey, Jr.")
    Donald Duck, Clementine Cow ("Old MacDonald Duck")
    Baby Weems, John, Mrs. Weems, Albert Einstein, Franklin D. Roosevelt, George Bernard Shaw, Salvador Dali ("Baby Weems")
    Goofy ("How to Ride a Horse")
    Percy, The Reluctant Dragon, Sir Giles ("The Reluctant Dragon").
    Characters, Live Action: Robert Benchley, Mrs. Benchley, Humphrey, Doris, Ward Kimball, Fred Moore, Norman Ferguson, Clarence Nash, Florence Gill, Walt Disney||disney/reluctant1.jpg|disney/Rel_dragon.jpg , disney/Rel_dragon1.jpg|Original Release Poster , Original Release Poster (Long)|0|2005.
    Production Number: 1379 (Baby Weems segment).
    Production Number: 1244 (Reluctant Dragon segment)|4|Ward Kimball, Fred Moore, Milt Neil, Wolfgang Reitherman, Walt Kelly, Jack Campbell, Claude Smith, Harvey Toombs, Bud Smith.
    Effects Animations: Joshua L. Meador|A combined live-action and animated film. Five short animated stories totaling about 40 minutes wrapped around a tour of the Walt Disney Studios. The first third of the movie is in Black & White, and switches to Technicolor when Benchley goes to the camera department.

    Shorts include: "Casey, Jr.", "Old MacDonald Duck", "Baby Weems", "How to Ride a Horse" and "The Reluctant Dragon".

    Released in the middle of the Disney animators' strike of 1941. Strikers picketed the film's premiere with signs that attacked Disney for unfair business practices, low pay, lack of recognition, and favoritism.|Robert Benchley (Himself), Frances Gifford (Doris), Buddy Pepper (Studio Guide), Nana Bryant (Mrs. Benchley), Florence Gill (Herself), Clarence Nash (Himself, Donald Duck), Alan Ladd (Animator), Norman Ferguson (Himself), Ward Kimball (Himself), Fred Moore (Himself), Jimmy Luske (Baby Weems Model), Frank Churchill (Himself), Walt Disney (Himself), Lester Dorr (Slim), Frank Faylen (Orchestra Leader), Henry Hall (Studio Policeman), Verna Hillie (Sculptor, uncredited), Truman Woodworth, Hamilton MacFadden, Maurice Murphy, Jeff Corey, John Dehner (uncredited).
    "The Reluctant Dragon" Segment: Claud Allister (Sir Giles), Barnett Parker (Dragon), Billy Lee (Boy) Val Stanton (Courier), J. Donald Wilson (Narrator).
    "Baby Weems" Segment: Leone Le Doux (Baby Weems), Raymond Severn (Baby Weems), Eddie Marr (Walter Winchell), Gerald Mohr (Studio Guard, Narrator), Ernie Alexander (Baby Weems' Father), Linda Marwood (Baby Weems' Mother), Art Gilmore (Franklin D. Roosevelt).
    "How To Ride a Horse" Segment: Pinto Colvig (Goofy, uncredited), John McLeish (Narrator)|Hamilton Luske (as Hamilton S. Luske).
    Assistant Directors: Ford Beebe, Jim Handley, Verity Erwin.
    Live Action Director: Alfred L. Werker.
    Assistant Director: Jasper Blystone|Ted Sears, Al Perkins, Larry Clemmons, William Cottrell (as Bill Cottrell), Harry Clork.
    Additional Dialogue: Robert Benchley.
    Story, The Reluctant Dragon: Erdman Penner, T. Hee.
    Story, Baby Weems: Joe Grant, Dick Huemer, John P. Miller.
    Novel: Kenneth Grahame|Walt Disney|Frank Churchill, Larry Morey.
    Song Sequence, "The Reluctant Dragon": Charles Wolcott, Larry Morey|Paul Weatherwax|Walt Disney Studios||RKO Radio Pictures, Inc.||Black & White, TechniColor|72|1|1|4|U.S.A.|||3|B001RTKKNA||
  • Art Direction: Gordon Wiles.
  • Cartoon Art Direction: Ken Anderson, Hugh Hennesy, Chas Philippi.
  • Backgrounds: Ray Huffine, Arthur Riley.
  • Set Decoration: Earl Woodin.
  • Production Manager: Earl Rettig.
  • Sound Recordist: Frank Maher.
  • Special Proocesses: Ub Iwerks.
  • Title Sequence Caricatures: T. Hee.
  • Cinematography (B&W): Bert Glennon.
  • Cinematography (Technicolor): Winton Hoch.
  • Technicolor Color Consultant: Natalie Kalmus.
  • Sound: Sonovox.
    • |No||No|No|1941-06-20||Behind the Scenes at Walt Disney Studios , A Day at Disneys (Television)|||2147483647|0|0|0||||71Lu9MsQ1yM||||||||||||1941-06-20 , 1987-00-00 , 2002-12-03 , 2004-00-00 , 2007-00-00 , 2009-05-19|US Theatrical Release , VHS "Reluctant Dragon" segment , DVD Release as Walt Disney Treasures: Behind the Scenes at the Disney Studio , UK Release, "Reluctant Dragon" segment , Disney Movie Club exclusive DVD|||$600,000||Walt Disney Studios/Feature Films|0 17|Dumbo|411023|admin|1941-10-23|2016-01-03|Circus elephant Mrs. Jumbo's little baby has huge ears, earning him the derision of the circus population and the nickname "Dumbo." After his mother is locked up for being overly protective of him, Dumbo is left alone to humiliating and exhausting circus jobs, finding solace only in the friendship of a mouse named Timothy and a quartet of rambunctious crows (the racial representation of the latter raised some debate about stereotyping). Befriended by Timothy the circus mouse, the dejected little elephant tries to find his niche with circus clowns- an attempt which ends in disaster. Finally, Dumbo soars to acceptance when he discovers that his ears are aerodynamic- Dumbo is a flying elephant! Memorable moments include the infamous ?Pink Elephants on Parade? music sequence, a dazzling hallucination of Dumbo?s after he accidentally drinks champagne, and ?Baby Mine,? when Dumbo sneaks a visit to his imprisoned mother and is tearfully cradled in her trunk.|17168|66|2459|No|No|Yes|Yes|No|Yes|9.66|4.3|18|0|0000-00-00 00:00:00|2019-03-16 00:57:23|Dumbo, Timothy Q. Mouse, Casey Jr., Stork, Mrs. Jumbo, Prissy, Matriarch, Giggles, Catty, Joe, Skinny, Fat Crow, Jim Dandy Crow, Glasses Crow, Preacher Crow, Straw Hat Crow, Jim Crow|Academy Award Winner, Best Music (Scoring of a Musical Picture), Frank Churchill, Oliver Wallace, 1941.
    Academy Award Nominee, Best Music (Song), "Baby Mine" (Music: Frank Churchill.
    Lyrics: Ned Washington), 1941|disney/dumbo2.jpg|disney/dumbo1.jpg , disney/dumbo2.jpg , disney/dumbo3.jpg|Original Release Poster , Original Release Poster , Title Card|0|2006|5|Hugh Fraser, Howard Swift, Harvey Toombs, Don Towsley, Milt Neil, Les Clark, Hicks Lokey, Claude Smith, Berny Wolf, Ray Patterson, Jack Campbell, Grant Simmons, Walt Kelly, Josh Meador, Don Patterson, Bill Shull, Cy Young, Art Palmer.
    Supervising Animators: Norm Ferguson (as Norman Ferguson), Wilfred Jackson, Bill Roberts, Jack Kinney, Sam Armstrong|Sometimes the simplest stories resound the most in people's hearts. After the expensive box-office failures of "Pinocchio" and "Fantasia," Disney Studios made sure to keep Dumbo's production costs low (at $813,000, it's the least expensive Disney animated feature), and audiences demonstrated that a well-told story doesn't need a big budget: "Dumbo" grossed over $2.5 million in its original release (more than "Pinocchio" and "Fantasia" combined). Dumbo and Snow White were the only two pre-1943 Disney features to turn a profit for Disney.

    "Dumbo" is beloved by many, but perhaps no endorsement is stronger than this: it was Walt Disney's own favorite among films made by his studio.

    "Dumbo" was re-released theatrically in 1949, 1959, 1972 and 1976. Dumbo, along with Alice in Wonderland, was the first of Disney's canon of animated films to be released on home video. It was released to video in 1982, 1985, 1991, 1998 and 2000. Dumbo was one of the first of Disney's animated films to be broadcast, albeit severely edited, on television, as part of Disney's anthology series.|Ed Brophy (Timothy), Herman Bing (Ringmaster), Margaret Wright (Casey, Jr.), Sterling Holloway (Stork), Verna Felton (Matriarch), Noreen Gamill (Elephant), Dorothy Scott (Elephant), Sarah Selby (Elephant), Cliff Edwards (Jim Crow), Jim Carmichael (Crows), Billy Bletcher (Clown), Billy Sheets (Joe, Clown), Malcolm Hutton (Skinny), Harold Manley (Boy), Tony Neil (Boy), Charles Stubbs (Boy), Hall Johnson Choir (Crows), John McLeish (Narrator), Betty Noyes (Singer, "Baby Mine")|Ben Sharpsteen.
    Directing Animators: Bill Tytla (as Vladimir Tytla), Fred Moore, Ward Kimball, John Lounsbery, Art Babbitt, Wolfgang Reitherman|Joe Grant, Dick Huemer.
    Story Development: Bill Peet, Aurie Battaglia, Joe Rinaldi, Webb Smith, George Stallings.
    Story Direction: Otto Englander.
    Original Book, "Dumbo, the Flying Elephant": Helen Aberson, Harold Pearl|Walt Disney|Oliver Wallace, Frank Churchill.
    Lyrics: Ned Washington.
    Orchestration: Edward H. Plumb.
    Sound Effects: Sonovox||Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|64|1|1|4|U.S.A.|||3|B000EYK4GW|B003H9M1QM|
  • Art Direction: Herb Ryman, Ken O'Connor, Terrell Stapp, Don Da Gradi, Al Zinnen, Ernest Nordli, Dick Kelsey, Charles Payzant; John Hubley (uncredited).
  • Character Design: John P. Miller, Martin Provensen, John Wallbridge, James Bodrero, Maurice Noble, Elmer Plummer.
  • Backgrounds: Claude Coats, Al Dempster, John Hench, Gerald Nevius, Ray Lockrem, Joe Stahley.
    • |No||Yes|No|1941-10-23|||||2147483647|0|0|0|B003QS9VYE|||RJv2Mugm2RI||||||||/cartoon/37937-Dumbo_II.html|Dumbo II|||1941-10-23 , 1949-00-00 , 1959-00-00, 1972-00-00 , 1976-00-00 , 1981-06-26 , 1982-06-00 , 1985-12-03 , 1991-07-12 , 1994-10-28 , 2001-00-00 , 2006-00-00 , 2007-00-00 , 2011-09-20|Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , VHS Release (Rental) , Laserdisk & VHS (Sales) Release , Walt Disney Classics Video Collection Release , 50th Anniversary Edition , Walt Disney Masterpiece Collection (VHS/LaserDisk) , 60th Anniversary Special Edition (VHS/DVD) , Big Top Edition (DVD) , UK Special Edition , 70th Anniversary Edition (DVD/Blu-Ray)|||$950,000|$1.6 million|Walt Disney Studios/Feature Films|0 18|Bambi|420813|admin|1942-08-13|2016-01-03|The forest is abuzz with the news- a new prince is born in the thicket, a deer fawn named Bambi. With his friends, Thumper the rabbit and Flower the skunk, Bambi learns of the forest's wonders and dangers- especially a danger called "Man." Bambi grows up and fights for the doe Faline, survives a devastating forest fire, and ultimately takes the place of his father, the Great Prince of the Forest.|17535|69|2375|No|No|Yes|Yes|No|Yes|8.72|4.79|153|0|0000-00-00 00:00:00|2019-03-16 05:44:12|Bambi, Faline, Thumper, Mother, Aunt Ena, The Great Prince of the Forest, Friend Owl, Flower|Academy Award Nominee, Best Music (Song), 1942.
    Academy Award Nominee, Best Music (Scoring of a Dramatic or Comedy Picture), Frank Churchill, Edward Plumb, 1942.
    Academy Award Nominee, Best Sound Recording, Sam Slyfield, 1942|disney/bambi1.jpg|disney/bambi3.jpg , disney/bambi4.jpg , disney/bambi9.jpg , disney/bambi5.jpg , disney/bambi1.jpg , disney/bambi6.jpg , disney/bambi2.jpg , disney/bambi7.jpg , disney/bambi8.jpg , disney/bambi10.jpg|Original Release Poster , Original Release Poster , Original Release Poster , Original Release Poster , Original Book Release Poster , Re-Release Poster , 1970's Re-Release Poster , Re-Release Poster , Video Release Poster , Title Card|0|2002|6|Fraser Davis, Bill Justice, Bernard Garbutt (Great Stag), Don Lusk, Retta Scott, Kenneth Hultgren, Ken O'Brien, Louis Schmitt, John Bradbury, Joshua Meador, Phil Duncan, George Rowley, Art Palmer, Art Elliott.
    Animators (Uncredited): Ed Aardal, Preston Blair, Jerome Brown, Paul Busch, Lars Calonius, Brad Case, Ugo D'Orsi, Russ Dyson, J.S. Escalante, Paul Fitzpatrick, Joseph Gayek, George Goepper, Franklin Grundeen, Harry Hamsel, John Harbaugh, M. James, Lynn Karp, Paul B. Kossoff, Dan MacManus, Fred Madison, Murray McClellan, John McManus, James Moore, John Reed, Hazel Sewell, Sandy Strother, Don Tobin, Harvey Toombs, Don Towsley, Noel Tucker, Karl Van Leuven, Jim Will, Vernon G. Witt, Cornett Wood, Cy Young, Robert W. Youngquist.
    Supervising Animators: Franklin Thomas (Bambi, Thumper), Milton Kahl (Deer), Eric Larson (Owl), Ollie Johnston (as Oliver M. Johnston Jr) (Bambi, Thumper).
    Animator, Opening Sequence: Jack Kinney|The first animated film to be nominated for an Academy Award for best sound.

    In 1948, the Hollywood Foreign Press Association gave Walt Disney a Special Achievement Award (one of the Golden Globe Awards) for the Hindustani version of Bambi. Disney was cited for "furthering the influence of the screen."

    This movie was rereleased to theaters in 1947, 1957, 1966, 1975, 1982, and 1988. It was released on video in 1989, 1997 and 2005.

    This was the 5th film in the official Disney list of animated films.|Bobby Stewart, Donnie Dunagan, John Sutherland (Bambi); Hardy Albright (Older Bambi), Paula Winslowe (Mother, uncredited), Cammie King (Young Faline, uncredited), Ann Gillis (Older Faline, uncredited), Stanley Alexander (Young Flower), Sterling Holloway (Older Flower) Tim Davis (Thumper, Flower) Peter Behn (Young Thumper), Thelma Hubbard (Girl Bunny, Quail Mother, Female Pheasant, uncredited), Thelma Boardman (Mrs. Quail, uncredited), Marion Darlington (Bird Calls, uncredited), Mary Lansing (Aunt Ena, Mrs. Possum, uncredited), Margaret Lee (Mrs. Rabbit, uncredited), Fred Shields (Great Prince of the Forest, uncredited), Will Wright (Owl, uncredited), Bobette Audrey, Janet Chapman, Jeanne Christy, Dolyn Bramston Cook, Otis Harlan, Jack Horner, Babs Nelson, Sandra Lee Richards, Francesca Santoro, Elouise Wohlwend, Donald Novis (singer 'Love Is a Song', uncredited)|David Hand (as David D. Hand).
    Assistant Directors: Jack Atwood, Mike Holoboff, Bob Ogle (uncredited).
    Sequence Directors: James Algar, Bill Roberts, Norman Wright, Sam Armstrong, Paul Satterfield, Graham Heid|Perce Pearce (Story Director).
    Story Adaption: Larry Morey.
    Story Development: Vernon Stallings, Melvin Shaw, Carl Fallberg, Chuck Couch, Ralph Wright.
    Original Novel: Felix Salten|Walt Disney|Frank Churchill, Edward Plumb.
    Orchestrations: Charles Wolcott, Paul J. Smith.
    Conductor: Alexander Steinert.
    Choral Arrangements: Charles Henderson.
    Sound Director: C.O. Slyfield (uncredited)||Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|69|1|1|4|U.S.A.|||3|B0002YLCOM|B004AKCMES|
  • Art Directors: Thomas H. Codrick, Robert C. Cormack, Al Zinnen, McLaren Stewart, Lloyd Harting, David Hilberman, John Hubley, Dick Kelsey.
  • Layouts: Curtiss D. Perkins, Glenn Scott (uncredited).
  • Backgrounds: Merle T. Cox, Tyrus Wong, Art Riley, Robert McIntosh, Travis Johnson, W. Richard Anthony, Stan Spohn, Ray Huffine, Ed Levitt, Joe Stahley.
  • Artistic Consultant, Inspiring Collaborator: Sidney Franklin.
  • Ice Skating Model: Jane Randolph.
  • Ice Skating Model, "Thumper": Donna Atwood (uncredited).
  • Researcher: Maurice Day (uncredited).
  • Animal Motion and Anatomy Consultant: Don Graham, Rico Lebrun (uncredited).
    • |No||Yes|No|1942-08-13|||||2147483647|0|0|0||||U2M7KMzbOAo||||||||/cartoon/60158-Bambi_II.html|Bambi II|||1942-08-13 , 1947-00-00 , 1957-00-00 , 1966-00-00 , 1975-00-00 , 1982-00-00 , 1988-00-00 , 1989-09-28 , 1997-02-04 , 2005-00-00 , 2011-02-07 , 2011-03-01|Theatrical Release , Theatrical Release , Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , Theatrical Re-release , VHS Release , Masterpiece Collection Version , Platinum Edition DVD , UK Diamond Edition Blu-Ray , Diamond Edition Blu-Ray|||$858,000|$267.4 million|Walt Disney Studios/Feature Films|0 19|Saludos Amigos|430206|admin|1943-02-06|2016-01-04|The second of six anthology films, this one inspired by a trip of some Disney artists to South America. This film had four sections: Lake Titicaca, Pedro, El Gaucho Goofy and Aquarela do Brasil. El Gaucho Goofy continues the popular "How To" cartoon series, which juxtaposes a deadpan narration with increasing physical mayhem. Here, Goofy demonstrates pampas-style riding and the use of the bola.|9030|36|1053|No|No|Yes|Yes|No|Yes|7.36|3.58|9|0|0000-00-00 00:00:00|2019-03-16 01:03:35|Donald Duck, Llama, Boy with Flute (Lake Titicaca)
    Pedro, Papa Plane, Mama Plane, Signal Tower, Condor (Pedro)
    Goofy, Horse, Ostrich (El Gaucho Goofy)
    Donald Duck, Jose Carioca (Aquarela do Brasil)|Academy Award Nominee, Best Song, "Saludos Amigos" (Music: Charles Wolcott.
    Lyrics: Ned Washington), 1943.
    Academy Award Nominee, Best Scoring of a Motion Picture, Edward Plumb, Paul Smith, Charles Wolcott, 1943.
    Academy Award Nominee, Best Sound, C. Slyfield, 1943|disney/Saludos_Amigos1.jpg|disney/Saludos_Amigos1.jpg , disney/GauchoGoofy.jpg|Original Release Poster , El Gaucho Goofy Release Poster|0||7|Fred Moore, Ward Kimball, Milt Kahl, Milt Neil, Wolfgang Reitherman, Bill Tytla (as Vladimir Tytla), Les Clark, Bill Justice, John Sibley, Hugh Fraser, Paul Allen, John McMannus, Dan MacManus, Andrew Engman, Josh Meador|The first of two features that Walt Disney made at the behest of the Office of Inter-American Affairs, this consists of four cartoons linked by live-action travel footage.

    This was the 6th film in the official Disney list of animated films.|Clarence 'Ducky' Nash (Donald), Jose Oliveira (Jose), Pinto Colvig (Goofy), Fred Shields (Narrator), Frank Graham (Narrator)|Bill Roberts, Jack Kinney, Hamilton Luske (as Hamilton S. Luske), Wilfred Jackson|Homer Brightman, Ralph Wright, Roy Williams, Harry Reeves, Ted Sears, Dick Huemer, Joe Grant.
    Story Research: Ted Sears, William Cottrell, Webb Smith|Walt Disney|Edward H. Plumb, Paul J. Smith.
    Songs: Ned Washington, Charles Wolcott, Ary Barroso, Zequinta De Abreu, Ervin Drake, Aloysio Oliveira.
    Musical Director: Charles Wolcott||Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|42|1|1|4|U.S.A.|||3|B0012RLXBU||
  • Art Supervision: Mary Blair, Lee Blair, Herb Ryman, Jim Bodrero.
  • Backgrounds: Hugh Hennesy, Al Zinnen, Ken Anderson, McLaren Stewart, Al Dempster, Art Riley, Calude Coats, Dick Anthony, Yale Gracey, Merle Cox.
  • Backgrounds for El Gaucho Goofy Inspired by: F. Molina Campos.
  • Foreign Supervision: Jack Cutting.
  • Associates: Gilberto Souto, Alberto Soria, Edmundo Santos.
    • |No||No|No|1943-02-06|||||2147483647|0|0|0||||_JQtPvgQ8V0||||||||||||||||||Walt Disney Studios/Feature Films|0 20|Victory Through Air Power|430717|eminovitz|1943-07-17|2016-01-03|A Disney feature-length cartoon that is both documentary and propaganda film. Inspired by Walt Disney's desire to help the war effort, this film deals with the ability of airplanes to help turn the tide against the Axis powers in World War II.

    The entire film is animation except for clips of Brigadier-General Billy Mitchell and Major Alexander P. de Seversky speaking.

    Historical flights by such aviation pioneers as the Wright Brothers, Alberto Santos-Dumont, Louis Bleriot, C.S. Rolls, Eugene Ely, Cal Rodgers, Charles A. Lindbergh, Wiley Post, Howard Hughes, and the crews of the NC-4 and the Douglas World Cruisers.

    World War I aviation and the advent of the synchronized machine gun and aerial bombardment.

    Still photographs and animation depict the career of de Seversky and his contribution to aviation.

    The role of aviation as used by Germany in the invasion of France, Norway and Crete, the role of the Royal Air Force during the evacuation at Dunkirk and the Battle of Britain, the Japanese attack on Pearl Harbor, and the sinking of British warships Prince of Wales and Repulse by the Japanese.

    United States war production and its logistic problems, the geographical advantages of logistics held by Germany and Japan, and the effects of unrestricted submarine warfare by the German Navy.

    Methods of defeating Germany through close air support and strategic bombing, the disadvantages of Allied bombing operations against Japan from China, Siberia, aircraft carriers and bases gained through island invasions, and the advantages to be gained by bombing Japan from Alaskan bases with long-range bombers.

    The advantage of heavily armed long-range bombers over attacking fighter planes, and how aerial bombardment of hydroelectric plants and submarine pens can shorten the war.|9495|29|365|No|No|Yes|No|No|Yes|8|4|3|0|0000-00-00 00:00:00|2019-03-15 21:48:39|Orville Wright, Wilbur Wright, Alberto Santos-Dumont, Eugene Ely, Calbraith P. Rogers, Sir John Alcock, Arthur Brown, Charles Lindbergh, Pierre, Fritz, Eagle, Octopus||disney/victory1.jpg|disney/victory1.jpg|Original Release Poster|0||8|Ward Kimball, Josh Meador, John Lounsbery, Carleton Boyd, Hugh Fraser, Bill Justice, George Rowley, Ed Aardal, John Sibley, John McManus, Norm Tate, Ollie Johnston (as Oliver M. Johnston Jr), Bill Tytla (as Vladimir Tytla), Marvin Woodward, Harvey Toombs.
    Animation Supervision: David Hand (as Dave Hand)||Major Alexander P. de Seversky (Himself), Art Baker (Narrator)|Clyde Geronimi, Jack Kinney, James Algar (as James Alger).
    Live Action (de Seversky) Director: H.C. Potter|T. Hee, Erdman Penner, William Cottrell, James Bodrero, George Stallings, Jose Rodriguez.
    Story Direction: Perce Pearce.
    Based on the Book by: Major Alexander P. de Seversky|Dan Keefe|Edward Plumb, Paul J. Smith, Oliver Wallace|Jack Dennis|Walt Disney Studios||United Artists||TechniColor|65|1|1|4|U.S.A.|||3|B0000BWVAH||
  • Art Direction (Animation): Herbert Ryman, Don Griffith, Donald Da Gradi, Bill Herwig, Tom Codrick, Cliff Devirian, Chales Philippi, Glen Scott, Elmer Plummer, Karl Karpñ.
  • Art Direction (Live Action): Richard Irvine.
  • Backgrounds: Al Dempster, Dick Anthony, Claude Coats, Ray Huffine, Robert Blanchard, Joe Stahley, Nino Carbe.
  • Production Manager: Dan Keefe.
  • Director of Photography: Ray Rennahan.
  • Color Direction: Natalie Kalmus.
  • Color Associate: Morgan Padelford.
  • Interior Decoration: William Kiernan.
  • Sound Recording: C. O. Slyfield, Lodge Cunningham.
    • |No||No|No|1943-07-17|||||2147483647|0|0|0||||||||||||||||||||$788,000|$799,000|Walt Disney Studios/Feature Films|0 21|The Three Caballeros|450203|eminovitz|1945-02-03|2015-12-02|Donald Duck receives birthday gifts from his amigos, Jose Carioca, the parrot, and Panchito, the Mexican charro rooster. Donald opens a birthday package containing a movie projector, and watches "The Cold-Blooded Penguin," The Flying Gauchito, "Bahia" and "La Piñata." In "The Cold-Blooded Penguin," a penguin doesn't like the cold of the Arctic regions, so he sets sail for warmer climates. He encounters many amusing adventures along the way to his tropical destination. Interspersed throughout the film is live-action footage of native dances and Latin American songs.|11544|41|1810|No|No|Yes|Yes|No|Yes|7.88|4.13|10|0|0000-00-00 00:00:00|2019-03-16 10:03:12|Donald Duck, Pablo, King Neptune, Professor Holloway (The Cold-Blooded Penguin)
    Donald Duck, The Gauchito, the Burrito (The Flying Gauchito)
    Donald Duck, Jose Carioca, Panchito, Aracuan Bird (Bahia)
    Donald Duck, Jose Carioca, Panchito, Aracuan Bird (La Piñata)|Academy Award Nominee, Best Sound, C. O. Slyfield, 1945.
    Academy Award Nominee, Best Scoring of a Musical Picture, Edward H. Plumb, Paul J. Smith, Charles Wolcott, 1945|disney/three_cab1.jpg|disney/three_cab1.jpg , disney/three_cab3.jpg , disney/three_cab2.jpg , disney/three_cab4.jpg|Original Release Poster , Original Release Poster , Oversize Original Release Poster|0||9|Ward Kimball (Panchito), Fred Moore, Eric Larson, John Lounsbery, Les Clark, Milt Kahl, Hal King, Bill Justice, Frank Thomas, Ollie Johnston (as Oliver M. Johnston Jr)., Harvey Toombs, Milt Neil, Bob Carlson, Marvin Woodward, John Sibley, Don Patterson.
    Effects Animation: Josh Meador, George Rowley, Ed Aardal, John McManus|The Three Caballeros was conceived very early in the 1940's as a follow-up to the 1943 film Saludos Amigos. That film had been created as part of a State Department "Good Neighbor Policy," meant to maintain strong ties with Latin American and South American governments during World War II. The Latin rhythms and culture were pervasive influences during the war years, and Saludos Amigos was a smash in both the United States and South America.

    The Three Caballeros would have been completed and released earlier, but the priority effort of the Disney Studio during the war years was the production of educational and propaganda work on behalf of the government and armed forces. The film was ready to release in October 1944, but material shortages at Technicolor delayed the film's release until enough prints could be struck.

    The final film is a varied, frenetic, and often dazzling exercise in animation technique. With its frequent shifts of locale, mood, and style, The Three Caballeros maintains a breezy pace. The critical reaction to the film was decidedly mixed. The New Yorker called the film "a mixture of atrocious taste, bogus mysticism, and authentic fantasy, guaranteed to baffle any critic not hopelessly enchanted with the word 'Disney.'" Variety, however, called it a "socko feature production," and most mass-market critics warmly received it.

    The Three Caballeros was nominated for two Academy Awards: Best Sound (C. O. Slyfield) and Best Scoring of a Musical Picture (Edward H. Plumb, Paul J. Smith, and Charles Wolcott).

    The film, although successful, never received a complete theatrical reissue (a 1977 release was severely truncated- nearly half an hour was edited from the film). It was felt that the film was too dated, too firmly ensconced in the 1940s.

    The variety of styles at work in The Three Caballeros makes it an optic feast for animation fans. Full of visual puns, dynamic surrealism, picturesque graphics and live-action/animation combination (this was the first feature film to combine live action with animation throughout), The Three Caballeros is a fast-paced roller coaster of a film.

    The Disney Studio had not attempted the combination of animation and live action since the early Disney Alice in Cartoonland shorts of the 1920s. The success of this work in The Three Caballeros led to the use of a similar combination of the two film styles in Song of the South in 1946.

    Ward Kimball supervised the offbeat, frantic and funny animation of the tide song, which is similar to "Pink Elephants on Parade" from Dumbo (1941), in the way that the visuals constantly evolve from one outlandish concept to another, with bizarre visuals linked together with a perfect eccentric internal logic. Ward Kimball refers to this film as "the only animation I can look back on with pride."

    The gentle, picturesque Mary Blair concept drawings used as the inspiration for La Piñata hearken to the distinctive style that would become familiar to millions of visitors in "It's a Small World" at the 1964-65 New York World's Fair, Disneyland, Walt Disney World, Tokyo Disneyland, and Disneyland Paris.

    This was the 7th film in the official Disney list of animated films.|Clarence 'Ducky' Nash (Donald), Jose Olivereira (Jose, Aracuan Bird), Pinto Colvig (Aracuan Bird, uncredited), Joaquin Garay (Panchito), Frank Graham (Narrator), Fred Shields (Narrator), Sterling Holloway (Narrator, The Cold-Blooded Penguin).
    Live-Action Characters: Aurora Miranda, Carmen Molina, Dora Luz|Norm Ferguson (as Norman Ferguson).
    South American Director: Harold Young|Homer Brightman, Ernest Terrazas, Ted Sears, Bill Peet (misspelled Peed), Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell, James Bodrero|Walt Disney|Charles Wolcott, Paul J. Smith, Edward Plumb.
    Title Song (Uncredited): Manuel Esperón, Ray Gilbert.
    Songs: Manuel Esperón, Ary Barroso, Agustin Lara, Charles Wolcott, Ray Gilbert.
    Musical Performances: Nestor Amaral, Almirante, Trio Calaveras, Ascencio del Rio Trio, Padua Hills Players|Don Halliday|Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor||1|1|4|U.S.A.|||3|B0012RLXBU||
  • Art Director: Richard F. Irvine.
  • Art Supervision: Mary Blair, Ken Anderson, Robert Cormack.
  • Layouts: Donald Da Gradi, Yale Gracey, Hugh Hennesy, Herbert Ryman, McLaren Stewart, John Hench, Chales Philippi.
  • Backgrounds: Albert Dempster, Art Riley, Ray Huffine, Don Douglass, Claude Coats.
  • Production Manager: Dan Keefe.
  • Assistant Production Supervision: Larry Lansburgh.
  • Associates: Gilberto Souto, Aloysio Oliveira, Sidney Field, Edmundo Santos.
  • Process Effects: Ub Iwerks.
  • Process Technician: Richard Jones.
  • Technical Advisor: Gail Papineau.
  • Technicolor Color Direction: Natalie Kalmus.
  • Technicolor Color Associate: Morgan Padelford.
  • Color Consultant: Phil Dike.
  • Photography: Ray Rennahan.
  • Sound Recording: C. O. Slyfield.
  • Choreography: Billy Daniels, Aloysio Oliveira, Carmelita Maracci.
    • |No||No|No|1945-02-03|||||2147483647|0|0|0|||
    |||||||||||||1945-02-03 , 1994-10-28|Original US Theatrical Release date , VHS Masterpiece Collection Release|||Walt Disney Studios/Feature Films|0 22|Make Mine Music|460420|eminovitz|1946-04-20|2014-08-13|This was Disney's first feature-length cartoon made primarily for an adult audience. It was also a huge flop.

    An anthology film made from 10 sections: The Martins And The Coys, Casey at the Bat, Peter and the Wolf, Johnnie Fedora and Alice Bluebonnet, Without You, All The Cats Join In, After You've Gone, Blue Bayou, Two Silhouettes and The Whale Who Wanted To Sing At The Met.|12848|46|835|No|No|Yes|Yes|No|Yes|10|3.21|4|0|0000-00-00 00:00:00|2019-03-16 07:57:06|Grandpa Coy, Henry Coy, Grace Martin (The Martins And The Coys)
    Casey, Cooney, Barrows, Jimmy Flynn, Blake, The Manager, Umpire, Pitcher (Casey at the Bat)
    Peter, Wolf, Sasha, Sonia, Ivan, Grandpa, Yascha, Mischa (Peter And The Wolf)
    Johnnie Fedora, Alice Bluebonnet (Johnnie Fedora And Alice Bluebonnet)
    Willie the Whale, Professor Tetti Tatti, Isolde, Whitey (The Whale Who Wanted To Sing At The Met)||disney/make_mine1.jpg|disney/make_mine1.jpg , disney/make_mine2.jpg , disney/make_mine3.jpg|Original Release Poster , Original Release Poster , Rerelease Poster|0|2041 (Casey)|10|Les Clark, Ward Kimball (Peter and the Wolf), Eric Larson (Casey at the Bat, Peter and the Wolf), John Lounsbery (Peter and the Wolf), Milt Kahl, Oliver M. Johnston (Peter and the Wolf) Jr, John Sibley (Casey at the Bat), Fred Moore (All The Cats Join In), Hal King, Hugh Fraser (Casey at the Bat), Judge Whitaker, Jack Campbell, Harvey Toombs, Cliff Norberg (Casey at the Bat), Tom Massey, Bill Justice, Phil Duncan, Al Bertino, Hal Ambro, John McManus, Ken O'Brien.
    Effects Animation: George Rowley (Casey at the Bat, Peter and the Wolf), Andy Engman, Jack Boyd, Brad Case, Don Patterson|Performance of "After You've Gone" is by the Benny Goodman Quartet (Benny Goodman, Sid Weiss, Teddy Wilson, Cozy Cole).

    This was the 8th film in the official Disney list of animated films.|Pinto Colvig (Animal Sounds), Benny Goodman (Himself), Dinah Shore (Herself, Singer), Laverne Andrews (Herself), Maxene Andrews (Herself), Patty Andrews (Herself, The Andrews Sisters), The Pied Pipers, The King's Men, The Ken Darby Chorus, Jerry Colonna (Narrator, "Casey at the Bat"), Sterling Holloway (Narrator, "Peter and the Wolf"), Nelson Eddy (Narrator, "The Whale Who Wanted To Sing At The Met"), Andy Russell (Vocalist, "Blue Bayou"), David Lichine (Dancer), Tania Riabouchinskaya (Dancer)|Jack Kinney (Casey at the Bat), Clyde Geronimi, Hamilton Luske (as Hamilton S. Luske), Bob Cormack, Josh Meador, Joe Grant|Homer Brightman (Casey at the Bat), Dick Huemer (Peter, the Wolf), Dick Kinney, John Wallbridge, Tom Oreb, Dick Shaw, Eric Gurney (Peter, the Wolf, Casey at the Bat), Sylvia Holland, T. Hee, Erdman Penner, Dick Kelsey, Jim Bodrero, Roy Williams, Cap Palmer, Jesse Marsh, Erwin Graham|Walt Disney.
    Production Supervisor: Joe Grant|Ray Gilbert, Eliot Daniel, Allie Wrubel, Bobby Worth.
    Musical Director: Charles Wolcott.
    Music Associates: Ken Darby, Oliver Wallace, Edward H. Plumb.
    Non-Original Music: Henry Creamer.
    Composer, Opera "Lucia di Lammermoor" : Gaetano Donizetti.
    Composer, "Peter, the Wolf" : Sergei Prokofiev.
    Composer, Opera "Il barbiere di Siviglia" : Gioacchino Rossini.
    Composer, "Martha" : Friedrich von Flotow||Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|75|1|1|4|U.S.A.|||3|B00004R99B||
  • Art Supervision: Mary Blair, Elmer Plummer, John Hench.
  • Layouts: Kendall O'Connor, Charles Philippi, Hugh Hennesy (Casey at the Bat, Peter and the Wolf), Donald Da Gradi, Al Zinnen, Lance Nolley, Ed Benedict, Charles Payzant, John Niendorff, Charles Philippi (Peter and the Wolf).
  • Backgrounds: Claude Coats (Peter and the Wolf), Ray Huffine, Art Riley, Al Dempster, Ralph Hulett (Casey at the Bat), Thelma Witmer, Merle Cox (Casey at the Bat), Jimi Trout.
  • Process Effects: Ub Iwerks.
  • Color Consultant: Mique Nelson.
  • Sound Recordings: C.O. Slyfield, Robert O. Cook.
    • |No||No|No|1946-04-20|||||2147483647|0|0|0||||||||||||||||||||Walt Disney Studios/Feature Films|0 23|Song Of The South|461112|admin|1946-11-12|2016-01-03|In the post-Civil War South, Little Johnny is taken to his grandmother's plantation where he meets kindly Uncle Remus and is guided by his tall tales of Brer Rabbit, Brer Fox and Brer Bear. Johnny finds friendship with a local girl, Ginny Favers, but is bullied by her cruel brothers. When a bull tragically gores Johnny, the reunion of his estranged parents-and the sound of his friend Uncle Remus' storytelling-pull him out of the dark.|12872|46|2891|No|No|Yes|Yes|No|Yes|9.34|4.65|34|0|0000-00-00 00:00:00|2019-03-16 03:47:28|Br'er Fox, Br'er Bear, Br'er Rabbit, Br'er Possum, Br'er Frog, Mr. Bluebird, Birds.
    Live-Action Characters: Johnny, Sally, Uncle Remus, Ginny, Grandmother, Aunt Tempy, John, Toby, Maid, Mrs. Favers, The Favers Boys|Academy Award Winner, Honorary Award (James Baskett), 1947.
    Academy Award Winner, Best Music, Song "Zip-A-Dee-Doo-Dah" (Music: Allie Wrubel.
    Lyrics: Ray Gilbert), 1947.
    Academy Award Nominee, Best Music, Scoring of a Musical Picture (Daniele Amfitheatrof, Paul J. Smith, Charles Wolcott), 1947|disney/song_south1.jpg|disney/song_south2.jpg , disney/song_south1.jpg , disney/song_south3.jpg , disney/song_south4.jpg , disney/song_south5.jpg|Original Release Poster , Original Release Poster , Rerelease Poster , Rerelease Poster , Rerelease Poster|0|2029.
    MPAA: 11163|11|Don Lusk, Harvey Toombs, Tom Massey, Ken O'Brien, Murray McClellan, Al Coe, Jack Campbell, Hal Ambro, Hal King, Cliff Norberg, Rudy Larriva.
    Supervising Animators: Milt Kahl, Eric Larson, Ollie Johnston (as Oliver M. Johnston Jr)., Les Clark, Marc Davis, John Lounsbery.
    Effects Animation: Josh Meador, George Rowley, Blaine Gibson, Brad Case|Combined live action and animation. Billed as "Walt Disney's first live-action musical drama."

    James Baskett (Uncle Remus) was the first live actor hired by Disney. James Baskett passed away two years after this cartoon is released.

    Because Disney believes this film may contain themes, sequences or characters that some people may consider derogatory toward certain ethnic or religious groups- as well as direct pressure from African American advocacy groups- the Walt Disney Studios has been seen to "disown" the film by just ignoring it; Song of the South has not been released on video or DVD in the United States.

    However, this film has been released on video in other countries- but not in a format which plays on VCRs in North America. Copies of the video in the PAL format have sold on Internet auction sites at high prices.|Johnny Lee (Br'er Rabbit), James Baskett (Br'er Fox), Nicodemus Stewart (Br'er Bear), The DeCastro Sisters (Bird Voices [uncredited]).
    Live-Action Cast: Bobby Driscoll (Johnny), Ruth Warrick (Sally), James Baskett (Uncle Remus), Luana Patten (Ginny), Lucile Watson (Grandmother), Hattie McDaniel (Aunt Tempy), Eric Rolf (John), Glenn Leedy (Toby), Anita Brown (Maid), Mary Field (Mrs. Favers), George Nokes (Favers Boy), Gene Holland (Favers Boy)|Wilfred Jackson (Animation).
    Live-Action Director: Harve Foster.
    Assistant Director: William McGarry (uncredited)|Dalton Reymond.
    Screenplay: Dalton Reymond, Morton Grant, Maurice Rapf.
    Cartoon Story: Bill Peet, Ralph Wright, George Stallings.
    Original Books Uncle Remus, Nights With Uncle Remus: Joel Chandler Harris|Walt Disney.
    Associate Producer: Perce Pearce|Ray Gilbert, Sam Coslow, Allie Wrubel, Arthur Johnston, Johnny Lange, Hy Heath, Eliot Daniel, Robert MacGimsey, Foster Carling.
    Orchestrations: Edward Plumb.
    Vocal Director: Ken Darby.
    Photoplay Score: Daniele Amfitheatrof.
    Musical Director: Charles Wolcott|William M. Morgan|Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|94|1|1|4|U.S.A.|||11|||
  • Cinematography: Gregg Toland.
  • Technicolor Color Director: Natalie Kalmus.
  • Technicolor Color Associate: Mitchell Kovaleski.
  • Art Direction: Perry Ferguson.
  • Cartoon Art Direction: Kenneth Anderson, Charles Philippi, Harold Doughty, Hugh Hennesy, Philip Barber.
  • Background and Color Stylists: Mary Blair, Claude Coats.
  • Backgrounds: Ralph Hulett, Brice Mack, Ray Huffine, Edgar Starr, Al Dempster.
  • Art Treatment: Elmer Plummer.
  • Set Decoration: Irving W. Sindler (uncredited).
  • Costume Design: Mary Wills.
  • Special Processes: Ub Iwerks.
  • Sound Director: C.O. Slyfield.
  • Sound Recording: Fred Lau, Harold Steck.
    • |No||Yes|No|1946-11-12|||||2147483647|0|0|0||||LcxYwwIL5zQ||||||||||||||||$2.1 million|$65 million|Walt Disney Studios/Feature Films|0 24|Fun & Fancy Free|470927|admin|1947-09-27|2015-12-02|Two sections in this anthology film: "Bongo" and "Mickey and the Beanstalk", joined by various live-action scenes narrated and hosted by Jiminy Cricket.|11896|52|1226|No|No|Yes|Yes|No|Yes|7|3.54|6|0|0000-00-00 00:00:00|2019-03-16 11:52:46|Jiminy Cricket;
    Bongo, Lulubelle, Lumpjaw ("Bongo");
    Mickey Mouse, Donald Duck, Goofy, Willie the Giant, Singing Harp ("Mickey and the Beanstalk")
    Live-Action Characters: Edgar Bergen, Luana Patten||disney/fun_fancy1.jpg|disney/fun_fancy1.jpg|Original Release Poster|0||12|Hugh Fraser, Phil Duncan, Judge Whitaker, Art Babbitt, John Sibley, Marc Davis, Harvey Toombs, Hal King, Ken O'Brien, Jack Campbell.
    Directing Animators: Ward Kimball, Les Clark, Fred Moore, John Lounsbery.
    Effects Animators: George Rowley, Jack Boyd|The song "I'm A Happy Go Lucky Guy"- performed by Cliff Edwards' Jiminy Cricket- was originally slated to be used in Pinocchio.

    This was the 9th film in the official Disney list of animated films.|Cliff Edwards (Jiminy);
    Jim Macdonald (Lumpjaw) ("Bongo");
    Jim Macdonald (Mickey Mouse), Walt Disney (Mickey Mouse), Clarence 'Ducky' Nash (Donald), Pinto Colvig (Goofy), Anita Gordon (Harp), Billy Gilbert (Willie the Giant) ("Mickey and the Beanstalk");
    Dinah Shore (Narrator), The King's Men, The Dinning Sisters
    Live-Action Cast: Edgar Bergen (Himself, Charlie McCarthy, Mortimer Snerd), Luana Patten (Herself), The Starlighters|Jack Kinney, Hamilton Luske (as Hamilton S. Luske), Bill Roberts.
    Live-Action Director: William Morgan.
    Assistant Director: Joe Lefert|Homer Brightman, Harry Reeves, Ted Sears, Lance Nolley, Eldon Dedini, Tom Oreb.
    Bongo Based On a Book by: Sinclair Lewis|Walt Disney.
    Production Supervisor: Ben Sharpsteen|Ray Noble, Buddy Kaye, William Walsh, Bobby Worth, George Weiss.
    Lyrics: Bennie Benjamin, Arthur Quenzer.
    Score: Paul J. Smith, Oliver G. Wallace, Eliot Daniel.
    Music Director: Charles Wolcott|Jack Bachom|Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|69|1|1|4|U.S.A.|||3|B00004R99H|B00K7BCWLW|
  • Cinematography: Charles P. Boyle.
  • Technicolor Color Director: Natalie Kalmus.
  • Technicolor Color Associate: Morgan Padelford.
  • Layouts: Donald Da Gradi, Al Zinnen, Ken O'Connor, Hugh Hennesy, John Hench, Glenn Scott.
  • Backgrounds: Ed Starr, Claude Coats, Art Riley, Brice Mack, Ray Huffine, Ralph Hulett.
  • Process Effects: Ub Iwerks.
  • Sound Director: C.O. Slyfield.
  • Sound Recording: Harold J. Steck, Robert Cook.


    • |No||No|No|1947-09-27|||||2147483647|0|0|0|B003V5G7Z8|||xbsT2kPZ2TU||||||||||||1947-09-27 , 1997-07-15|Original US Theatrical Release date , VHS Masterpiece Collection Release|||Walt Disney Studios/Feature Films|0 25|Melody Time|480527|admin|1948-05-27|2015-12-02|A seven-section anthology film: "Once Upon a Wintertime", "Bumble Boogie", "Johnny Appleseed", "Trees", "Little Toot", "Blame It On The Samba" and "Pecos Bill".|11391|42|1540|No|No|Yes|Yes|No|Yes|9.25|4.05|12|0|0000-00-00 00:00:00|2019-03-15 15:18:09|Jenny, Joe ("Once Upon a Wintertime")
    Bee ("Bumble Boogie")
    Johnny Appleseed, Johnny's Angel, The Old Settler ("Johnny Appleseed")
    Little Toot, Big Toot ("Little Toot")
    Donald Duck, Jose Carioca, Aracuan Bird ("Blame It On The Samba")
    Pecos Bill, Widowmaker, Slue Foot Sue ("Pecos Bill")||disney/melody_time1.jpg|disney/melody_time1.jpg|Original Release Poster|0|2055 (Wintertime segment).
    Production Number: 2056 (Pecos Bill segment).
    Production Number: 2058 (Appleseed segment).
    Production Number: 1060 (Samba segment)|13|Harvey Toombs, Marvin Woodward, Ed Aardal, Hal King, Cliff Norberg, Don Lusk, John Sibley, Rudy Larriva, Ken O'Brien, Bob Cannon, Judge Whitaker, Hal Ambro.
    Directing Animators: Eric Larson, Ward Kimball, Milt Kahl, Ollie Johnston (as Oliver M. Johnston Jr)., John Lounsbery, Les Clark.
    Effects Animators: George Rowley, Josh Meador, Jack Boyd, Dan MacManus|This was the 10th film in the official Disney list of animated films. This was the last of the Disney anthology films.|Buddy Clark (Master of Ceremonies);
    Dennis Day (Johnny Appleseed, Johnny's Angel, The Old Settler) ("Johnny Appleseed")
    Clarence 'Ducky' Nash (Donald Duck), Pinto Colvig (Aracuan Bird) ("Blame It On The Samba")
    Live-Action Cast: Ethel Smith (Herself), Bob Nolan (Himself), Bobby Driscoll (Himself), Roy Rogers (Himself), Trigger, Luana Patten (Herself), Fred Waring (Orchestra Conductor), Freddy Martin (Orchestra Conductor), Frances Langford (Vocalist), The Andrews Sisters, The Dinning Sisters, The Sons of the Pioneers|Clyde Geronimi, Wilfred Jackson, Hamilton Luske (as Hamilton S. Luske), Jack Kinney|Winston Hibler, Erdman Penner, Harry Reeves, Homer Brightman, Ken Anderson, Ted Sears, Joe Rinaldi, William Cottrell (as Bill Cottrell), Art Scott, Jesse Marsh, Bob Moore, John Wallbridge.
    Book, "Little Toot": Hardie Gramatky.
    Folklore Consutlant: Carl Carmer|Walt Disney|Kim Gannon, Walter Kent, Ray Gilbert, Johnny Lange, Allie Wrubel, Bobby Worth, Benny Benjiman, George Weiss.
    Musical Direction: Eliot Daniel, Ken Darby.
    Musical Associate: Paul Smith.
    Non-Original Music: Nikolai Rimsky-Korsakov|Don Halliday, Thomas Scott|Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|75|1|1|4|U.S.A.|||3|B00004R99B||
  • Cinematography: Winton C. Hoch.
  • Technicolor Color Director: Natalie Kalmus.
  • Technicolor Color Associate: Morgan Padelford, Robert Brower.
  • Color and Styling: Mary Blair, Claude Coats, Dick Kelsey.
  • Layouts: Hugh Hennesy, Mac Stewart, Ken O'Connor, Lance Nolley, Al Zinnen, Bob Cormack, Don Griffith, Thor Putnam, Donald Da Gradi.
  • Backgrounds: Art Riley, Brice Mack, Ralph Hulett, Merle Cox, Dick Anthony.
  • Special Processes: Ub Iwerks.
  • Sound Director: C.O. Slyfield.
  • Sound Recording: Robert O. Cook, Harold J. Steck.
  • Special Arrangements: Vic Schoen, Al Sack.
    • |No||No|No|1948-05-27|||||2147483647|0|0|0||||MoE6x6dnA4M||||||||http://blog.bcdb.com/disney-animated-film-list/10-melody-time/|Disney Classic Animated Film List|||1948-05-27 , 1998-06-02|Original US Theatrical Release date , VHS Release|||Walt Disney Studios/Feature Films|0 26|So Dear To My Heart|490119|admin|1949-01-19|2015-12-02|This live-action and animation feature stars Burl Ives, telling a story of a determined young country boy and his mischievous black lamb. While daydreaming of winning a blue ribbon at the county fair, Jeremiah's scrapbook comes to life with animated sequences.|8021|27|1111|No|No|No|Yes|No|Yes|6.86|3.56|8|0|0000-00-00 00:00:00|2019-03-16 00:21:08|Wise Old Owl, Danny the Lamb, Christopher Columbus, Robert (the) Bruce, David, Goliath, Joshua.
  • Live-Action Characters: Jeremiah 'Jerry' Kincaid, Tildy, Grandma Kincaid, The Storekeeper, The Storekeeper's Son, Uncle Hiram|Academy Award Nominee, Best Original Song, "Lavender Blue" (Music: Eliot Daniel.
    Lyrics: Larry Morey), 1950|disney/deer_heart.jpg|disney/deer_heart.jpg , disney/deer_heart1.jpg|Original Release Poster , Title Card|0||14|Eric Larson, John Lounsbery, Hal King, Milt Kahl, Les Clark, Don Lusk, Marvin Woodward.
    Effects Animation: George Rowley, Joshua Meador, Dan McManus||Bobby Driscoll (Wise Old Owl), John Beal, Ken Carson, Bob Stanton.
    Live-Action Cast: Bobby Driscoll (Jerry Kincaid), Luana Patten (Tildy), Beulah Bondi (Grandma Kincaid), Burl Ives (Uncle Hiram), Raymond Bond (Storekeeper), Daniel Haight (Storekeeper's Son), Harry Carey (Judge at County Fair), Matt Willis (Horse Trainer), Walter Soderling (Villager), Spelman B. Collins, The Rhythmaires|Hamilton Luske (as Hamilton S. Luske).
    Live-Action Director: Harold D. Schuster.
    Assistant Director: Jasper Blystone|Marc Davis, Ken Anderson, Bill Peet.
    Adaption: Maurice Rapf, Ted Sears.
    Screenplay (Live-Action): John Tucker Battle.
    Original Book "Midnight, Jeremiah": Sterling North|Walt Disney.
    Associate Producer: Perce Pearce|Eliot Daniel, Larry Morey.
    Title Song: Ticker Freeman, Irving Taylor.
    Song "County Fair": Robert Wells, Mel Torm�.
    Song "It's Watcha Do With Watcha Got": Don Raye, Gene DePaul.
    Music Editor: Al Teeter.
    Score: Paul Smith.
    Vocal Director: Ken Darby.
    Orchestrations: Edward H. Plumb|Thomas Scott, Lloyd L. Richardson|Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|82|1|1|4|U.S.A.|||11|B000059XUZ||
  • Cinematography: Winton C. Hoch.
  • Technicolor Color Director: Natalie Kalmus.
  • Technicolor Color Associate: Morgan Padelford.
  • Art Direction: John Ewing.
  • Set Decoration: Marc Alper.
  • Make-Up: Ted Larson.
  • Hair: Vera Peterson.
  • Production Manager: Fred Leahy.
  • Technical Director: Larry Lansburgh.
  • Cartoon Art Treatment: John Hench, Mary Blair, Dick Kelsey.
  • Layouts: A. Kendall O'Connor, Hugh Hennesy, Don Griffith, Thor Putnam.
  • Backgrounds: Art Riley, Ralph Hulett, Jimi Trout, Dick Anthony, Brice Mack, Ray Huffine.
  • Special Processes: Ub Iwerks.
  • Sound Director: C.O. Slyfield.
  • Sound Recordoing: Max Hutchinson, Robert O. Cook.
    • |No||No|No|1949-01-19|||||2147483647|0|0|0||||FwBIUCbapOM||||||||||||1949-01-19 , 1994-10-28|Original US Theatrical Release date , VHS Masterpiece Collection Release|||Walt Disney Studios/Feature Films|0 27|The Adventures Of Ichabod And Mister Toad|491005|eminovitz|1949-10-05|2015-12-02|In two parts: "Mr. Toad," based on "The Wind in the Willows" (1908), by Kenneth Grahame, and "The Legend of Sleepy Hollow," from "The Sketch Book" (1819-20), by Washington Irving. In "Mr. Toad," J. Thaddeus is very rich. Two animal detectives are sent to straighten him out, only to have him go totally crazy when he spies something better than his horse: a motor car. Mr. Toad's trial is an absolute panic, with a puddle of tears on the floor.|12428|54|1232|No|No|Yes|Yes|No|Yes|9.25|4.41|15|0|0000-00-00 00:00:00|2019-03-16 05:58:58|J. Thaddeus Toad, Rat, Mole, Angus MacBadger, Cyril Proudbottom, Winkie, Prosecutor, Judge, Doctor, Court Clerk ("The Wind in the Willows")
    Ichabod Crane, Katrina Van Tassel, Baltus Van Tassel, Brom Bones, the Headless Horseman, Tilda, Gunpowder ("The Legend of Sleepy Hollow")|Golden Globe Award, Special Film Achievement Award, Cinematography Award (Color), Walt Disney Studios, 1950|disney/ichabod_toad1.jpg|disney/ichabod_toad2.jpg , disney/ichabod_toad1.jpg|Original Release Poster , Title Card|0|2062|15|Marc Davis, Hugh Fraser, Don Lusk, Fred Moore, Harvey Toombs, John Sibley, Hal King, Hal Ambro.
    Directing Animators: Frank Thomas, Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)], John Lounsbery, Wolfgang Reitherman, Milt Kahl, Ward Kimball.
    Effects Animators: George Rowley, Jack Boyd|Apparently, the only reason why the stories are linked together is because their characters are "prone to disaster."

    Subsequently released as independent featurettes on video and television; see the separate entries "The Legend of Sleepy Hollow" (1958) and "The Madcap Adventures of Mr. Toad" (1975).

    Both of these stories were planned as full-length feature films, but due to other commitments during World War II, the stories became part of this package film itself.

    This was the 11th film in the official Disney list of animated films.|Eric Blore (Toad), Colin Campbell (Mole), Campbell Grant (Angus), J. Pat O'Malley (Cyril), Claude Allister (Rat), Ollie Wallace (Winky), John McLeish (as John Ployardt) (Prosecutor), Leslie Denison (Judge, First Weasel), Edmond Stevens (Second Weasel), The Rhythmaires, Basil Rathbone (Narrator) ("The Wind in the Willows")
    Bing Crosby (Narrator) ("The Legend of Sleepy Hollow")|Jack Kinney, Clyde Geronimi, James Algar|Erdman Penner, Ted Sears, Joe Rinaldi, Homer Brightman, Winston Hibler, Harry Reeves.
    Book "The Wind In The Willows": Kenneth Grahame.
    Book "The Legend of Sleepy Hollow": Washington Irving|Walt Disney.
    Production Supervisor: Ben Sharpsteen|Oliver Wallace.
    Ichabod's Songs: Don Raye, Gene de Paul.
    Vocal arrangements: Ken Darby.
    Orchestrations: Joseph Dubin.
    Music Editor: Al Teeter|John O. Young|Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|68|1|1|4|U.S.A.|||3|B00004R99Y|B00K7BCWLW|
  • Color and Stylings: Mary Blair, Don Da Gradi, Claude Coats, John Hench.
  • Layouts: Thor Putnam, Tom Codrick, Al Zinnen, Charles Philippi, Lance Nolley, Hugh Hennesy.
  • Backgrounds: Art Riley, Ray Huffine, Brice Mack, Merle Cox, Dick Anthony.
  • Special Processes: Ub Iwerks.
  • Sound Director: C.O. Slyfield.
  • Sound Recording: Robert O. Cook.
    • |No||No|No|1949-10-05||The Two Fabulous Characters (Working Title) , Ichabod and Mr. Toad , The Adventures of Ichabod and Mr. Toad|||2147483647|0|0|0||||a0-h2Hy_wvs||||||||http://blog.bcdb.com/disney-animated-film-list/11-adventures-ichabod-mister-toad/|Disney Classic Animated Film List|||1949-10-05 , 1999-05-25|Original US Theatrical Release date , VHS Masterpiece Collection Release|||Walt Disney Studios/Feature Films|0 28|Cinderella|500215|admin|1950-02-15|2016-01-03|Beautiful Cinderella has been forced by her jealous stepmother and ugly stepsisters to become a servant in her own home, though she keeps a positive outlook with the help of her friends, the chatty mice and chirping birds. When the King and the Duke plan a royal ball so that Prince Charming might find a bride, all the eligible maidens are invited-including Cinderella. Though the ugly stepsisters destroy the ball gown that Cinderella's animal friends have made, Cinderella's Fairy Godmother sings a magic song, and creates all the things Cinderella needs to get to the ball.

    Once there, she instantly catches the Prince's eye. They spend the whole night together, but it is over much too soon. As the clock strikes midnight, Cinderella races from the castle in a gallant attempt to get home before the last strike of the bell. In her haste, she loses her slipper on the steps of the castle.

    With the slipper as his guide, the Prince searches the kingdom for the fair lady. He sends his Grand Duke out to find the one lady whose foot fits the slipper. Try as they might, none of the stepsisters can fit in. They give Cinderella a try, and it fits! Cinderella is brought to the castle, and she and the Prince live happily ever after.|42402|54|8998|No|No|Yes|Yes|No|Yes|8.42|3.86|20|0|0000-00-00 00:00:00|2019-03-16 10:02:12|Cinderella, Prince Charming, Mice (Gus, Jaq, Suzy, Perla, Blossom, Luke, Mert, Bert), Lucifer, Lady Tremaine, Anastasia Tremaine, Drizella Tremaine, Fairy Godmother, King, Grand Duke, Bruno, Doorman|Academy Award Nominee, Best Scoring of a Musical Picture, Paul Smith, Oliver Wallace, 1951.
    Academy Award Nominee, Best Original Song, "Bibbidy-Bobbidi-Boo" (Music and Lyrics: Mack David, Al Hoffman, Jerry Livingston), 1951.
    Academy Award Nominee, Best Sound Recording, Walt Disney Studio Sound Department, 1951|disney/cinderella1.jpg|disney/cinderella1.jpg , disney/cinderella5.jpg , disney/cinderella6.jpg , disney/cinderella7.jpg , disney/cinderella8.jpg , disney/cinderella2.jpg , disney/cinderella3.jpg , disney/cinderella4.jpg|Original Release Poster , Original Release Poster , Original Release Poster , 1970's Release Poster , 1990's Release Poster , 1990's Video Release Poster , The Fairy Godmother turns a pumpkin into a beautiful carriage for the ball , The reciprocate of the glass slipper is finally revealed, it's Cinderella|0|2063|16|Eric Larson, Milt Kahl, Frank Thomas, John Lounsbery, Wolfgang Reitherman, Ward Kimball, Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)], Marc Davis, Les Clark, Norm Ferguson.
    Character Animators: Don Lusk, Hugh Fraser, Fred Moore, Judge Witaker, Marvin Woodward, George Nicholas, Phil Duncan, Hal King, Harvey Toombs, Cliff Nordberg, Hal Ambro, Ken O'Brien.
    Effects Animators: George Rowley, Josh Meador, Jack Boyd|It took twelve years for Disney to finally return to the Princess story, the type of film that would be the bread and butter of the company from February 15, 1950 forward... that is, the day Cinderella was first released.

    It was with Cinderella that the Disney Company found it's niche. At the same time, the animators were at the top of their game. It all came together here- cute songs (including Academy Award Nominee "Bibbidy-Bobbidi-Boo"), cute animal side-kicks, evil step-mother, magic, romance and a handsome prince.

    Disney seems to have progressed to a more beautiful color palette here, too... away from the dreary colors of films like The Adventures Of Ichabod And Mister Toad. The films also have a hefty dose of humor.... but they are not all light and airy. Disney is not afraid of complex, deep emotions, and is willing to scare it's audience just as easily as tickling them.

    Cinderella is a groundbreaking film for Disney for no other reason than this set the road-map for success for the studio for the next sixty years, and, dare I say it, beyond.

    This was the 12th film in the official Disney list of animated films.|Ilene Woods (Cinderella), Eleanor Audley (Lady Tremaine), Verna Felton (Fairy Godmother), Luis Van Rooten (King, Grand Duke), James Macdonald (Gus, Jaq, Bruno), June Foray (Lucifer), William Phipps (Prince Charming), Mike Douglas (Prince Charming [Singing Voice]), Don Barclay (Doorman), Rhoda Williams (Drizella Tremaine), Lucille Bliss (Anastasia Tremaine), Lucille Williams (Perla), Clint McCauley (Mice), Betty Lou Gerson (Narrator), Helene Stanley, Claire DuBrey, John Fontaine, Marion Darlington, John Woodbury, June Sullivan, Helen Seibert|Wilfred Jackson, Hamilton Luske (as Hamilton S. Luske), Clyde Geronimi|Bill Peet, Ted Sears, Homer Brightman, Ken Anderson (as Kenneth Anderson), Erdman Penner, Winston Hibler, Harry Reeves, Joe Rinaldi.
    Original Story Cendrillon by: Charles Perrault|Walt Disney.
    Production Supervisor: Ben Sharpsteen|Oliver Wallace, Paul Smith.
    Songs: Mack David, Al Hoffman, Jerry Livingston.
    Music Editor: Al Teeter.
    Orchestrations: Joseph Dupin.
    Sound Director: C. O. Slyfield.
    Sound Recording: Harold J. Steck, Robert O. Cook|Donald Halliday|Walt Disney Studios|Walt Disney Studios|RKO Radio Pictures, Inc.||TechniColor|74|1|1|4|U.S.A.|||3|B007WWRJA8|B0036TGSYE|
  • Layouts: Mac Stewart, Tom Codrick, Lance Nolley, Don Griffith, A. Kendall O'Connor, Hugh Hennesy, Charles Philippi, Thor Putnam.
  • Backgrounds: Brice Mack, Ralph Hulett, Dick Anthony, Art Riley, Ray Huffine, Merle Cox, Thelma Witmer.
  • Color Styling: Mary Blair, Claude Coats, John Hench, Don DaGradi.
    • |No||Yes|No|1950-02-15|||||2147483647|0|0|0||||||||||||/cartoon/25086-Cinderella_II_Dreams_Come_True , /cartoon/100512-Cinderella_III_A_Twist_in_Time , http://blog.bcdb.com/disney-animated-film-list/12-cinderella/|Dreams Come True , Twist in Time , Disney Classic Animated Film List|||1950-02-15 , 1988-10-04 , 1995-10-04|Original US Theatrical Release date , VHS Release , VHS Masterpiece Collection Release|||$2.9 million|$263.6 million|Walt Disney Studios/Feature Films|0 29|Alice In Wonderland|510728|eminovitz|1951-07-28|2016-01-03|On a lazy, sunny afternoon, young Alice is dreamily ignoring a lesson when she is surprised to see a white rabbit, running briskly and looking at his pocket watch. She pursues him and falls down a rabbit hole, entering a magic land where she encounters a number of crazy characters including Tweedledee and Tweedledum, the Caterpillar, the Mad Hatter, the March Hare, the Cheshire Cat and the Queen of Hearts. After a series of escapades in Wonderland, Alice escapes to find that the entire adventure has been a dream.|36176|43|8977|No|No|Yes|Yes|No|Yes|9.09|4.78|8|0|0000-00-00 00:00:00|2019-03-16 12:07:26|Alice, White Rabbit, Dodo, Lorina - Older Sister of Alice, Doorknob, Mad Hatter, March Hare, Dormouse, Walrus, Carpenter, Tweedledum, Tweedledee, Caterpillar, Bird in the Tree, Cheshire Cat, Queen of Hearts, King of Hearts, The Rose, Card, Bill, Singing Flowers, White Rose, Card Painters|Academy Award Nominee, Best Music, Scoring of a Musical Picture, 1952|disney/alice1.jpg|disney/alice1.jpg , disney/alice2.jpg , disney/alice3.jpg|Original Release Poster , 1970's Release Poster , 1990's Video Release Poster|0|2069|17|Hal King, Judge Whitaker, Hal Ambro, Bill Justice, Phil Duncan, Bob Carlson, Don Lusk, Cliff Nordberg, Harvey Toombs, Fred Moore, Marvin Woodward, Hugh Fraser, Charles Nichols.
    Directing Animators: Milt Kahl, Ward Kimball (Cheshire Cat), Frank Thomas, Eric Larson, John Lounsbery, Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)], Wolfgang Reitherman, Marc Davis (Alice), Les Clark, Norm Ferguson.
    Effects Animators: Josh Meador, Don MacManus, Gorge Rowley, Blaine Gibson|Walt had been toying with this story for a long time. He produced Alice's Wonderland, the first in the Alice Comedies series he did for M. J. Winkler in 1924. Never happy with that first attempt, Walt kept reworking Alice, and even considered it as an option for his first feature animated film.... of course, he went with Snow White and the Seven Dwarfs instead.

    After the success of Snow White, Alice was next up on Walt's list. He officially registered the title with the Motion Picture Association of America. He hired Al Perkins and David S. Hall to develop the film. A story-reel was even complete in 1939, but Walt felt that Hall's drawings resembled Tenniel's drawings too closely, making them too difficult to animate. he felt the overall tone of Perkins' script was too grotesque and dark, and dropped the project.

    The project popped back up again after World War II, with the studio hiring author Aldous Huxley to re-write the script. Mary Blair submitted some concept drawings that helped move the project away from Tenneil's sketchy illustrations by taking a modernist stance, using bold and vibrant colors and thick lines. This turned out to be the kick in the pants the production needed, and the script was re-worked to be more up-beat, and to focus more on comedy, music, and the whimsical side to Carroll's book.

    On November 3, 1954, "Alice in Wonderland" was broadcast on the ABC television show "Disneyland," which debuted earlier that year. This marked the first appearance of an animated feature film on television.

    This was the 13th film in the official Disney list of animated films.|Kathryn Beaumont (Alice), Bill Thompson (White Rabbit, Dodo), Heather Angel (Lorina - Older Sister of Alice), Joseph Kearns (Doorknob), Ed Wynn (Mad Hatter), Jerry Colonna (March Hare), James Macdonald (Dormouse), J. Pat O'Malley (as Pat O'Malley) (Walrus, Carpenter, Tweedledum, Tweedledee), Richard Haydn (Caterpillar), Queenie Leonard (Bird in the Tree), Sterling Holloway (Cheshire Cat), Verna Felton (Queen of Hearts), Dink Trout (King of Hearts), Doris Lloyd (The Rose), Bill Lee (Card Painter, as The Mellomen), Thurl Ravenscroft (Card Painter, as The Mellomen), Max Smith (Card Painter, as The Mellomen), Bob Hamlin (Card Painter, as The Mellomen), Don Barclay (Card), Larry Grey (Bill), Marni Nixon (Singing Flowers [uncredited]), Norma Zimmer (White Rose [uncredited]), Stan Freberg (uncredited)|Clyde Geronimi, Hamilton Luske (as Hamilton S. Luske), Wilfred Jackson|Winston Hibler, Bill Peet, Joe Rinaldi, William Cottrell (as Bill Cottrell), Joe Grant, Del Connell, Ted Sears, Erdman Penner, Milt Banta, Dick Kelsey, Dick Huemer, Tom Oreb, John Wallbridge.
    Books "Alice's Adventures in Wonderland", "Through the Looking Glass": Lewis Carroll|Walt Disney.
    Production Supervisor: Ben Sharpsteen|Oliver Wallace.
    Songs: Bob Hilliard, Don Raye, Mack David, Sammy Fain, Gene dePaul, Jerry Livingston, Al Hoffman.
    Vocal Arrangements: Jud Conlon.
    Orchestrations: Joseph Dubin.
    Music Editor: Al Teeter|Lloyd L. Richardson|Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|74|1|1|4|U.S.A.|||3|B00335EQ0E|B0049GYXDG|
  • Color Styling: Mary Blair, John Hench, Ken Anderson, Claude Coats, Don DaGradi.
  • Layouts: McLaren Stewart, Tom Codrick, Charles Philippi, A. Kendall O'Connor, Hugh Hennesy, Don Griffith, Thor Putnam, Lance Nolley.
  • Backgrounds: Ray Huffine, Art Riley, Dick Anthony, Brice Mack, Thelma Witmer.
  • Special Processes: Ub Iwerks.
  • Sound Director: C.O. Slyfield.
  • Sound Recording: Robert O. Cook, Harold J. Steck.
    • |No||Yes|No|1951-07-28|||Alice Au Pays Des Merveilles (French)||2147483647|0|0|0|B004IQ78HA|||||||||||/cartoon/115177-Alice-In-Wonderland , /cartoon/167293-Alice-Through-The-Looking-Glass , http://blog.bcdb.com/disney-animated-film-list/13-alice-in-wonderland/|Alice In Wonderland (2010) , Alice Through The Looking Glass , Disney Classic Animated Film List|||1951-07-28 , 1986-05-28 , 1986-10-14 , 1991-07-12 , 1994-10-28 , 1999-07-13|Original US Theatrical Release date , VHS Release , VHS Release , VHS Release , VHS Masterpiece Collection Release , VHS Masterpiece Collection Release|||$3 million||Walt Disney Studios/Feature Films|0 30|Peter Pan|530205|admin|1953-02-05|2016-02-15|Peter Pan, the boy who wouldn't grow up, arrives in the London nursery of the Darling children: Wendy, Michael and John. He teaches the children to fly (with the help of Tinker Bell's pixie dust), then takes them all to Never Land so Wendy can be mother to Peter's tribe of Lost Boys. In Never Land, there are flirtatious mermaids, savage Indians, and wicked pirates-including Peter's great nemesis, Captain Hook. A series of dangerous and exciting cloak-and-dagger adventures with Captain Hook and Peter leads to the villain's ultimate defeat, and Peter takes the Darling children home in the captured pirate ship, which now soars through the sky, thanks to a little contribution from Tinker Bell.|24674|73|4422|No|No|Yes|Yes|No|Yes|8.96|4.23|24|0|0000-00-00 00:00:00|2019-03-16 06:00:27|Peter Pan, Tinker Bell, Wendy, John, Michael, George Darling, Mary Darling, Nana, Captain J. Hook, Mr. Smee, Pirates (Turk, Black Murphy, Mullins, Starkey, Skylights, Bill Jukes), The Lost Boys (Foxy, Rabbit, Raccoon, Twins, Chubby, Skunk), Tiger Lily, Indian Chief, Crocodile||disney/peter_pan1.jpg|disney/peter_pan1.jpg , disney/peter_pan2.jpg , disney/peter_pan3.jpg , disney/peter_pan4.jpg , disney/peter_pan5.jpg , disney/peter_pan6.jpg , disney/peter_pan7.jpg , disney/peter_pan8.jpg|Original Release Poster , Original Release Poster , 1970's Release Poster , 1990's Video Release Poster , Film Title Card , Tinker Bell, Peter Pan and Wendy , Tinker Bell , Captain Hook|0|2074|18|Hal Ambro, Bob Carlson, Eric Cleworth, Hugh Fraser, Jerry Hathcock, Bill Justice, Hal King, Don Lusk, Fred Moore, Cliff Nordberg, Ken O'Brien, Art Stevens, Harvey Toombs, Clair Weeks, Judge Whitaker, Marvin Woodward.
    Directing Animators: Milt Kahl (Peter Pan), Frank Thomas (Smee), Wolfgang Reitherman, Ward Kimball, Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)] Jr, (Captain Hook), Marc Davis (Tinker Bell), Eric Larson (George Darling), John Lounsbery, Les Clark, Norm Ferguson.
    Effects Animators: George Rowley, Joshua Meador, Dan MacManus, Blaine Gibson|J. M. Barrie's play was always on Walt Disney's short list of films to produce, with development beginning as early as the mid 1930's. But the rights and circumstances proved elusive, and it was not until 1947 that the studio was seriously able to start production in earnest.

    The film featured Kathryn Beaumont- who had just starred as Alice in Disney's previous feature film- as Wendy. Disney regular Bobby Driscoll, who had previously appeared in Song Of The South and So Dear To My Heart was brought in as Peter's voice and close-up model; this would be Driscoll's last work at the studio. Sadly, he would die penniless and addicted to drugs in the back alleys of New York fifteen years later. He was buried as John Doe in Potter's Field, and it would be two years before he is identified by his fingerprints from the morgue.

    One famous fallacy regarding this film is that Marilyn Monroe was the life model for Tinker Bell. As nice as it would be if that were true, it just isn't. Just look at Tink- she has a rather squat body- not Marilyn's hourglass. Actually it was Margaret Kerry who is the basis for Tinker Bell. She posed for reference film shots on a sound stage; the footage was later used by supervising Tinker Bell animator Marc Davis. Interestingly, Kerry also provided the voice of the redheaded mermaid in the film.

    Another voice fact worth noting is that both George Darling and Captain Hook were voiced by the same man: Hans Conried.

    When originally released, the film was a commercial success, earning $7 million against its budget of $4 million. It was the highest-grossing film of 1953.

    This was the 14th film in the official Disney list of animated films.|Bobby Driscoll (Peter Pan), Kathryn Beaumont (Wendy), Hans Conried (Hook, George Darling), Bill Thompson (Mr. Smee, other Pirates), Heather Angel (Mary Darling), Paul Collins (John), Tommy Luske (Michael), Candy Candido (Indian Chief), June Foray (Mermaid, Squaw, uncredited), Connie Hilton (Mermaid, uncredited), Margaret Kerry (Michael (?); Mermaid, uncredited), Johnny McGovern (Lost Boy, uncredited), Jeffrey Silver (Lost Boy, uncredited), Stuffy Singer (Lost Boy, uncredited), Robert Ellis (Lost Boy, uncredited), Tony Butala (Lost Boy, uncredited), Tom Conway (Narrator), Roland Dupree, Don Barclay, Karen Kester, Carol Coombs, Norma Jean Nilsson, Anne Whitfield, The Mitchell Choirboys|Hamilton Luske (as Hamilton S. Luske), Clyde Geronimi, Wilfred Jackson|Ted Sears, Erdman Penner, Bill Peet, Winston Hibler, Joe Rinaldi, Milt Banta, Ralph Wright, William Cottrell (as Bill Cottrell).
    Original Play: Sir James M. Barrie|Walt Disney|Oliver Wallace.
    Songs: Sammy Fain, Sammy Cahn, Oliver Wallace, Frank Churchill, Erdman Penner, Wiunston Hibler, Ted Sears.
    Orchestrations: Edward Plumb.
    Vocal Arrangements: Jud Conlon.
    Music Editor: Al Teeter.
    Sound Director: C. O. Slyfield.
    Sound Recording: Harold J. Steck, Robert O. Cook|Donald Halliday|Walt Disney Studios||RKO Radio Pictures, Inc.||TechniColor|76|1|1|4|U.S.A.|||3|B000JBWWRY|B00A0MJ9ZA|
  • Layouts: Charles Philippi, McLaren Stewart, Tom Codrick, A. Kendall O'Connor, Hugh Hennesy, Ken Anderson, Don Griffith, Al Zinnen, Thor Putnam, Lance Nolley.
  • Backgrounds: Ralph Hulett, Ray Huffine, Art Riley, Thelma Witmer, Al Dempster, Dick Anthony, Dick Anthony, Eyvind Earle, Brice Mack, Art Landy.
  • Color Styling: Mary Blair, John Hench, Claude Coats, Don Da Gradi.
  • Special Processes: Ub Iwerks.
  • Animation Model, Capatin Hook: Henry Brandon, (uncredited).
    • |No||Yes|No|1953-02-05|||||2147483647|0|0|0|||
    |||||||||/cartoon/23329-Return_To_Never_Land , http://blog.bcdb.com/disney-animated-film-list/14-peter-pan/|Return To Never Land , Disney Classic Animated Film List|||1953-02-05 , 1990-09-21 , 1998-03-03|Original US Theatrical Release date , VHS Release , VHS Masterpiece Collection Release|||$4 million|$7.4 million|0000-00-00|Walt Disney Studios/Feature Films|0 31|Lady And The Tramp|550616|admin|1955-06-16|2016-01-03|Lady, a pretty Cocker Spaniel from a respectable home, falls in love with the cocky Tramp, a mutt from the wrong side of the tracks. When Lady's master and mistress leave town for a few days, they leave Aunt Sarah and her two wicked Siamese cats to watch the house and care for their baby. The two cats cause trouble for Lady, who is muzzled by Sarah for it. After ending up in the dog pound, Lady is brought home in disgrace and chained outside, but when she sees a rat enter the window of the nursery, she breaks free and causes a ruckus. Hearing the noise, Tramp rushes into the nursery and kills the rat. Although Aunt Sarah is convinced that Lady and Tramp were up to no good, Lady's master returns home and sorts out the events, leading to a well-deserved happy ending.|14251|48|1835|No|No|Yes|Yes|No|Yes|8.82|4.41|11|0|0000-00-00 00:00:00|2019-03-16 06:15:11|Lady, Tramp, Jock, Trusty, Si, Am, Tony, Joe, Jim Dear, Darling, Aunt Sarah, Peg, Boris, Toughy, Nutsy, Pedro, Bulldog, Dachsie, Beaver, Scamp, Dog Catcher, Policeman, The Professor, Pedro, Hyena, Old Sailor, Polar Bear|Winner, David di Donatello Award, Best Foreign Production, 1956|disney/lady1.jpg|disney/lady1.jpg , disney/lady2.jpg , disney/lady3.jpg , disney/lady4.jpg , disney/lady5.jpg|Original Release Poster , Original Release Poster , Original Release Poster , 1970's Release Poster , 1990's Video Release Poster|0|2079|19|Ed Aardal, Hal Ambro, Jack Campbell, Bob Carlson, Eric Cleworth, Hugh Fraser, John Freeman, Jerry Hathcock, George Kreisl, Don Lusk, Cliff Nordberg, Ken O'Brien, John Sibley, Harvey Toombs, Marvin Woodward (Character Animators).
    Directing Animators: Milt Kahl, Frank Thomas, Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)], John Lounsbery, Wolfgang Reitherman, Eric Larson, Hal King, Les Clark.
    Effects Animators: George Rowley, Dan MacManus|Billed as "the first all-cartoon feature in CinemaScope."

    Hedging his bets, Walt Disney also had the film photographed in standard Academy format for theaters lacking the new CinemaScope system. However, by the time that the film was completed, CinemaScope had been so popular that the Academy version stayed almost entirely unseen for decades.

    This film was re-released theatrically in 1962, 1971, 1980 and 1986. It was then released to VHS video in 1987 and 1998, and then on DVD in 1999. Within weeks of its release (for Christmas 1987) on Walt Disney Home Video, Lady and the Tramp set a record for video film sales, beating the previous record (2.9 million units) set by Top Gun in 1986. By February 1988, it had become the first film on video with sales exceeding 3 million units.

    Peggy Lee sued Disney for royalty payments as her contract specified theatrical releases. The court ruled she was entitled to payments for all future releases.

    Both Alan Reed and Verna Felton went on to perform together again on The Flintstones, respectively as Fred Flintstone and Pearl Slaghoople. Verna Felton passed away exactly one day before Walt Disney.

    This was the 15th film in the official Disney list of animated films.|Peggy Lee (Darling, Si, Am, Peg), Barbara Luddy (Lady), Larry Roberts (Tramp), Bill Thompson (Jock, Joe, Bulldog, Dachsie, Policeman), Bill Baucom (Trusty), Verna Felton (Sarah), George Givot (Tony), Lee Millar (Jim, Dog Catcher), Stan Freberg (Beaver, Clerk), Alan Reed (Boris), Dallas McKennon [Dal McKennon] (Toughy, The Professor, Pedro, Hyena, Old Sailor, Polar Bear); Bill Lee, Thurl Ravenscroft, Max Smith, Bob Stevens (The Mello Men)|Hamilton Luske (as Hamilton S. Luske), Clyde Geronimi, Wilfred Jackson|Erdman Penner, Joe Rinaldi, Ralph Wright, Don DaGradi.
    Book "Happy Dan, the Whistling Dog": Ward Greene|Walt Disney.
    Associate Producer: Erdman Penner|Oliver Wallace.
    Songs: Peggy Lee, Sonny Burke.
    Orchestrations: Edward Plumb, Sidney Fine.
    Vocal Arrangements: John Rarig.
    Musical Editor: Evelyn Kennedy|Don Halliday|Walt Disney Studios||Buena Vista Film Distribution||TechniColor, CinemaScope|76|1|1|4|U.S.A.|||3|B0061QD88S|B0061QD82E|
  • Layouts: Ken Anderson, Tom Codrick, Al Zinnen, A. Kendall O'Connor, Hugh Hennesy, Lance Nolley, Jacques Rupp, McLaren Stewart, Don Griffith, Thor Putnam, Collin Campbell, Victor Haboush, Bill Bosche.
  • Backgrounds: Claude Coats, Dick Anthony, Ralph Hulett, Al Dempster, Thelma Witmer, Eyvind Earle, Jimi Trout, Ray Huffine, Brice Mack.
  • Special Processes: Ub Iwerks.
  • Sound Director: C.O. Slyfield.
  • Sound Recording: Harold J. Steck, Robert O. Cook.
    • |No|Lady and the Tramp was shot twice, each version drawn and composed for the process:

    Courtesy of Scott MacQueen|Yes|No|1955-06-16|||La Belle Et Le Clochard (French)||2147483647|0|0|0||||7qmcbOnZfOg||||||||/cartoon/7277-Lady_And_The_Tramp_II_Scamps_Adventure , http://blog.bcdb.com/disney-animated-film-list/15-lady-and-the-tramp/|Scamp's Adventure , Disney Classic Animated Film|||1955-06-16 , 1987-10-06 , 1998-09-15|Original US Theatrical Release date , VHS Release , VHS Masterpiece Collection Release|||$4 million|$93.6 million|Walt Disney Studios/Feature Films|0 32|Sleeping Beauty|590129|admin|1959-01-29|2016-01-04|King Stefan and King Hubert celebrate the birth of Stefan's infant daughter, Aurora and the betrothal of Hubert's son Phillip to her. The three good fairies, Flora, Fauna and Merryweather, are in the midst of bestowing gifts on the princess, when Maleficent, the evil fairy, interrupts.

    Furious at having been excluded from the ceremonies, Maleficent curses the child to die on her sixteenth birthday, by the prick of her finger on the spindle of a spinning wheel.

    Though Merryweather is able to soften the curse, bestowing an enchanted sleep instead of death, Stefan orders the kingdom's spinning wheels burned and sends his daughter into hiding with the three good fairies.

    By chance, on the eve of her sixteenth birthday, Aurora meets Phillip in the woods, and the two fall in love. At the same time, Maleficent discovers Aurora's whereabouts, captures Prince Phillip, and entices Aurora to a remote castle tower, where she pricks her finger and falls into the magic sleep. Phillip defeats and destroys Maleficent and wakes the princess Aurora with true love's kiss.|25261|80|3617|No|No|Yes|Yes|No|Yes|9.61|4.64|25|0|0000-00-00 00:00:00|2019-03-16 10:40:41|Briar Rose/Princess Aurora, Prince Phillip, Samson, King Stefan, Queen, King Hubert, Fauna, Flora, Merryweather, Maleficent, Diablo, Dragon|Academy Award Nominee, Best Music, Scoring of a Musical Picture, 1959|disney/sleeping_beauty1.jpg|disney/sleeping_beauty1.jpg , disney/sleeping_beauty2.jpg , disney/sleeping_beauty3.jpg , disney/sleeping_beauty4.jpg , disney/sleeping_beauty5.jpg , disney/sleeping_beauty6.jpg|Original Release Poster , Original Release Poster , Original Release Poster , Original Release Poster (Tall) , 1970's Release Poster , 1990's Release Poster|0|2082 (Standard Aspect Ratio).
    CinemaScope Production Number: 2083|20|Hal King, Blaine Gibson, Ken Hultgren, George Nicholas, Henry Tanous, Hal Ambro, John Sibley, Harvey Toombs, Bob Youngquist, John Kennedy, Don Lusk, Bob Carlson, Fred Kopietz, Eric Cleworth, Ken O'Brien (Character Animators).
    Directing Animators: Milt Kahl (Phillip), Frank Thomas, Marc Davis (Briar Rose, Maleficent), Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)] (Fairies), John Lounsbery.
    Effects Animators: Dan MacManus, Jack Boyd, Joshua Meador, Jack Buckley|Sleeping Beauty was the first major film to earn more on video than in theatrical release. Its first million video sales earned Disney $19.5 million (compared with $15.8 million in North American film rentals).

    Walt Disney spent nine years and a then-exorbitant $6 million to make the film.

    First Disney feature film to be shot in 70mm; also had a stereophonic soundtrack.

    VHS release was done in pan-and scan method, losing 1/3 of the frame.

    This film marked Taylor Holmes' last screen appearance; he died eight months after it's release.

    This was the 16th film in the official Disney list of animated films.|Mary Costa (Aurora/Briar Rose), Eleanor Audley (Maleficent), Taylor Holmes (Stefan), Bill Shirley (Phillip), Verna Felton (Flora), Barbara Jo Allen (Fauna), Barbara Luddy (Merryweather), Bill Thompson (Hubert), Candy Candido, Pinto Colvig, Bob Amsberry (Goons), Dal McKennon (Owl, uncredited), Marvin Miller (Narrator)|Clyde Geronimi.
    Sequence Directors: Eric Larson, Wolfgang Reitherman, Les Clark|Erdman Penner.
    Additional Story: Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, Milt Banta.
    Traditional tale "La Belle au Bois Dormant" By: Charles Perrault|Walt Disney.
    Production Supervision: Ken Peterson|George Bruns, Tom Adair.
    Music Adapted from "Sleeping Beauty": Pyotr Ilyich Tchaikovsky.
    Music Adapted by: George Bruns|Roy M. Brewster, Jr., Donald Halliday|Walt Disney Studios||Buena Vista Film Distribution||TechniColor, TechniRama|75|1|1|4|U.S.A.|||3|B0013ND30M|B0013ND30W|
  • Production Design: Don DaGradi, Ken Anderson.
  • Color Styling: Eyvind Earle.
  • Character Styling: Tom Oreb.
  • Layouts: McLaren Stewart, Don Griffith, Basil Davidovich, Joe Hale, Jack Huber, Tom Codrick, Erni Nordli, Victor Haboush, Homer Jonas, Ray Aragon.
  • Backgrounds: Frank Armitage, Al Dempster, Bill Layne, Dick Anthony, Richard H. Thomas, Thelma Witmer, Walt Peregoy, Ralph Hulett, Fil Mottola, Anthony Rizzo.
  • Special Processes: Ub Iwerks, Eustace Lycett.
  • Sound Supervision: Robert O. Cook.
  • Choral Arranger: John Rarig.
  • Lyricists: Erdman Penner, Jack Lawrence, Sammy Fain, Ted Sears, Winston Hibler.
  • Music Editor : Evelyn Kennedy.
    • |No|Sleeping Beauty was photographed in Technirama. This was an adaptation of the VistaVision process introduced by Paramount. Like VistaVision, the standard 35mm film traveled in a horizontal path through the camera, exposing a frame that was 8-perforations wide.... but the wrinkle that makes it different is that the photography was done with an anamorphic lens for a 1.5x squeeze... so where standard VistaVision was shown at 1.66 or 1.85, Technirama was then printed for first runs as "Super Technirama 70", which meant 70mm projection prints with an aspect ratio 2.55:1.

    The "technicolor" in the credit was simply contractual, as they were the lab developing negative and making (Eastmancolor) release prints.... though the 35mm CinemaScope prints (cropped to 2.35) would have been made in 1959 by dye-transfer.

    And to make it really interesting, the camera photography, like all Disney animation of the period, was photographed as color separations on Black & White negative film stock by the Successive Exposure process (each single color frame that you see on screen is in fact a "triple exposure" of the three successive frames of negative, first a red exposure, then a green and blue).

    Courtesy of Scott MacQueen|Yes|No|1959-01-29|||La Belle Au Bois Dormant (French)||2147483647|0|0|0||||C-6fYCMqSN4||||||||/cartoon/151183-Maleficent , http://blog.bcdb.com/disney-animated-film-list/16-sleeping-beauty/|Maleficent , Disney Classic Animated Film List|||1959-01-29 , 1959-02-17 , 1959-07-29 , 1959-10-30 , 1959-12-16 , 1970-06-10 , 1979-09-28 , 1986-03-07 , 1986-03-07 , 1995-09-10 , 1997-09-16 , 2002-08-22|Los Angeles Premiere , New York Premiere , British Release , German Release , French Release , First US Rerelease , Second US Rerelease , Third US Rerelease , VHS Release , Fourth US Rerelease , Walt Disney Masterpiece Collection Video Release , Fifth US Rerelease|||$6 million|$51.6 million|Walt Disney Studios/Feature Films|0 33|One Hundred And One Dalmatians|610125|admin|1961-01-25|2016-01-04|Clever Dalmatian Pongo arranges to meet the neighborhood's pretty female Dalmatian, Perdita, and in the process unites their two masters, Roger and Anita. After a rather large litter of puppies provokes the interest of Cruella De Vil, the parents must find them before she uses them for a diabolical fashion statement.|10695|38|1398|No|No|Yes|Yes|No|Yes|8.2|1.78|31|0|0000-00-00 00:00:00|2019-03-15 13:25:38|Pongo, Perdita, Roger Radcliff, Anita Radcliff, Nanny, Cruella De Vil, Jasper Badun, Horace Badun, Rolly, Patch, Penny, Lucky, Freckles, Rover, Pepper, The Captain, The Colonel, Sergeant Tibs, Danny, Prissy, Coco, Lucy, Towser, Queenie, Princess, Duchess, Thunderbolt, Dirty Dawson, Miss Birdwell, Mr. Simpkins, Inspector Craven, Percival Fauncewater, Spotty||disney/101_d1.jpg|disney/101_d1.jpg , disney/101_d2.jpg , disney/101_d3.jpg , disney/101_d4.jpg , disney/101_d5.jpg , disney/101_d6.jpg , disney/101_d7.jpg , disney/101_d8.jpg|Original Release Poster , Original Release Poster , 1979 Rerelease Poster , 1985 Rerelease Poster , Walt Disney credit with hidden Mickey. , Jock (from Lady and the Tramp) Cameo , Peg (from Lady and the Tramp) Cameo , Lady & Tramp (from Lady and the Tramp) Cameo|0|4338 and 2110|21|Hal King, Les Clark, Cliff Nordberg, Blaine Gibson, Eric Cleworth, John Sibley, Art Stevens, Julius Svendsen, Hal Ambro, Ted Berman, Bill Keil, Don Lusk, Dick Lucas, Amby Paliwoda.
    Directing Animators: Milt Kahl, Frank Thomas (Pongo), Marc Davis (Cruella), John Lounsbery, Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)], Eric Larson.
    Effects Animators: Jack Boyd, Dan MacManus, Ed Parks, Jack Buckley|Based on a 1956 novel by Dodie Smith. Dodie is said to have hoped the book would catch the eye of Disney, and it certainly did. After acquiring the rights, Disney sent the story to Bill Peet to write, marking the first time that the story for a Disney film was created by a single story man.

    Most notable about this film is that it was the first full feature animated film Disney made using the xerography process. The results are readily apparent to anyone who compares the outlines of the animated characters from this film, and any preceding Disney animated film.

    After Sleeping Beauty, which Walt Disney has sunk a then-exorbitant $6 million into (and not made back), Walt was contemplating giving up on animated films altogether. Disney's first main animator, Ub Iwerks, was now in charge of special processes at the studio, and had developed a process to use the Xerox method in animation.

    Until One Hundred and One Dalmatians, the animators drawings were aligned ("registered") with blank cels, and the outlines traced onto the cel with inks. In many cases, multiple colors for the ink lines were used, adding to the naturalness of the lines, and making them less noticeable to the casual viewer.

    With this film, that transfer was more automated. The animators lines were, in effect, Xeroxed directly onto a cel- completing 1-2 hours of inkers work in 10 seconds. While this helped stream-line the animation process, it also did not look nearly as good. Or, at least it looked different. But the savings to the studio were significant, allowing the animation department to shrink form 500 people to a mere 100.And that savings was enough to keep the department alive, and the animated feature to continue at Disney.

    Some people like the more sketchy look because you can see the actual work of the animator. In fact, there are some points in which you can see the animators head or body construct lines. Like it or hate it, it was the new way to make animated films.In fact, according to animator Chuck Jones, Disney was able to bring the movie in for about half of what it would have cost if they'd had to animate all the dogs and spots by hand.

    In addition to the outright cost and time savings the Xerox process afforded the studio, it was a great in animating the spotted dogs. To keep all the many spots on each Dalmatians straight, the animators used to think of the spot pattern in terms of a constellation of stars in the sky. Once they had the main "anchor spot" situated on the dogs body, the next was placed in relation to that one spot, and so on and so on until the full pattern was achieved. It has been calculated that 101 Dalmatians featured 6,469,952 spots, with Pongo sporting 72 spots, Perdita 68, and each puppy having 32.

    One Hundred and One Dalmatians ended up as the tenth highest grossing film of 1961, grossing $6,400,000 for it's domestic release.

    This was the 17th film in the official Disney list of animated films.|Rod Taylor (Pongo), Betty Lou Gerson (Cruella De Vil, Miss Birdwell), Cate Bauer (Perdita), Lisa Daniels (Perdita), Ben Wright (Roger), Lisa Davis (Anita), Martha Wentworth (Nanny, Queenie, Lucy), J. Pat O'Malley (Colonel, Jasper), Fred Worlock (Horace, Craven), Tudor Owen (Towser), Tom Conway (Quizmaster), Collie), George Pelling (Danny), Thurl Ravenscroft (The Captain), David Frankham (Sergeant Tibs), Ramsay Hill (Television Announcer, The Labrador), Queenie Leonard (Princess), Marjorie Bennett (Duchess), Barbara Beaird (Rolly), Mickey Maga (Patch), Sandra Abbott (Penny), Mimi Gibson (Lucky), Barbara Luddy (Rover), Paul Frees (Dirty Dawson), Lucille Bliss (Commercial Singer), Rickie Sorensen (Spotty), Dal McKennon (Dalmatian Puppy, Sheepdog and Hound Barks), Bob Stevens, Max Smith, Sylvia Marriott, Basil Ruysdael, Don Barclay, Jeanne Bruns, Bill Lee, Helene Stanley, Paul Wexler, Mary Wickes|Wolfgang Reitherman, Hamilton Luske (as Hamilton S. Luske), Clyde Geronimi|Bill Peet.
    Book "The Hundred, One Dalmatians": Dodie Smith|Walt Disney.
    Production Supervision: Ken Peterson|George Bruns.
    Songs: Mel Leven.
    Orchestrations: Franklyn Marks.
    Music Editor: Evelyn Kennedy|Donald Halliday, Roy M. Brewster, Jr.|Walt Disney Studios||Buena Vista Film Distribution||TechniColor|79|1|1|4|U.S.A.|||3|B000YERP2S|B009UL1PM2|
  • Art Direction and Production Design: Ken Anderson.
  • Color Styling: Walt Peregoy.
  • Character Styling: Bill Peet, Tom Oreb.
  • Layout Styling: Don Griffith, Colin Campbell, Erni Nordli.
  • Layouts: Basil Davidovich, Joe Hale, Dick Ung, McLaren Stewart, Dale Barnhart, Homer Jonas, Vance Gerry, Ray Aragon, Al Zinnen, Sammie June Lanham, Victor Haboush.
  • Backgrounds: Al Dempster, Ralph Hulett, Anthony Rizzo, Bill Layne.
  • Special Processes: Ub Iwerks, Eustace Lycett.
  • Sound Supervisor: Robert O. Cook.
    • |No||Yes|No|1961-01-25||101 Dalmatians , 101 Dalmations|||2147483647|0|0|0||||Iu5LowbQpvU||||||||/cartoon/25087-101_Dalmatians_II_Patchs_London_Adventures , http://blog.bcdb.com/disney-animated-film-list/17-one-hundred-and-one-dalmatians/|Patch's London Adventure , Disney Classic Animated Film List|||1961-01-25 , 1992-04-10 , 1999-03-09|Original US Theatrical Release date , VHS Release , VHS Masterpiece Collection Release|||$4 million[2]|$215.8 million[2]|Walt Disney Studios/Feature Films|0 34|The Sword In The Stone|631225|admin|1963-12-25|2016-01-03|When good King Pendragon dies, he leaves no one to succeed him- just a sword stuck through an anvil that stands on a stone. Written on it is the instruction that whoever is able to pull the sword from the stone and anvil is the rightful king of England. Young Arthur lives in the drafty castle of Sir Ector, where he is apprentice and squire to oafish Kay. The lad is compelled to do scullery work and is referred to as the Wart.|13564|40|1821|No|No|Yes|Yes|No|Yes|8.41|4.13|13|0|0000-00-00 00:00:00|2019-03-16 08:00:37|Arthur (Wart), Merlin, Madame Mim, Sir Ector, Sir Kay, Archimedes, Sir Pelenore, Black Bart, Scullery Maid|Academy Award Nominee, Best Music, Scoring of Music, Adaptation or Treatment (George Bruns), 1963|disney/sword_stone1.jpg|disney/sword_stone1.jpg|Original Release Poster|0|2138|23|Hal King, Eric Cleworth, Cliff Nordberg, Eric Larson, John Sibley, Hal Ambro, Dick N. Lucas.
    Directing Animators: Frank Thomas, Milt Kahl (Sir Ector, Sir Kay), Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)], John Lounsbery.
    Effects Animators: Dan MacManus, Jack Boyd, Jack Buckley|Based on T. H. White 1938 novel of the same name. This film was also the last animated film released before Walt Disney's death.

    Of interest in this film is just small bits of trivia; the film as a whole is not very exciting or endearing at all.

    The main character- Wart (Arthur)- is voiced by three different child actors. No, they do not sound the same, or even very similar. It is pretty obvious when someone new comes in as a new voice. All the boys have a rather distinct New York accent, in opposition the the English accents of the rest of the cast. I would question why, but wasn't this the same year that Dick Sargent replaced Dick York as Samatha's husband and no one batted an eye?

    The films rather flaccid, spineless and vacuous villain is Mad Madam Mim, voiced by Martha Wentworth. Martha also voiced the maid in One Hundred And One Dalmatians, and was the Mother Owl in the Warner Bros. classic short, I Love To Singa.

    For as lackluster as this film seems, it actually did rather well in the 1963 box office. The film grossed a bit over twenty-two million, making it the sixth highest grossing film of 1963.... and this despite being released on Christmas day!

    This was the 18th film in the official Disney list of animated films.|Sebastian Cabot (Ector, Narrator), Karl Swenson (Merlin), Rickie Sorenson (Wart), Richard Reitherman (Wart), Robert Reitherman (Wart), Norman Alder (Kay), Alan Napier (Pelinore), Barbara Jo Allen (Scullery Maid), Martha Wentworth (Madame Mim, Squirrel, Scullery Maid), Junius Matthews (Archimedes), Ginny Tyler (Little Girl Squirrel); Thurl Ravenscroft, Jim Macdonald, Tudor Owen (The Mello Men)|Wolfgang Reitherman|Bill Peet.
    Book "The Sword In The Stone": T. H. White|Walt Disney.
    Production Supervision: Ken Peterson|George Bruns.
    Songs: Richard M. Sherman, Robert B. Sherman.
    Orchestrations: Franklyn Marks.
    Musical Editor: Evelyn Kennedy|Donald Halliday|Walt Disney Studios||Buena Vista Pictures Distribution||TechniColor|80|1|1|4|U.S.A.|||3|B00CUDD0C0|B00CUDD0XO|
  • Art Direction: Ken Anderson.
  • Layouts: Don Griffith, Basil Davidovich, Vance Gerry, Sylvia Cobb, Dale Barnhart, Homer Jonas.
  • Backgrounds: Walt Peregoy, Bill Layne, Al Dempster, Anthony Rizzo, Ralph Hulett, Fil Mottola.
  • Sound Supervisor: Robert O. Cook.
    • |No||Yes|No|1963-12-25|||Merlin l'Enchantuer||2147483647|0|0|0|B003UVZFWO|||X0XCxr3Wgok||||||||http://blog.bcdb.com/disney-animated-film-list/18-sword-in-the-stone/|Disney Classic Animated Film List|||1963-12-25 , 1986-03-24 , 1986-10-14 , 1989-09-28 , 1991-07-12 , 1994-10-28|Original US Theatrical Release date , VHS Release , VHS Release , VHS Release , VHS Release , VHS Masterpiece Collection Release|||$4 million|$22.2 million|Walt Disney Studios/Feature Films|0 35|Mary Poppins|640829|admin|1964-08-29|2016-01-03|The story of Jane and Michael Banks, who are too much of a handful for the typical Nanny. But Mary Poppins is no typical Nanny. And there are more than enough lessons to go around- even the parents of little Jane and Michael have something to learn; and it's so much easier with a spoon full of sugar.|10555|63|1056|No|No|Yes|No|No|Yes|10|4.15|7|0|0000-00-00 00:00:00|2019-03-16 06:36:56|Penguins, Pearly Band, Fox, Hounds, Horsemen, Carousel Guard, Hounds, Hunting Horse, Penguin, Reporters.
  • Live-Action Characters: Mary Poppins, Bert, George W. Banks, Winifred Banks, Ellen, Mrs. Brill, Jane Banks, Michael Banks, Katie Nanna, Constable Jones, Admiral Boom, Uncle Albert, Bird Woman, Mr. Dawes, Jr., Mr. Dawes, Sr., Mr. Binnacle, Mrs. Corry, Miss Persimmon, Miss Lark|Academy Award Winner, Best Original Song, "Chim Chim Cher-ee" (Music and Lyrics: Robert Sherman, Richard Sherman), 1965.
    Academy Award Nominee, Best Picture, 1965|disney/mary_poppins1.jpg|||0||25|Milt Kahl, Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston], John Lounsbery, Hal Ambro, Frank Thomas, Ward Kimball, Eric Larson, Cliff Norberg, Jack Boyd||Dal McKennon (Fox, Carousel Guard, Hounds, Hunting Horse, Penguin, Reporter #1; uncredited), J. Pat O'Malley (Horseman; uncredited), Jim Macdonald (Penguins, Guard, News Reporter, Photographer; uncredited), Ginny Tyler (Barnyard Animals; uncredited).
  • Live-Action Vocal Talent: Julie Andrews (Mary Poppins), Dick Van Dyke (Bert, Mr. Dawes, Sr.), David Tomlinson (George Banks), Glynis Johns (Winifred Banks), Hermione Baddeley (Ellen), Reta Shaw (Mrs. Brill), Karen Dotrice (Jane), Matthew Garber (Michael), Elsa Lanchester (Katie Nanna), Arthur Treacher (Constable Jones), Reginald Owen (Admiral Boom), Ed Wynn (Uncle Albert), Jane Darwell (Bird Woman), Arthur Malet (Mr. Dawes, Jr.), James Logan (Citizen), Don Barclay (Mr. Binnacle), Alma Lawton (Mrs. Corry), Marjorie Eaton (Miss Persimmon), Marjorie Bennett (Miss Lark), Cyril Delevanti (Mr. Grubbs; uncredited), Clive Halliday (Mr. Mousley; uncredited), Sam Harris (Citizen; uncredited), Doris Lloyd (Depositor; uncredited), Lester Matthews (Mr. Tomes; uncredited), Betty Lou Gerson|Robert Stevenson.
    Assistant Directors: Joseph L. McEveety, Paul Feiner.
    Live-Action Second Unit Director: Arthur J. Vitarelli.
    Animation Director: Hamilton Luske (as Hamilton S. Luske)|Bill Walsh, Don DaGradi.
    Original Book Series: P. L. Travers.
    Story Consultant: P. L. Travers|Walt Disney.
    Co-Producer: Bill Walsh|Richard M. Sherman, Robert B. Sherman.
    Musical Supervisor: Irwin Kostal.
    Conductor's Assistant: James Macdonald.
    Dance Accompanist: Nat Farber.
    Choreographer: Marc Breaux, Dee Dee Wood.
    Musical Editor: Evelyn Kennedy|Cotton Warburton|Walt Disney Studios||Buena Vista Pictures Distribution||TechniColor|140|1|1|4|U.S.A.|||11|B0002VEPRQ||
  • Cinematography: Edward Colman.
  • Camera Operator: Travers Hill.
  • Art Directors (Live-Action): Carroll Clark, William H. Tuntke.
  • Art Directors (Animation): McLaren Stewart.
  • Nursery Sequence Design: Bill Justice, Xavier Atencio.
  • Set Decorations: Emile Kuri, Hal Gausman.
  • Costume and Design Consultant: Tony Walton.
  • Costumes Executed By: Bill Thomas.
  • Costumer: Chuck Keehne, Gertrude Casey.
  • Hair Stylist: La Rue Matheron.
  • Makeup Artist: Pat McNalley.
  • Backgrounds: Al Dempster, Don Griffith, Art Riley, Bill Layne.
  • Special Effects: Peter Ellenshaw, Eustace Lycett, Robert A. Mattey.
  • Sound Supervisor: Robert O. Cook.
  • Sound Mixer: Dean Thomas.
    • |No||No|No|1964-08-29|||||2147483647|0|0|0||||U3zAbQ0aMK8||||||||/cartoon/145591-Saving_Mr_Banks.html|Saving Mr. Banks|||1964-08-29 , 1994-10-28 , 1997-08-26 , 1998-03-31|Original US Theatrical Release date , VHS Release , VHS Release , VHS Release||||$102.3 million|Walt Disney Studios/Feature Films|0 36|The Jungle Book|671018|admin|1967-10-18|2016-01-04|Young Mowgli is abandoned in the jungle and raised by wolves, never knowing other humans. When the tiger, Shere Kahn, menaces the jungle, Bagheera, the panther, convinces Mowgli to find a man-village for protection.

    Along the way, Mowgli befriends Baloo, the bear, and Colonel Hathi, the elephant; and is menaced by King Louie, the ape, and Kaa, the snake, as well as a quartet of vultures.

    Mowgli ultimately outwits Shere Kahn and decides to remain in the jungle until a pretty female man-cub turns his head -- and Mowgli proceeds directly to the man-village.|26951|95|3636|No|No|Yes|Yes|No|Yes|8.73|3.58|18|0|0000-00-00 00:00:00|2019-03-16 12:01:12|Baloo the Bear, Bagheera the Panther, Mowgli the Man Cub, Shere Khan the Tiger, Kaa the Snake, King Louie of the Apes, Col. Hathi the Elephant, Buzzie, Hathi's Wife, Young Elephant, Vulture, Dizzy, Wolf, Rama, The Girl, Flunkey, Slob Elephant, Monkey, Ziggy|Academy Award Nominee, Best Original Song, "The Bare Necessities" (Music and Lyrics: Terry Gilkyson), 1967|disney/jungle_book1.jpg|disney/jungle_book1.jpg , disney/jungle_book5.jpg , disney/jungle_book2.jpg , disney/jungle_book3.jpg , disney/jungle_book4.jpg|Original Release Poster , Original Release Poster , 1970's Release Poster , 1984 Release Poster , Video Release Poster|0|2179|26|Hal King, Eric Larson, Walt Stanchfield, Eric Cleworth, Fred Hellmich, John Ewing, Dick Lucas.
    Directing Animators: Milt Kahl, Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)], Frank Thomas, John Lounsbery|1967 saw the release of The Jungle Book, the studio's effort to "do more interesting animal characters" according to storyman Bill Peet. After writing the preceding two animated films, Walt gave Peet the assignment to work out the story. Walt took a more hands-on approach to this film, feeling that the disappointing reaction to The Sword in the Stone was based on a poorly developed story. Peet followed the dark, sinister tone of Kipling's book closely, and Walt pushed him to a more light, musical adventure story.

    Peet disliked the way the film was escalating into a full-scale musical (perhaps wanting it to progress along simpler lines, as in his "Sword in the Stone" script just before), and left Disney to write and illustrate children's books full-time.

    The voice casting for this film was over the top. Many people felt comedian Phil Harris was totally wrong for a Kipling story, but that did not deter Walt. Harris improvised most of his lines, as he considered the scripted lines "didn't feel natural." Following Harris' casting, Disneyland Records president Jimmy Johnson suggested Disney get Louie Prima to voice the wild King Louie, and a memorable musical sequence ensued. Many Disney regulars were brought in, such as Sterling Holloway (Kaa), J. Pat O'Malley (Colonel Hathi, Buzzie the Vulture) and Verna Felton (Hathi's wife).

    In what would have been a major coup, Walt originally cast The Beatles as the four mop-topped vultures. Walt wanted to have the members of the band to both voice the characters and sing their song, "That's What Friends Are For". John Lennon reportedly reacting badly to the idea, resulting in the whole thing being dropped.

    Director Wollie Reitherman reused some of his animation of the dogs from One Hundred And One Dalmatians for the wolf cubs. The animation was again done by xerography, with Ken Anderson's character design using rough, hairy edges to the characters in contrast to the more rounded animals seen in earlier productions such as Dumbo. Anderson also modeled Shere Khan on his voice actor, George Sanders.

    This was the first animated Walt Disney Studios to be released after Disney himself died in December 1966. However, most of the film was completed before the time of his death. It also was Disney voice actress Verna Felton's last film before she passed away.

    The soundtrack LP for The Jungle Book was awarded the first Gold Record for an animated movie soundtrack (Gold Records were given for selling over 500,000 copies).

    This was the 19th film in the official Disney list of animated films.|Phil Harris (Baloo the Bear), Sebastian Cabot (Bagheera the Panther), Bruce Reitherman (Mowgli the Man Cub), George Sanders (Shere Khan the Tiger), Sterling Holloway (Kaa the Snake), Louis Prima (King Louie of the Apes), J. Pat O'Malley (Col. Hathi the Elephant, Buzzie), Verna Felton (Hathi's Wife), Clint Howard (Young Elephant), Chad Stuart (Vulture), Lord Tim Hudson (Dizzy), John Abbott (Wolf), Ben Wright (Rama), Darleen Carr (The Girl), Leo DeLyon (Flunkey [uncredited]), Bill Lee (Shere Khan [Singing Voice] [uncredited]), Hal Smith (Slob Elephant, Monkey [uncredited]), Digby Wolfe (Ziggy [uncredited])|Wolfgang Reitherman|Larry Clemmons, Ralph Wright, Ken Anderson, Vance Gerry.
    Based on "The Jungle Book": Rudyard Kipling|Walt Disney.
    Production Manager: Don Duckwall|George Bruns.
    Songs: George Bruns, Richard M. Sherman, Terry Gilkyson.
    Orchestrations: Walter Sheets.
    Musical Editor: Evelyn Kennedy|Tom Acosta, Norman Carlisle|Walt Disney Studios||Buena Vista Pictures Distribution||Technicolor|78|1|1|4|U.S.A.|||3|B00GDT5T9Y|B00GDT4M1A|
  • Layouts: Don Griffith, Basil Davidovich, Dale Barnhart, Tom Codrick, Sylvia Roemer.
  • Background Styling: Al Dempster.
  • Backgrounds: Bill Layne, Art Riley, Ralph Hulett, Thelma Witmer, Frank Armitage.
  • Sound: Robert O. Cook.
    • |No||Yes|No|1967-10-18|||Le Livre De La Jungle (French)||2147483647|0|0|0|B004W07M8C|||9ogQ0uge06o||||||||/cartoon/36-Jungle_Book , /cartoons/Walt_Disney_Studios/Television/TaleSpin/ , /cartoons/Walt_Disney_Studios/Television/Disney_s_Jungle_Cubs/ , /cartoon/25089-Jungle_Book_2 , /cartoon/166346-Jungle-Book , /cartoon/166344-Jungle_Book , /cartoon/166345-Jungle-Book-Origins , http://blog.bcdb.com/disney-animated-film-list/19-jungle-book/|The Jungle Book (Animated) , TaleSpin , Disney's Jungle Cubs , Jungle Book 2 , The Jungle Book (DQ Ent) , The Jungle Book , Jungle Book: Origins (WB) , Disney Classic Animated Film List|||1967-10-18 , 1991-05-03 , 1997-10-14|Original US Theatrical Release date , VHS Release , VHS Masterpiece Collection Release|||$4 million|$205.8 million|Walt Disney Studios/Feature Films|0 37|The Aristocats|701224|admin|1970-12-24|2016-01-03|Pedigreed mother cat Duchess and her kittens, Toulouse, Berlioz and Marie, live a carefree life in Gay Paree under the devoted care of Madame Bonfamille. When jealous butler Edgar discovers that Bonfamille has willed her estate to the cats before him, he decides to remove them from the scene. Kidnapped and abandoned far in the French countrieside, the misplaced Aristocats are befriended by an easygoing tomcat named Thomas O'Malley, who, with his gang of swingin' alley cats, helps Duchess and the kittens get back to Paris-and frustrate Edgar's corrupt schemes.|10773|34|1396|No|No|Yes|Yes|No|Yes|8.3|4.59|24|0|0000-00-00 00:00:00|2019-03-16 09:16:36|Duchess, Abraham de Lacy Giuseppe Casey Thomas O'Malley, Berlioz, Marie, Toulouse, Roquefort, Edgar, Madame Adelaide Bonfamille, Georges Hautecourt, Uncle Waldo, Frou-Frou, Napoleon, Lafayette, Scat Cat, Chinese Cat, English Cat, Italian Cat, Russian Cat, Abigail Gabble, Amelia Gabble, French Milkman||disney/aristocats1.jpg|disney/aristocats1.jpg , disney/aristocats2.jpg|Original Release Poster , 1987 Rerelease Poster|0||27|Hal King, Eric Larson, Eric Cleworth, Julius Svendsen, Fred Hellmich, Walt Stanchfield, Dave Michener (Character Animation).
    Directing Animators: Milt Kahl, Ollie Johnston (as Oliver M. Johnston Jr)., Frank Thomas, John Lounsbery.
    Effects Animators: Dan MacManus, Dick Lucas|The Disney films entered a long period of decline with the release of this film. With the studio left in the hands of Donn Tatum, Card Walker, and Ron Miller, the company was effectively headless and leaderless, at least creatively. The films released over the next eighteen-year period either failed commercially or suffered from a lack the magic... or, more often, both.

    When Gold Key Comics began its brief series of "Aristocats" spin-off stories, the Russian cat was named Boris, the British cat Cyril, the Siamese cat Chino, and the Italian one Luigi.

    It's worth noting that Scatman Crothers did the voices of 3 separate characters named Scat Cat throughout the 1970's: for Disney (1970), Hanna-Barbera (1977: in "The Skatebirds"), and Don Bluth (1979: in "Banjo the Woodpile Cat").

    This was the 20th film in the official Disney list of animated films.|Phil Harris (O'Malley), Eva Gabor (Duchess), Robie Lester (Duchess, singing; uncredited), Sterling Holloway (Roquefort), Scatman Crothers (Scat Cat), Paul Winchell (Chinese Cat), Lord Tim Hudson (English Cat), Vito Scotti (Italian Cat), Thurl Ravenscroft (Russian Cat), Dean Clark (Berlioz), Liz English (Marie), Gary Dubin (Toulouse), Nancy Kulp (Frou-Frou), Ruth Buzzi (Frou-Frou, Singing), Pat Buttram (Napoleon), George Lindsey (Lafayette), Monica Evans (Abigail Gabble), Carole Shelley (Amelia Gabble), Charles Lane (Georges Hautecourt), Hermione Baddeley (Madame Bonfamille), Roddy Maude-Roxby (Edgar), Bill Thompson (Uncle Waldo), Pete Renoudet (French Milkman; uncredited)|Wolfgang Reitherman.
    Assistant Directors: Ed Hansen, Dan Alguire|Larry Clemmons, Vance Gerry, Ken Anderson, Frank Thomas, Eric Cleworth, Julius Svendsen, Ralph Wright.
    Based on a Story By: Tom McGowan, Tom Rowe|Wolfgang Reitherman, Winston Hibler|George Bruns.
    Songs: Richard M. Sherman, Robert B. Sherman, Terry Gilkyson, Floyd Huddleston, Al Rinker.
    Orchestration: Walter Sheets.
    Title Song Performed by: Maurice Chevalier|Tom Acosta|Walt Disney Studios||Buena Vista Pictures Distribution||TechniColor|78|1|1|4|U.S.A.|||3|B0084IHVGG|B0084IHVC0|
  • Production Design: Ken Anderson.
  • Layouts: Don Griffith, Basil Davidovich, Sylvia Roemer.
  • Backgrounds: Al Dempster, Bill Layne, Ralph Hulett.
  • Sound: Robert O. Cook.
  • Production Manager: Don Duckwall.
  • Music Editor: Evelyn Kennedy.


    • Songs:
    "The Aristocats" Written By: Richard M. Sherman, Robert B. Sherman
                                Sung By: Maurice Chevalier
    "Scales and Arpeggios" Written By: Richard M. Sherman, Robert B. Sherman
    "She Never Felt Alone" Written By: Richard M. Sherman, Robert B. Sherman
    "Thomas O'Malley Cat" Written By: Terry Gilkyson
                                            Sung By: Phil Harris
    "Ev'rybody Wants To Be A Cat" Written By: Floyd Huddleston, Al Rinker


    © Copyright MCMLXX - Walt Disney Productions
    All Rights Reserved
    |No||Yes|No|1970-12-24|||||2147483647|0|0|0|B003QSS2VW|||CljLbqYUs54||||||||http://blog.bcdb.com/disney-animated-film-list/20-aristocats/|Disney Classic Animated Film List|||1970-12-24 , 1996-04-24|Original US Theatrical Release date , VHS Masterpiece Collection Release|||$4 million|$55.7 million|Walt Disney Studios/Feature Films|0 38|Bedknobs And Broomsticks|711007|eminovitz|1971-10-07|2016-01-03|In England during World War II, three young kids are forced to evacuate their home and move in with the eccentric Eglantine Price. At first the youths are unhappy- until they discover that Eglantine is studying to become a witch. Apprentice witch Eglantine teaches the children magic, using her new powers to take them on fantastic, fun-filled adventures, all of which they experience on a flying bedframe. But when the neophyte witch decides to use her powers to help the Brits win the war, will she succeed... or will she just create more havoc? The kids, Eglantine and a cynical conman search for the missing component to a magic spell useful to the defense of Britain.|7881|17|1087|No|No|No|No|No|Yes|9|4.62|4|0|0000-00-00 00:00:00|2019-03-15 09:28:30|King Leonidas, Mr. Codfish, Fisherman Bear, Secretary Bird, Various Animals.
  • Live-Action Characters: Eglantine Price, Mr. Emelius Browne, Mr. Jelk, Bookman, Colonel Heller, Swinburne, Mrs. Hobday, Captain Ainsley Greer, General Sir Brian Teagler, Charlie Rawlins, Paul Rawlins, Carrie Rawlins|Academy Award Winner, Best Special Visual Effects, Danny Lee, Eustace Lycett, Alan Maley, 1971.
    Academy Award Nominee, Best Original Song, "The Age of Not Believing" (Music: Richard Sherman, Robert Sherman.
    Lyrics: Robert Sherman, Richard Sherman), 1971.
    Academy Award Nominee, Best Scoring: Adaptation and Original Song Score, Irwin Kostal, Robert Sherman, Richard Sherman, 1971.
    Academy Award Nominee, Best Art Direction- Set Decoration.
    Peter Ellenshaw, John Mansbridge (Art Direction), Hal Gausman, Emile Kuri (Set Decoration), 1971.
    Academy Award Nominee, Best Costume Design, Bill Thomas, 1971|disney/bedknob_broomstick1.jpg|||0||28|Milt Kahl, John Lounsbery, Eric Larson, Fred Hellmich, Art Stevens, Julius Svendsen, Hal King, Jack Buckley, Jack Boyd|Combined live action and animation.

    Intended to be Disney's Mary Poppins, Part 2, this feature was shot in 70 mm had a stereophonic soundtrack. The original releases was cut by 15 minutes, but was restored in video releases.|Lennie Weinrib (King Leonidas, Secretary Bird), Bob Holt (Mr. Codfish), Dal McKennon (Fisherman Bear), Jim Macdonald.
    Live-Action Cast: Angela Lansbury (Eglantine), David Tomlinson (Emelius), Roddy McDowall (Mr. Jelk), Sam Jaffe (Bookman), John Ericson (Colonel Heller), Bruce Forsyth (Swinburne), Tessie O'Shea (Mrs. Hobday), Arthur Gould-Porter (Captain Greer), Ben Wrigley (Street Sweeper), Reginald Owen (General Brian Teagler), Cyril Delevanti (Old Farmer), Rick Traeger (German Sergeant), Manfred Lating (German Sergeant), John Orchard (Vendor), Ian Weighill (Charlie Rawlins), Roy Snart (Paul Rawlins), Cindy O'Callaghan (Carrie Rawlins), Hank Worden (Old Home Guardsman), Arthur Space (Old Home Guardsman; uncredited), Patrick Dennis-Leigh (Old Home Guardsman; uncredited), Delos Jewkes (Old Home Guardsman, uncredited), Conrad Bachmann (German Soldier; uncredited), Jack Raine (Old Home Guardsman; uncredited), Anthony Eustrel (Vendor; uncredited), Morgan Farley (Old Piano Player; uncredited), Ina Gould (Shopkeeper; uncredited), Sid Kane (Vendor; uncredited), Arthur Malet (Spectator; uncredited- restored version), Barbara Morrison; uncredited), Richard Peel (Vendor; uncredited), Maxine Semon (Portobello Dancer; uncredited), Eric Brotherson (uncredited)|Robert Stevenson.
    AssistantDirector: Christopher Hibler.
    Second Unit Director: Arthur J. Vitarelli.
    Animation Director: Ward Kimball|Bill Walsh, Don DaGradi.
    Books "The Magic Bedknob", "Bonfires, Broomsticks": Mary Norton.
    Script Supervisor: Lois Thurman.
    Animation Story: Ralph Wright, Ted Berman|Bill Walsh|Richard M. Sherman, Robert B. Sherman.
    Musical Director: Irwin Kostal.
    Assistant to the Conductor: James Macdonald.
    Choreography: Donald McKayle.
    Assistant Choreographer: Carolyn Dyer.
    Dance Accompanist: Albert Mello|Cotton Warburton.
    Animation Film Editor: James W. Swain|Walt Disney Studios||Buena Vista Pictures Distribution||Technicolor|139|2|1|4|U.S.A.|||11|B00004R9A4||
  • Cinematography: Frank V. Phillips.
  • Art Directors: John B. Mansbridge, Peter Ellenshaw.
  • Animation/Live Action Design: McLaren Stewart.
  • Set Decorators: Emile Kuri, Hal Gausman.
  • Costume Designer: Bill Thomas.
  • Assistant to the Designer: Shelby Anderson.
  • Costumes: Chuck Keehne, Emily Sundby.
  • Make-Up: Robert J. Schiffer.
  • Hair Stylist: La Rue Matheron.
  • Layouts: Don Griffith, Joe Hale.
  • Backgrounds: Al Dempster, Bill Layne, Dick Kelsey, Ralph Hulett.
  • Technical Consultants: Manfred Lating, Milt Larsen, James McInnes, Bob Baker, Spungbuggy Works.
  • Title Design: David Jonas.
  • Special Effects: Alan Maley, Eustace Lycett, Danny Lee.
  • Sound Supervisor: Robert O. Cook.
  • Sound Mixer: Dean Thomas.
    • |No||No|No|1971-10-07|||||2147483647|0|0|0|B003QS9TKU|||8ejhIZZvDgw||||||||||||||||$20 million|$17.9 million|Walt Disney Studios/Feature Films|0 39|Robin Hood|731108|admin|1973-11-08|2015-12-02|The classic story of the bandit of Sherwood Forest is given a new twist-all the characters are animals. Robin Hood is a fox, as is Maid Marian. Little John is a very big bear, Friar Tuck is a badger, and Prince John is a scrawny lion who tries to usurp the throne and oppress the good citizens of Nottingham while his brother, King Richard, is away on the Crusades. It is only through the intervention of clever Robin Hood- and some robbing of the rich to give to the poor- that the kingdom is saved, and the good king can reclaim his throne.|18756|46|5302|No|No|Yes|Yes|No|Yes|8.01|4.18|14|0|0000-00-00 00:00:00|2019-03-16 00:47:24|Robin Hood, Maid Marian, Little John, Prince John, King Richard, Sir Hiss, Lady Kluck, Friar Tuck, Allan-a-Dale, Sheriff of Nottingham, Nutsy, Trigger, Skippy, Sis, Tagalong, Toby Turtle, Otto, Mother Rabbit, Church Mice||disney/robin_hood1.jpg|disney/robin_hood1.jpg , disney/robin_hood2.jpg , disney/robin_hood3.jpg , disney/robin_hood4.jpg|Original Release Poster (Style A) , Original Release Poster (Style B) , Original Release Poster (Style C) , 1982 Release Poster|0|112|29|Hal King, Art Stevens, Cliff Nordberg, Burny Mattinson, Eric Larson, Don Bluth, Dale Baer, Fred Hellmich.
    Directing Animators: Milt Kahl, Ollie Johnston (as Oliver M. Johnston Jr), Frank Thomas, John Lounsbery.
    Effects Animators: Dan MacManus, Jack Buckley.
    Key Assistant Animators: Dale Oliver, Bob McCrea, Chuck Williams, Stan Green|This film began as a concept for a Reynard the red fox movie. Writer Ken Anderson took some basic Reynard story ideas and mixed it into an animal retelling of the Robin Hood tale.

    The film was produced on a very small budget of only 1 1/2 million dollars. Because of that, anywhere they could, the director reused earlier animation. Scenes of the Merry Men dancing reuses animation from Snow White dancing with the dwarfs. Interestingly, some animation of Little John was re-purposed bits from The Jungle Book of Baloo. It is interesting because Phil Harris voiced both characters.

    Legendary animator Gary Goldman began his career in 1972 with Walt Disney Productions on this film as a rough assistant animator to supervising animator Frank Thomas.

    This was the 21th film in the official Disney list of animated films.|Brian Bedford (Robin Hood), Peter Ustinov (Prince John, King Richard), Phil Harris (Little John), Roger Miller (Allan-a-Dale), Terry-Thomas (Sir Hiss), Monica Evans (Maid Marian), Andy Devine (Friar Tuck), Pat Buttram (Sheriff), George Lindsey (Trigger), Ken Curtis (Nutsy), Carole Shelley (Lady Cluck), Billy Whitaker (Skippy), Dana Laurita (Sis), Dora Witaker (Tagalong), Richie Sanders (Toby the Turtle), J. Pat O'Malley (Otto), John Fiedler (Church Mouse), Beulah Bondi (Church Mouse), Candy Candido (Crocodile), Barbara Luddy (Mother Rabbit)|Wolfgang Reitherman.
    Assistant Directors: Ed Hansen, Dan Alguire, Jeff Patch|Ken Anderson, Frank Thomas, Julius Svendsen, Vance Gerry, Eric Cleworth, David Michener.
    Head of Story: Larry Clemmons|Wolfgang Reitherman|George Bruns.
    Songs: Roger Miller, Floyd Huddleston, George Bruns, Johnny Mercer.
    Orchestrations: Walter Sheets.
    Music Editor: Evelyn Kennedy.
    Sound: Herb Taylor|Tom Acosta, Jim Melton|Walt Disney Studios||Buena Vista Pictures Distribution||TechniColor|83|1|1|4|U.S.A.|||3|B000ICM5T4|B00CTNYLS8|
  • Layouts: Basil Davidovich, Sylvia Roemer, Joe Hale, Ed Templer, Jr.
  • Backgrounds: Bill Layne, Ralph Hulett, Ann Guenther.
  • Color Styling: Al Dempster.
  • Art Director: Don Griffith.
  • Production Manager: Don Duckwall.
    • |No||Yes|No|1973-11-08|||Robin Des Bois (French)||2147483647|0|0|0|B003QSGEVW|||V_1eN90zUG4||||||||http://blog.bcdb.com/disney-animated-film-list/21-robin-hood/|Disney Classic Animated Film List|||1973-11-08 , 1984-12-06 , 1986-10-14 , 1991-07-12 , 1994-10-28 , 1999-07-13|Original US Theatrical Release date , VHS Release , VHS Release , VHS Release , VHS Masterpiece Collection Release , VHS Masterpiece Collection Release|||Walt Disney Studios/Feature Films|0 40|The Rescuers|770622|admin|1977-06-22|2016-01-03|The Rescue Aid Society, an international organization of mice (headquartered in the basement of the United Nations Building), receives a plea for help from a little orphan girl named Penny, who has been kidnapped by the terrible, tacky Madame Medusa. The society sends Miss Bianca, along with the novice Bernard, to find the little girl. Medusa intends to use Penny to retrieve a fabulous diamond, The Devil's Eye, from a pirate cave-a cave that is inaccessible except to the small, slight child. Medusa keeps Penny prisoner on a derelict riverboat in a forbidding swamp, under the watch of two alligators named Nero and Brutus, and a goofy henchman called Mr. Snoops. Enlisting the help of the local swamp critters, Bernard and Bianca turn Medusa and Snoops against one another, rescuing Penny and the diamond.|12837|42|1366|No|No|Yes|Yes|No|Yes|8.2|4.22|9|0|0000-00-00 00:00:00|2019-03-16 10:06:59|Penny, Bianca, Bernard, Rufus, Madame Medusa, Mr. Snoops, Nero, Brutus, Orville, Evinrude, Luke, Ellie May, Digger, Gramps, Deacon Owl, Mouse Scouts, Orphans, Penny's Adoptive Mother, Penny's Adoptive Father|Academy Award Nominee, Best Original Song, "Someone's Waiting for You" (Music: Sammy Fain.
    Lyrics: Carol Connors, Ayn Robbins), 1977|disney/rescuers1.jpg|disney/rescuers3.jpg , disney/rescuers1.jpg , disney/rescuers2.jpg|Original Release Poster , Promo (Video?) Poster , 1989 Release Poster|0|505|31|John Pomeroy, Cliff Nordberg, Andy Gaskill, Gary Goldman, Art Stevens, Dale Baer, Chuck Harvey, Ron Clements, Bob McCrea, Bill Hajee, Glen Keane (Penny, Bernard).
    Directing Animators: Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)], Milt Kahl (Madame Medusa), Frank Thomas, Don Bluth.
    Key Assistant Animators: Stan Green, Dale Oliver, Chuck Williams, Harvey Hester, Walt Stanchfield, Dave Suding, Leroy Cross.
    Effects Animators: Jack Buckley, Ted Kierscey, Dorse A. Lanpher, James L. George, Dick Lucas|This film featured three of the Nine Old Men- Ollie Johnston, Milt Kahl and Frank Thomas, as well as the creme of the up and coming animators such as John Pomeroy, Cliff Nordberg, Andy Gaskill, Gary Goldman, Art Stevens, Dale Baer, Ron Clements, Glen Keane and Don Bluth. But like the character Orville from the film, it has a very hard time taking off.

    This was Milt Kahl's last film for the studio, and he wanted Madame Medusa to be his best; he was so insistent on perfecting her that he ended up doing almost all the animation for the character himself. It is said that Medusa is modeled after Kahl's ex-wife, whom he had a particularly vicious divorce with. There was some talk of making the villainess Cruella de Ville from One Hundred and One Dalmatians, but that idea was shot down fairly early in production.

    Margery Sharp's book The Rescuers had been considered for adaption at the studio as early as 1962. Walt Disney originally nixed the idea, feeling the stories published to that point were not focused enough to make a good film. The final movie was based more on the second book for its more coherent story.

    The Rescuers marked the end of the rough line quality of the animation so pervasive in the 1960s and 70s. A more refined xerographic process produced a solid, thin single line accurately, something that was not possible before. Colored lines were also now possible, with the use of a medium-gray line for most characters and even a purple tone for outlines for Miss Bianca.

    This was Joe Flynn's last film performance. The film was one of two released after his death on July 19, 1974.

    The Rescuers earning $48 million at the box office in its initial release. It became the company's first major animated success since The Jungle Book and would be the last until The Little Mermaid.

    On January 8, 1999, three days after the film's second release on home video, The Walt Disney Company announced a recall of about 3.4 million copies of the videotapes because there was an objectionable image in one of the film's background cels. It was discovered the image of a topless woman was added to two non-consecutive frames in one sequence. The frames were not in the original theatrical releases, but were added in video mastering. The remastered film was released three months later, on March 23, 1999.

    This was the 23th film in the official Disney list of animated films.|Bob Newhart (Bernard), Eva Gabor (Miss Bianca), Robie Lester (Miss Bianca, singing; uncredited), Geraldine Page (Medusa), Joe Flynn (Snoops), Jeanette Nolan (Ellie May), Pat Buttram (Luke), Jim Jordan (Orville), John McIntire (Rufus), Michelle Stacy (Penny), Bernard Fox (Chairman), James Macdonald (Evinrude), Larry Clemmons (Gramps), Bill McMillian (TV Announcer), Dub Taylor (Digger), John Fiedler (Deacon Owl), George Lindsey (Deadeye)|Wolfgang Reitherman, John Lounsbery, Art Stevens.
    Assistant Directors: Jeff Patch, Richard Rich|Larry Clemmons, Ken Anderson, Frank Thomas, Vance Gerry, David Michener, Ted Berman, Fred Lucky, Burny Mattinson, Dick Sebast.
    Books "The Rescuers", "Miss Bianca": Margery Sharp|Wolfgang Reitherman.
    Executive Producer: Ron Miller|Carol Connors, Ayn Robbins, Sammy Fain, Robert Crawford.
    Musical Score Composed, Conducted by: Artie Butler.
    Musical Editor: Evelyn Kennedy|James Melton, Jim Koford|Walt Disney Studios||Buena Vista Pictures Distribution||TechniColor|77|1|1|4|U.S.A.|||3|B0084IHVUC|B0084IHVQG|
  • Art Director: Don Griffith.
  • Color Styling: Al Dempster.
  • Layouts: Joe Hale, Guy Deel, Tom Lay, Sylvia Roemer.
  • Backgrounds: Jim Coleman, Ann Guenther, Daniela Bielecka.
  • Titles: Melvin Shaw, Eric Larson, Burny Mattinson.
  • Sound Supervisor: Herb Taylor.
    • |No||Yes|No|1977-06-22|||Bernard Et Bianca (French)||2147483647|0|0|0|B003V5EENU|||KpoFjy1X8Oo||||||||/cartoon/10-Rescuers_Down_Under , http://blog.bcdb.com/disney-animated-film-list/23-rescuers/|Rescuers Down Under , Disney Classic Animated Film List|||1977-06-22 , 1992-09-18 , 1999-01-05|Original US Theatrical Release date , VHS Release , VHS Masterpiece Collection Release|||$1.2 million|$71.2 million|Walt Disney Studios/Feature Films|0 41|Pete's Dragon|771103|admin|1977-11-03|2016-01-04|In New England in the early 20th century, Pete is a nine-year-old orphan escaping from his brutal adoptive parents, the Gogans, with his only friend, a cartoon dragon named Elliott. Pete and Elliott successfully escape to Passamaquoddy, Maine and live with Nora, a lighthouse keeper, and her father Lampie. Elliott is sought for medicinal purposes by the corrupt Doctor Terminus.|8339|31|954|No|No|No|No|No|Yes|8|4.8|5|0|0000-00-00 00:00:00|2019-03-16 06:14:10|Elliot.
  • Live-Action Characters: Pete, Nora, Dr. Terminus, Lampie, Hoagy, Lena Gogan, Miss Taylor, Mayor, Merle, Willie, Grover, Paul, Captain, Store Proprietor, Old Sea Captain, Egg Man, Cement Man|Academy Award Nominee, Best Original Song Score and its Adaptation or Adaptation Score, Joel Hirschhorn, Al Kasha, Irwin Kostal, 1977.
    Academy Award Nominee, Best Original Song, "Candle on the Water" (Music and Lyrics: Joel Hirschhorn, Al Kasha), 1977|disney/pete_dragon1.jpg|disney/pete_dragon1.jpg , disney/pete_dragon2.jpg|Original Release Poster , Original Release Poster|0||32|John Pomeroy, Ron Clements, Gary Goldman, Bill Hajee, Chuck Harvey, Randy Cartwright, Cliff Nordberg, Glen Keane.
    Effects Animator: Dorse A. Lanpher|Combined live action and animation.|Charlie Callas (Elliot).
    Live-Action Cast: Helen Reddy (Nora), Jim Dale (Dr. Terminus), Mickey Rooney (Lampie), Red Buttons (Hoagy), Shelley Winters (Lena Gogan), Sean Marshall (Pete), Jane Kean (Miss Taylor), Jim Backus (The Mayor), Charles Tyner (Merle), Jeff Conaway (Willie), Gary Morgan (Grover), Cal Bartlett (Paul), Walter Barnes (Captain), Al Checco (Fisherman # 1), Henry Slate (Fisherman # 2), Jack Collins (Fisherman # 3), Robert Easton (Store Proprietor), Roger Price (Man with Visor), Robert Foulk (Old Sea Captain), Ben Wrigley (Egg Man), Joe Ross (Cement Man), Dennis Stewart (Fisherman; uncredited)|Don Chaffey.
    Assistant Director: Ronald R. Grow.
    Second Assistant Director: John M. Poer.
    Animation Director: Don Bluth|Malcolm Marmorstein.
    Original Story: Seton I. Miller, S. S. Field|Ron Miller, Jerome Courtland.
    Unit Production Manager: Christopher Seiter.
    Production Manager: John Bloss|Al Kasha, Joel Hirschhorn.
    Music Supervised, Arranged, Conducted by: Irving Kostal.
    Musical Editor: Evelyn Kennedy.
    Choreography: Onna White.
    Assistant Choreography: Martin Allen.
    Dance Arrangements: David Baker|Gordon D. Brenner.
    Animation Editor: James Melton|Walt Disney Studios||Buena Vista Pictures Distribution||Technicolor|128|1|1|4|U.S.A.|||3|B002BIGCXS|B008C0C26U|
  • Cinematography: Frank V. Phillips.
  • Art Directors: John B. Mansbridge, Jack Martin Smith.
  • Animation Art Director: Ken Anderson.
  • Costume Design: Bill Thomas.
  • Costumes: Chuck Keehne, Emily Sundby.
  • Hair Stylist: La Rue Matheron.
  • Make-Up: Robert J. Schiffer.
  • Set Decorator: Lucien M. Hafley.
  • Props: Kurt V. Hulett.
  • Storyboards: Peter Young.
  • Matte Artist: Pete S. Ellenshaw.
  • Layouts: Joe Hale.
  • Sound Supervisor: Herb Taylor.
  • Sound Mixer: Frank C. Regula.
  • Sound Editor: Raymond Craddock.
  • Sound: George Fredrick, Ben Hendricks, William J. Wylie.
  • Special Effects: Eustace Lycett, Art Cruickshank, Danny Lee

    Elliot Designed by: Ken Anderson.
    • |No||No|No|1977-11-03|||||2147483647|0|0|0|B003YJDN58|||V9-ff7f4ke4||||||||||||1977-11-03 , 1994-10-28|Original US Theatrical Release date , VHS Release|||$10 million|$36 million|Walt Disney Studios/Feature Films|0 42|The Fox And The Hound|810710|admin|1981-07-10|2016-01-04|Tod, an orphaned baby fox raised by Widow Tweed, is best friends with Copper, a young hunting dog owned by Amos Slade. When they grow up, Copper learns to hunt and discovers that his prey is his friend, Tod. For safety, Tod is taken to a game preserve, and there he talk in love with Vixey, a beautiful female fox. Copper and his master hunt Tod in the preserve, but in the end, the friendship of the Fox and the Hound prevails.|13055|51|1422|No|No|Yes|Yes|No|Yes|8.2|4.25|6|0|0000-00-00 00:00:00|2019-03-16 06:38:14|Tod, Copper, Big Mama, Amos Slade, Vixey, Widow Tweed, Chief, Dinky, Boomer, Squeaks, Bear, Badger, Abigail||disney/fox_and_the_hound1.jpg|disney/fox_and_the_hound.jpg|Original Release Poster|0|136|33|Ed Gombert, John Musker, Dale Oliver, Jerry Rees, Ron Husband, Dick N. Lucas, David Block, Jeffrey James Varab, Chris Buck, Chuck Harvey, Hendel S. Butoy, Phil Nibbelink, Darrel Van Citters, Michael Cedeno, Phillip Young.
    Supervising Animators: Randy Cartwright, Glen Keane (Bear), Cliff Nordberg, Ron Clements, Frank Thomas, Ollie Johnston (as Oliver M. Johnston Jr) [as Ollie Johnston (as Oliver M. Johnston Jr)].
    Coordinating Animators: Walt Stanchfield, Leroy Cross, Dave Suding, Chuck Williams.
    Key Assistants: Tom Ferriter, Sylvia Mattinson.
    Effects Animators: Ted Kierscey, Jack Boyd, Don C. Paul|The important bits of The Fox And The Hound happened behind the scenes. Originally planned for a Christmas 1980 release, the release date had to be pushed back eight months. Production was marred by rifts between Wolfgang Reitherman and the old guard and Art Stevens and Larry Clemmons and the young Turks at the studio.

    Reitherman pushed his own ideas on the designs and story, but the newer team had other ideas they wanted to pursue. In the midst of this, animator Don Bluth declared Disney's work "stale" and walked out of the production. John Pomeroy, Gary Goldman and sixteen other animators also fled the studio, and Bluth went on to form his own studio.

    Needless to say, the loss of 20% of their animation staff slowed production on the film, and pushed back the release date. When the film hit theaters in July of 1981, the film ended up making 63 million dollars. Based on a budget of only 12 million, that made the film a financial success.

    First Disney release with Dolby Noise Reduction.

    This was the 24th film in the official Disney list of animated films.|Mickey Rooney (Adult Tod), Keith Mitchell (Young Tod), Kurt Russell (Adult Copper), Corey Feldman (Young Copper), Pearl Bailey (Big Mama), Jack Albertson (Slade), Jeanette Nolan (Widow Tweed), Sandy Duncan (Vixey), Paul Winchell (Boomer), Pat Buttram (Chief), John Fiedler (Porcupine), John McIntire (Grumpy Badger), Richard Bakalyan (Dinky)|Art Stevens, Ted Berman, Richard Rich.
    Assistant Directors: Don Hahn, Mark A. Hester, Terry L. Noss|Larry Clemmons, Ted Berman, David Michener, Peter Young, Burny Mattinson, Steve Hulett, Earl Kress, Vance Gerry.
    Original Book: Daniel P. Mannix|Wolfgang Reitherman, Art Stevens.
    Executive Producer: Ron Miller|Richard O. Johnston, Stan Fidel, Jim Strafford, Richard Rich, Jeffrey Patch.
    Orchestrations: Walter Sheets.
    Music Score Composed, Conducted by: Buddy baker.
    Musical Editor: Evelyn Kennedy, Jack Wadsworth|James Melton, Jim Koford|Walt Disney Studios||Buena Vista Pictures Distribution||TechniColor|83|1|1|4|U.S.A.|||3|B004ZBACOE|B0036TGT16|
  • Production Managers: Edward Hansen, Don A. Duckwall.
  • Art Director: Don Griffith.
  • Color Styling: Jim Coleman.
  • Layouts: Dan Hansen, Glen V. Vilppu, Sylvia Roemer, Guy Vasilovich, Michael Perazza, Jr., Joe Hale.
  • Backgrounds: Daniela Bielecka, Brian Sebern, Kathleen Swain.
  • Sound: Herb Taylor.
    • |No||Yes|No|1981-07-10|||||2147483647|0|0|0|B003QULKZU||
    |||||||||/cartoon/89989-Fox_And_The_Hound_2 , http://blog.bcdb.com/disney-animated-film-list/24-fox-hound/|Fox And The Hound 2 , Disney Classic Animated Film List|||1981-07-10 , 1994-03-04|Original US Theatrical Release date , VHS Release|||$12 million|$63.5 million|Walt Disney Studios/Feature Films|0 43|The Black Cauldron|850724|admin|1985-07-24|2016-01-03|Centuries ago, in the land of Prydain, a young man named Taran is given the task of protecting Hen Wen, a magical oracular pig, who knows the location of the mystical black cauldron. This is not an easy task for the Evil Horned King will stop at nothing to get the cauldron.|14647|52|2242|No|No|Yes|Yes|No|Yes|6.56|3.84|14|0|0000-00-00 00:00:00|2019-03-16 08:53:23|Taran, Eilonwy, Gurgi, Ffewddur Fflam, Dallben, The Horned King, Creeper, King Eidilleg, Doli, Orgoch, Orddu, Orwen, Hen Wen||disney/black_cauldron1.jpg|disney/black_cauldron1.jpg , disney/black_cauldron2.jpg , disney/black_cauldron3.jpg|Original Release Poster , Spanish Release Poster , Video Release|0||35|Andreas Deja, Phil Nibbelink, Hendel Butoy, Steven Gordon, Dale Baer, Doug Krohn, Ron Husband, Shawn Keller, Jay Jackson, Mike Gabriel, Barry Temple, Phillip Young, Tom Ferriter, Jesse Cosio, Ruben Aquino, Ruben Procopio, Cyndee Whitney, Vicki Anderson, George Schribner, David Block, Mark Henn, Charlie Downs, Terry Harrison, sandra Borgmeyer, David Pacheco.
    Assistant Animators: Tony Anselmo, Jane Baer, Dorothea Baker, Philo Barnhart, Bill Berg, Ben Burgess, Reed Cardwell, Brian Clift, Jesus Cortez, Rick Farmiloe, June Fujimoto, Terrey Hamada, Ray Harris, Jeffrey Lynch, Mauro Maressa, Michael McKinney, Jim Mitchell, Brett Newton, Gilda Palinginis, Phil Phillipson, David Pruiksma, Natasha Selfridge, Toby Shelton, David Stephan, Russ Stoll, George Sukara, Larry White.
    Key Coordinating Animator: Walt Stanchfield.
    Additional Animation: Kathy Zielinsky, Due Diciccio, Jill Colbert, Richard Hoppe, Kevin Wurzer, David Brain, Sylvia Mattinson, Maurice Hunt.
    Effects Animators: Don Paul, Barry Cook, Mark Dindal, Ted Kierscey, Jeff Howard, Kelvin Yasuda, Patricia Peraza, Bruce Woodside, Scott Santoro, Kimberly Kownlton, Glenn Chaika, John Tucker.
    Assistant Effects Animators: Gail Finkelde, Tom Hush, Joe Lanzisero, Ronaldo Mercado, Steve Starr, John Tucker.
    Animation Consultant: Eric Larson|They spent more on this film- 44 million dollars- thank any previous animated film. It was also the first Disney animated film to receive a PG rating. It was based on the largely unread the first two books in The Chronicles of Prydain series by Lloyd Alexander. Boy, with all that going for it, how could you not want to avoid this at the theaters?

    And avoid it the audience did. In its initial release, the film did a mere 21 million in box office. This is despite massive re-edits ordered by newly appointed Disney studio chairman Jeffrey Katzenberg. Katzenberg convinced Disney chairman Michael Eisner of the fatal flaws in the project, and had the release date pushed back six months. During that time, 12 minutes were excised from the film, and some scenes re-animated.

    The movie was shot in 70mm with a Dolby Stereo soundtrack.

    Nothing would have saved this film. It was too dark, too hard to understand, and too non-Disney.

    On the positive side, The Black Cauldron developed the first use of computer generated images in a animated film. A computer was used to animate bubbles, a boat, and even the cauldron itself.

    This was also the first Disney film to use the now-familiar Walt Disney Pictures title card featuring a white silhouette of Sleeping Beauty castle over a baby blue background. This logo replaced the previous "Buena Vista Pictures Distribution" card and the "Walt Disney Productions Presents" title card. Instead of the simple "The End" title card at the end of the movie, the movie ends with a full credits roll. This would continue for most Disney animated film releases after The Black Cauldron.

    This was the 25th film in the official Disney list of animated films.|Grant Bardsley (Taran), Susan Sheridan (Eilonwy), Freddie Jones (Dallben), Nigel Hawthorne (Fflam), Arthur Malet (King), John Byner (Gurgi, Doli), John Hurt (Horned King), Phil Fondacaro (Creeper, Henchman), Eda Reiss Merin (Orddu), Adele Malis-Morey (Orwen), Billie Hayes (Orgoch), Lindsay Rich (Fairfolk), Brandon Call (Fairfolk), Gregory Levinson (Fairfolk), Pete Renaday (Henchman), James Almanzar (Henchman), Wayne Allwine (Henchman), Steve Hale (Henchman), Phil Nibbelink (Henchman), Jack Laing (Henchman), John Huston (Narrator)|Ted Berman, Richard Rich.
    Assistant Directors: Mark Hester, Terry Noss, Randy Paton|David Jonas, Vance Gerry, Al Wilson, Roy Morita, Ted Berman, Peter Young, Richard Rich, Joe Hale.
    Additional Story: Tony Marino, Steve Hulett, Melvin Shaw (as Mel Shaw, Burny Mattinson, John Musker, Ron Clements, Doug Lefler.
    Additional Dialogue: Rosemary Anne Sisson, Roy Edward Disney.
    Books, the five Chronicles of Prydain by: Lloyd Alexander|Joe Hale.
    Production Manager: Don Hahn.
    Executive Producer: Ronny Miller.
    Executive In Charge of Production: Edward Hansen|Elmer Bernstein.
    Orchestrations: Peter Bernstein.
    Music Supervisor: Jay Lawton.
    Supervising Musical Editor: Jack Wadsworth.
    Musical Editor: Kathy Durning.
    Music Contractor: Regnal Hall.
    Music Preparation: Norman Corey|James Melton, James Koford, Armetta Jackson|Walt Disney Studios, Silver Screen Partners II|Walt Disney Feature Animation|Buena Vista Pictures Distribution||TechniColor|80|1|1|4|U.S.A.|||3|B003RACGZM||
  • Production Coordinators: Joseph Morris, Dennis Edwards, Ronald Rocha.
  • Special Photographic Effects: Phillip Meador, Ron Osenbaugh, Bill Kilduff.
  • Character Design: Andreas Deja, Mike Ploog, Phil Nibbelink, Al Wilson, David Jonas.
  • Color Styling: James Coleman.
  • Layout Styling: Mike Hodgson.
  • Layouts: Don Griffith, Guy Vasilovich, Dan Hansen, Glen Vilppu, William Frake III.
  • Assistant Layouts: David Dunnet, Karen Keller, Greg Martin, Kurt Anderson, Carol Holman Grosvesnor, Frank Frezzo.
  • Backgrounds: Donald Towns, Brian Sebern, Tia Kratter, John Emerson, Lisa Keene, Andrew Phillipson.
  • Breakdown Artists: Sue Adnopoz, Anthony DeRosa, Barbara DeRosa, Denise Ford, Edward Coral, Tina Grusd, Christine Liffers, Elyse Pastel, Karen Spooner, Louis Tate, Peggy Tonkonogy, Jane Tucker, Maria Ramocki-Rosetti, Stephen Zupkas.
  • Effects Breakdown Artists: Ed Coffey, Peter Gullerud, Christine Harding.
  • Clean-Up Artists: Retta davidson, Tom Ferriter, Dave Suding, Fujiko Miller, Chuck Williams, Isis Thompson, M. Flores Nichols, Lureline Weatherly, Martin Korth, Wesley Chun.
  • Sound Effects Design: Mike McDonough.
  • Sound Effects: Paul Holzborn, Wayne Allwine.
  • Re-recording Mixers: Richard Portman, Nick Alphin, Frank C. Regula.
  • Music Scoring Mixer: Shawn Murphy.
    • |No||No|No|1985-07-24||Taran and the Magic Cauldron|Taram Et Le Chaudron Magique (French) , El Caldero Magico (Spanish)||2147483647|0|0|0|B003V5JZ9S||
    |||||||||http://blog.bcdb.com/disney-animated-film-list/25-black-cauldron/|Disney Classic Animated Film List|||1985-07-24 , 1998-08-04|Original US Theatrical Release date , VHS Masterpiece Collection Release|||$44 million|$21.3 million|Walt Disney Studios/Feature Films|0 44|The Great Mouse Detective|860702|DaveJones|1986-07-02|2016-01-04|In Victorian London, England, a little mouse girl's toymaker father is abducted by a peg-legged bat. She enlists the aid of Basil of Baker Street, the rodent world's answer to Sherlock Holmes. The case expands as Basil uncovers the crime's link to a plot against the Crown itself.|11446|55|1840|No|No|Yes|Yes|No|Yes|9.6|3.52|17|0|0000-00-00 00:00:00|2019-03-16 12:13:47|Basil of Baker Street, Dr. David Q. Dawson, Olivia Flaversham, Hiram Flaversham, Professor Ratigan, Toby, Felicia, Fidget, Queen Moustoria, Bartholomew, Mrs. Judson, Sherlock Holmes, Watson, Lady Mouse, Bar Maid, Dancing Girl, Bar Singer in Rat Trap, Citizen, Thugs, Guards||disney/mouse_detective1.jpg|disney/mouse_detective1.jpg , disney/mouse_detective2.jpg , disney/mouse_detective3.jpg|Original Release Poster (Style A) , Original Release Poster (Style B) , Video Release Poster|0||37|Matthew O'Callighan, Mike Gabriel, Ruben Aquino (as Ruben A. Aquino), Jay Jackson, Kathy Zielinski, Doug Krohn, Phil Nibbelink, Andreas Deja, Phil Young, Shawn Keller, Ron Husband, Joseph Lanzisero, Rick Farmiloe, David Pruiksma, Sandra Borgmeyer, Cyndee Whitney, Barry Temple, David Block, Ed Gombert, Steven Gordon.
    Supervising Animators: Mark Henn, Glen Keane (Ratigan), Rob Minkoff, Hendel Butoy.
    Coordinating Animators: Tom Ferriter, Dave Suding, Chuck Williams, Walt Stanchfield, Bill Berg.
    Effects Animators: Ted C. Kierscey, Kelvin Yasuda, Dave Bossert, Patricia Peraza, Mark Dindal.
    Animation Consultant: Eric Larson|The story and planning took four years, but the actual animation was completed in only a year. This remarkably short production span was possible due to new efficiencies in the production process (such as video tests and computer-assisted layouts and graphics), and an increased emphasis on story development prior to the start of production.

    All of the moving clock gears were created in a computer "room" and then the hand drawn characters were added, making this the first Disney film with computer animated elements. The movements of the clock's gears were produced as wire-frame graphics on a computer, printed out and traced onto animation cels where colors and the characters were added.

    125 artists were involved in making the film.

    When Disney re-released the movie in 1992, they gave it the title of "The Adventures of the Great Mouse Detective". When the film was released on video, the title on the box was back to "The Great Mouse Detective", but the title card in the film itself reads "The Adventures of the Great Mouse Detective".

    Budgeted at 14 million, the film brought it almost 40 million in its first release. After the failure of The Black Cauldron, this return to basics proved to be a success, and infected the studio with the pride it once had. The new senior management of the company- primarily Michael Eisner and Jeffrey Katzenberg- were convinced that their animation department was still a viable part of the company.

    In December 1984, during the production of this film, the animation department was moved out of the the original Walt Disney Studios Animation Building on the lot in Burbank, California. The animators were moved to the Air Way facility in nearby Glendale, California. Following corporate restructuring, the animation department was spun off as a subsidiary of the Walt Disney Studios known as Walt Disney Feature Animation (later Walt Disney Animation Studios). Walt Disney Feature Animation would returned to the Burbank studios lot in the Roy E. Disney Animation Building crowned with the Sorcerer's hat in 1995.

    This was the 26th film in the official Disney list of animated films.|Vincent Price (Professor Ratigan), Barrie Ingham (Basil of Baker Street, Bartholomew), Val Bettin (Dr. David Q. Dawson, Thug, Guard), Candy Candido (Fidget), Alan Young (Hiram Flaversham), Susanne Pollatschek (Olivia Flaversham), Eve Brenner (Queen Moustoria), Diana Chesney (Mrs. Judson), Basil Rathbone (Sherlock Holmes), Laurie Main (Watson), Shani Wallis (Lady Mouse), Ellen Fitzhugh (Bar Maid), Melissa Manchester (Bar Singer in Rat Trap), Walker Edmiston (Citizen, Thug, Guard), Wayne Allwine (Thug, Guard), Tony Anselmo (Thug, Guard)|John Musker, Ron Clements, Dave Michener, Burny Mattinson.
    Assaitant Directors: Timothy J. O'Donnell, Mark A. Hester|Peter Young, Vance Gerry, Steve Hulett, Ron Clements, John Musker, Bruce M. Morris, Matthew O'Callaghan, Burny Mattinson, David Michener, Melvin Shaw.
    Book "Basil of Baker Street": Eve Titus|Burny Mattinson|Henry Mancini.
    Songs: Henry Mancini, Larry Grossman, Ellen Fitzhugh, Melissa Manchester.
    Music Editor: Jack Wadsworth|Roy M. Brewster, Jr., James Melton|Walt Disney Studios, Silver Screen Partners II|Walt Disney Feature Animation|Buena Vista Pictures Distribution||TechniColor|74|1|1|4|U.S.A.|||3|B0034GK74G|B0081VMYBI|
  • Art Direction: Guy Vasilovich.
  • Computer Generated Graphics: Tad A. Gielow.
  • Color Styling: Jim Coleman.
  • Layouts: Dan Hansen, David A. Dunnet, Karen A. Keller, Gil Diciccio, Michael A. Peraza, Jr., Edward L. Ghertner.
  • Backgrounds: David A. Towns, Lisa L. Keene, John Emerson, Brian Sebern, Michael Humphries, Tia Kratter, Andrew Phillipson, Phillip Phillipson.
  • Animation Camera: Ed Austin.
    • |No||No|No|1986-07-02||The Adventures of the Great Mouse Detective|Basil Détective Privé (French)||2147483647|0|0|0|B004IWNTZO||
    |||||||||http://blog.bcdb.com/disney-animated-film-list/26-great-mouse-detective/|Disney Classic Animated Film List|||1986-07-02 , 1992-07-17|Original US Theatrical Release date , VHS Release|||$14 million|$38.7 million|Walt Disney Studios/Feature Films|0 45|Who Framed Roger Rabbit|880622|admin|1988-06-22|2015-12-03|Roger Rabbit is an animated cartoon star-a 'Toon'- at Maroon Cartoon Studios. Roger is suspected of the murder of Marvin Acme, owner of the Los Angeles subdivision of Toontown, and head of the renowned Cartoon Prop Company. Acme had been sighted playing patty cake with Roger's shapely wife, Jessica. Eddie Valiant, a down-on-his-luck gumshoe, is asked by Roger to find the real killer. Reluctantly, Valiant agrees, and soon discovers local magistrate Judge Doom at the center of the tangled Toon web. With Judge Doom's cartoon weasel henchmen in pursuit, Valiant follows leads all over Los Angeles- and into the heart- of Toontown.|26971|96|2830|No|No|Yes|Yes|No|Yes|9.53|4.45|69|0|1955-11-11 00:00:00|2019-03-16 09:01:38|Roger Rabbit, Jessica Rabbit, Benny the Cab, Baby Herman, Bongo, Hippo, Smart Ass, Greasy, Psycho, Stupid, Wheezy, Droopy Dog, Lena Hyena, Bambi, Bashful, Betty Boop, Big Bad Wolf, Brer Bear, Brooms, Bugs Bunny, Cheshire Cat, Chicken Little, Clarabelle Cow, Daffy Duck, Daisy Duck, Donald Duck, Dumbo, Jiminy Cricket, Marvin Martian, Mickey, Minnie Mouse, Tinker Bell, Tweety, Woody Woodpecker, Yosemite Sam|Academy Award Winner, Best Film Editing, Arthur Schmidt, 1989.
    Academy Award Winner, Best Effects, Sound Effects Editing, Charles L. Campbell and Louis L. Edemann, 1989.
    Academy Award Winner, Best Effects, Visual Effects Editing, Ken Ralston, Richard Williams, Ed Jones and George Gibbs, 1989.
    Academy Award Nominee, Best Sound, Robert Knudson, John Boyd, Don Digirolamo and Tony Dawe, 1989.
    Academy Award Nominee, Best Art Direction-Set Decoration, Elliot Scott and Peter Howitt, 1989.
    Academy Award Nominee, Best Cinematography, Dean Cundey, 1989.
    Academy Award, Special Achievement Award, Richard Williams, For animation direction and creation of the cartoon characters, 1989.
    Golden Globe Nominee, Best Picture (Musical or Comedy), 1989.
    Golden Globe Nominee, Best Actor in a Leading Role (Musical or Comedy), Bob Hoskins, 1989.
    Saturn Award, Best Director, Robert Zemeckis, 1990.
    Saturn Award, Best Fantasy Film, 1990.
    Saturn Award, Best Special Effects, George Gibbs, Ken Ralston and Richard Williams, 1990.
    Nominee, Saturn Award, Best Actor, Bob Hoskins, 1990.
    Nominee, Saturn Award, Best Music, Alan Silvestri, 1990.
    Nominee, Saturn Award, Best Supporting Actor, Christopher Lloyd, 1990.
    Nominee, Saturn Award, Best Supporting Actress, Joanna Cassidy, 1990.
    Nominee, Saturn Award, Best Writing, Jeffrey Price and Peter S. Seaman, 1990.
    BAFTA Film Award, Best Special Effects, George Gibbs, Richard Williams, Ken Ralston and Ed Jones, 1989.
    Nominee, BAFTA Film Award, Best Cinematography, Dean Cundey, 1989.
    Nominee, BAFTA Film Award, Best Editing, Arthur Schmidt, 1989.
    Nominee, BAFTA Film Award, Best Production Design, Elliot Scott, 1989.
    Nominee, BAFTA Film Award, Best Screenplay - Adapted, Jeffrey Price and Peter S. Seaman, 1989.
    BMI Film Music Award, Alan Silvestri, 1989.
    CFCA Award, Best Director, Robert Zemeckis, Chicago Film Critics Association Awards, 1989.
    David, Best Producer - Foreign Film (Migliore Produttore Straniero), Robert Watts and Frank Marshall, David di Donatello Awards, 1989.
    Evening Standard British Film Award, Best Actor, Bob Hoskins, 1989.
    Golden Screen, Germany, 1989.
    Hugo, Best Dramatic Presentation, 1989.
    Kids' Choice Award, Favorite Movie, 1989.
    Special Award, Robert Zemeckis, Los Angeles Film Critics Association Awards, 1988.
    Golden Reel Award, Best Sound Editing - ADR, 1989.
    Audience Award, Best Foreign Film (Mejor Película Extranjera), Robert Zemeckis, Sant Jordi Awards, 1989.
    Nominee, Best Cinematography Award, Dean Cundey, British Society of Cinematographers, 1988.
    Nominee, Eddie, Best Edited Feature Film, Arthur Schmidt, American Cinema Editors, USA, 1989.
    Nominee, César, Best Foreign Film (Meilleur film étranger), Robert Zemeckis, 1989.
    Nominee, DGA Award, Outstanding Directorial Achievement in Motion Pictures, Robert Zemeckis, 1989.
    Nominee, Grammy, Best Album of Original Instrumental Background Score Written for a Motion Picture or Television, Alan Silvestri, 1989.
    Nominee, WGA Award (Screen) Best Screenplay Based on Material from Another Medium, Jeffrey Price and Peter S. Seaman, 1989.
    Nominee, DVDX Award, Best Menu Design, John Ross, DVD Exclusive Awards, 2003|disney/roger_rabbit1.jpg|disney/roger_rabbit.jpg , disney/roger_rabbit4.jpg , disney/Roger1.jpg , disney/Roger2.jpg|Original Advance Poster , Video Release Poster , On the verge of being dipped, Eddie Valiant give Roger a drink to safe his life. , After melting Judge Doom the toons sing in celebration as they find out that Toon Town was left to them in Marvin Acme's will.|0||0|Rob Stevenhagen, Alain Costa, Alan Simpson, Alexander Williams, Alvaro Giavoto, Alyson Hamilton, Brent Odell, Bridgitte Hartley, Caron Creed, Chuck Gammage, Colin White, Dave Spafford, David Byers-Brown, Gary Mudd, Greg Manwaring, Jacques Muller, James Baxter, Joe Haidar, Marc Gordon-Bates, Mike Swindall, Nik Ranieri, Peter Gambier, Peter Western, Ra�l Garc�a, Roger Chiasson, Tom Sito.
    Animation Supervisor: Wes Takahashi.
    Assistant Supervisor, Animation: Maggie Brown.
    Supervising Animator: Andreas Deja, Phil Nibbelink, Russell Hall, Simon Wells.
    Assistant Animators: David Bowers, Neil Boyle.
    Additional Animation: Barry Temple, Mark Kausler, Bruce W. Smith, Dave Pacheco, Frans Vischer, Matthew O'Callaghan.
    Animation Effects Supervisor: Christopher Knott.
    Effects Animators: Dorse Lanpher, Andrew Brownlow, Christopher Jenkins, Dave Bossert, Jon Brooks, Les Pace, Kevin Davies|The first animated film to be nominated for an Academy Award for best film editing, best effects (sound effects editing), best effects (visual effects), best art direction-set direction or best cinematography.

    Who Framed Roger Rabbit is based on the 1981 novel Who Censored Roger Rabbit, by Gary K. Wolf. The book makes a statement, as the film does less pointedly, about dominant races and minorities. The book had been optioned by Disney in the early 1980s and had even been announced for production in the 1983 Disney annual report. The project was eventually shelved, but a draft screenplay caught the eye of director Robert Zemeckis (the "Back to the Future" trilogy). When Disney management approached Steven Spielberg about his interest in Roger Rabbit, Zemeckis came along, and (once satisfied that the budget would be high enough to deliver a truly ground-breaking film) the two agreed to the task.

    One of the great joys of Roger Rabbit is the interaction of characters from several different studios (and thus, several different ownerships). A team of attorneys spent years putting together the several specific contracts and releases required to assemble the all-star "guest cast" that appears in Toontown. It is said that when it came to the scene in which Mickey (Disney Studios) and Bugs Bunny (Warner Bros.) appeared, frames were counted. Both studios biggest cartoon stars had to have an equal amount of screen time: an EXACTLY equal amount of time.

    The characters of Roger Rabbit and Baby Herman returned in the animated shorts Tummy Trouble (1989), Roller Coaster Rabbit (1990) and Trail Mix-Up (1993). Although plans for a sequel to Who Framed Roger Rabbit frequently percolate through the Hollywood grapevine, none has ever passed the development phase.

    The combination of animation and live-action in Who Framed Roger Rabbit took the pioneering work of Song of the South (1946) and Mary Poppins (1964) and moved it into a new dimension of realism. No longer did actors function in a two-dimensional plane with cartoons; in Roger Rabbit, both human and Toon are fully-dimensional characters, coexisting in the same space.

    The animation was supervised by renowned animator Richard Williams, who was at first reluctant to take on the project, until Zemeckis convinced him that he would dictate exactly what he wanted from the film, and Williams would simply supply it. Williams defined his role to Zemeckis: "I'm your pencil."

    There could be no shortcuts in production. Eighty-two thousand frames of animation were created, each frame on a photostatic blow-up of a single frame of live-action. The animation crew numbered 326 artists, 254 directly supervised by Williams in London, another 72 in California. Also in California, Industrial Light and Magic (ILM), the George Lucas-owned special effects house, was hired to add the final layer of dimensional reality-shadows, skin tones, even the flashing sequins on Jessica Rabbit's skin-tight costume.

    One of the greatest challenges to the animators (beyond the crushing volume of drawings and airtight deadlines), was that, for the sake of the realism of the animation/live-action interaction, Zemeckis frequently used a moving camera, customary in live-action, but then rarely-used in animation because of the difficulty of drawing the characters in precise perspective.

    Both Zemeckis and Spielberg wanted Bill Murray for the role of Eddie Valiant, but Murray is notoriously hard to get a hold of, so it never happened. Murray has said that when he later found out that he was the number one choice for the role, he screamed out loud because he would have loved playing Eddie. Bob Hoskins (Eddie Valiant) says one reason he appeared in Who Framed Roger Rabbit was that his young son could see him in one of his movies.

    "I took him to the premiere, and when he came out, he wouldn't talk to me. Wouldn't have anything to do with me," Hoskins recalled years later. "He reckoned that any father that had friends like Yosemite Sam, Daffy Duck, Bugs Bunny and people like that, and didn't bring [them] home to meet his son, well..."

    Tim Curry auditioned for the role of Judge Doom, but he was so disturbingly sinister that Zemeckis, Steven Spielberg, Jeffrey Katzenberg and Michael Eisner all nixed him for fear that he would give children nightmares. To make Judge Doom extra creepy, Robert Zemeckis had Christopher Lloyd refrain from blinking during his scenes.

    Despite the cavalcade of characters from across the cartoon universe, a few that the producers wanted are missing: Popeye and Olive Oyl, Tom and Jerry, Casper the Friendly Ghost and Deputy Dawg. They couldn't secure the rights for these in time for the movie.

    The movie's original budget was $29.9 million dollars - the most an animated movie had ever cost at the time. But the price tag could have been even more astronomical - Roger was slated to cost $50 million at first, but Disney refused to shell out that much and wouldn't approve production until costs were slashed. Rumor has it that by the time production was finished, the budget had soared to around $70 million.

    This was the last film Mel Blanc provided his famous voices for, including Bugs Bunny, Daffy Duck, Tweety Bird, Porky Pig and Sylvester the Cat - with one exception. He did provide Daffy's voice one more time in 1987's "The Duxorcist" before passing away in 1989.

    "You Ought to Be in Pictures" is said to have been the inspiration for this cartoon.|Charles Fleischer (Benny, Roger, Greasy, Psycho), Lou Hirsch (Baby Herman), Kathleen Turner (Jessica speaking, uncredited), Amy Irving (Jessica singing, uncredited), Mae Questel (Betty Boop), Mel Blanc (Daffy, Tweety, Bugs, Sylvester, Porky), Tony Anselmo (Donald), Joe Alaskey (Yosemite Sam, Foghorn Leghorn), June Foray (Lena Hyena, Wheezy), Russi Taylor (Minnie, Birds), Richard Williams (Droopy), Wayne Allwine (Mickey), Frank Sinatra (Sword), Morgan Deare (Editor, Bongo the Gorilla), Mary T. Radford (Hippo), David Lander (Smart Ass), Fred Newman (Stupid), Les Perkins (Toad), Pat Buttram (Bullet #1), Jim Cummings (Bullet #2, Andy Devine, Additional Weasels), Jim Gallant (Bullet #3), Tony Pope (Goofy, Wolf), Peter Westy (Pinocchio), Cherry Davis (Woody Woodpecker), Jack Angel (Additional Voices, uncredited), Philip O'Brien (Earl, uncredited).
    Live Action: Bob Hoskins (Eddie Valiant), Christopher Lloyd (Judge Doom), Joanna Cassidy (Dolores), Alan Tilvern (R.K. Maroon), Richard LeParmentier (Lt. Santino), Joel Silver (Raoul J. Raoul), Paul Springer (Augie), Richard Ridings (Angelo), Edwin Craig (Arthritic Cowboy), Lindsay Holiday (Soldier), Mike Edmonds (Stretch), Danny Capri (Kid #1), Christopher Hollosy (Kid #2), John-Paul Sipla (Kid #3), Laura Frances (Blonde Starlet), Joel Cutrara (Forensic #1), Billy J. Mitchell (Forensic #2), Eric B. Sindon (Mailman), Ed Herlihy (Newscaster), James O'Connell (Conductor), Eugene Guirterrez (Teddy Valiant), April Winchell (Mrs. Herman)|Robert Zemeckis.
    Animation Director: Richard Williams|Jeffrey Price, Peter S. Seaman.
    Original Book: Gary K. Wolf|Frank Marshall, Robert Watts.
    Executive Producers: Kathleen Kennedy, Steven Spielberg.
    Associate Producers: Steve Starkey, Don Hahn|Alan Silvestri.
    Non-Original Music: Franz Liszt ("Hungarian Rhapsody No. 2")|Arthur Schmidt.
    Assistant Editor: Bill Wilner.
    Assistant Editor, UK: Carin-Anne Strohmaier.
    Associate Editor: Peter Lonsdale.
    Associate Editor, UK: Colin Wilson|Touchstone Pictures, Amblin Entertainment, Silver Screen Partners III||Buena Vista Pictures||DeLuxe|103|1|1|978|U.S.A.|||11|B00007AJGH||
  • Cinematography: Dean Cundey.
  • Camera Operator: Raymond Stella.
  • Camera Operator, UK: David Worley.
  • First Assistant Camera: Martin Kenzie.
  • Focus Puller: Bobby Stillwell.
  • Clapper/Loaders: Bob Bridges, Graham Hall, Wilf France.
  • Video Assist Technician: Ian Kelly.
  • Camera Technician, Vistavision: Clyde E. Bryan.
  • Photographic Consultant: Derek Browne.
  • Still Photographer, UK: Bob Penn.
  • Gaffer, UK: Dennis Brock.
  • Grip: John Flemming.
  • Best Boy: Tommy Finch.
  • Best Boy Grip: Tom Bookout.
  • Production Design: Roger Cain, Elliot Scott.
  • Layout Artist: Roy Naisbitt.
  • Storysketch: Hans Bacher, Harald Siepermann, Joe Ranft.
  • Costume Design: Joanna Johnston.
  • Wardrobe Supervisor, UK: Ron Beck.
  • Makeup Artist: Steve E. Anderson.
  • Makeup Artist, UK: Peter Robb-King.
  • Hair Stylists, UK: Colin Jamison.
  • Unit Production Manager: Jack Frost Sanders.
  • Production Manager, UK: Patricia Carr.
  • Production Manager, Animation: Patsy de Lord.
  • Production Coordinator, USA: Bonnie Radford.
  • Production Coordinator, UK: Carol Regan.
  • Production Coordinator, Animation: Ian Cook, Stephen Hickner.
  • Location Manager: Philip Kohler.
  • First Assistant Director, USA: David McGiffert.
  • First Assistant Director, UK: Michael Murray.
  • Second Assistant Director, USA: Cara Giallanza.
  • Second Assistant Director, UK: Chris Brock.
  • Second Unit Director, USA: Max Kleven.
  • Second Unit Director, UK: Frank Marshall, Ian Sharp.
  • Art Director, UK: Stephen Scott.
  • Construction Manager, UK: Alan Booth.
  • Constructor: Peter Mann (uncredited).
  • Painter: Rhonda L. Hicks (uncredited).
  • Set Decorator, UK: Peter Howitt.
  • Production Illustrator: Martin A. Kline, David Russell.
  • Property Master, UK: Peter Wilkinson.
  • Music Editor: Kenneth Karman.
  • Assistant Music Editor: Jacqueline Tager.
  • Music Engineer: Greg Fulginiti.
  • Score Mixer: Dennis S. Sands.
  • Supervising Sound Editors: Louis L. Edemann, Charles L. Campbell.
  • Boom Operators: Shep Dawe, Chris Gurney, John Samworth.
  • Production Sound Mixer: Tony Dawe.
  • Sound Re-recording Mixers: John Boyd, Don Digirolamo, Robert Knudson.
  • ADR Supervisors: Paul Timothy Carden, Larry Singer.
  • Stunts: Del Baker, Andy Bradford, Charles Croughwell, Stuart Fell, Fred Haggerty, Reg Harding, Frank Henson, Terry Jackson, Vincent Keane, Daniel K. Moore, Danny O'Haco, Brian Smrz, Gregg Smrz, Rocky Taylor, Terry Walsh, Jason White, Bob Yerkes.
  • Stunt Co-ordinator: Rocky Capella.
  • Stunt Arranger: Peter Diamond.
  • Post-Production Supervisor, USA: Martin Cohen.
  • Additional Photographer: Paul Beeson.
  • Animation Consultants: Chuck Jones, Leroy Anderson, Stan Green, Walt Stanchfield.
  • Animation Administrator: Max Howard.
  • Animation Auditor: Ron McKelvey.
  • Animation Check Supervisor: Paul Steele.
  • Final Check Supervisor, Animation: Julia Orr.
  • Inbetweener: Richard Bazley.
  • Ink And Paint Supervisor: Barbara McCormack.
  • Animation Editor: Nick Fletcher.
  • Animation Editor, Los Angeles: Scot Scalise.
  • Armature Machinist: Blair Clark.
  • Assistant Production Accountant: Michele Tandy.
  • Assistant To Mr. Hahn: Cynthia Woodbyrne.
  • Assistant To Mr. Howard: Gilly Fenn.
  • Assistant To Mr. Kennedy: Barbara Harley.
  • Assistant To Mr. Watts: Barbara Margerrison.
  • Assistant To Mr. Marshall: Mary T. Radford.
  • Casting, UK: Priscilla John.
  • Casting Assistant: Cecily Adams.
  • Extras Casting: Sally Pearle.
  • Animation Checking: Pat Sito.
  • Chief Executive And Supervising Animator, Additional Animation: Dale L. Baer.
  • Coordinating Animator, Additional Animation: Jane M. Baer.
  • Chief Puppeteer, UK: David Alan Barclay.
  • Puppeteer: Toby Philpott.
  • Post Punch Supervisor: Sandy Gordon.
  • Post Punch Operator: Steve Pegram.
  • Production Accountant, UK: George Marshall.
  • Production Assistant: Camille Cellucci.
  • Production Associate: Steven Talmy.
  • Runner: Jason McDonald.
  • Script Supervisor, UK: Pamela Mann-Francis.
  • Special Effects Secretary: Judy Britten.
    • |No||No|No|1988-06-22|||Qui Veut La Peau De Roger Rabbit? (French)||2147483647|0|0|0|||
    |||||||||/cartoon/54748-Little_Injun_That_Could.html , /cartoon/54749-Hermans_Shermans.html , /cartoon/63831-Pistol_Packin_Possum.html , /cartoon/65369-Wet_Nurse.html , /cartoon/50626-Somethins_Cookin.html , /cartoon/65374-Babes_In_Arms.html , /cartoon/4256-Tummy_Trouble.html , /cartoon/6313-Rollercoaster_Rabbit.html , /cartoon/3879-Trail_Mix-Up.html|The Little Injun That Could , Herman's Shermans , Pistol Packin' Possum , The Wet Nurse , Somethin's Cookin' , Babes In Arms , Tummy Trouble , Rollercoaster Rabbit , Trail Mix-Up|||||||Other Studios/T/Touchstone Pictures|0 46|Oliver & Company|881118|admin|1988-11-18|2016-01-04|Once upon a time in New York City, orphan kitten Oliver falls in with rascal mutt Dodger, one of the pickpocket hounds under the watch of human crook Fagin. When a wealthy little girl from Fifth Avenue finds Oliver and takes him uptown to live in her mansion, Fagin's evil boss, Sykes, steps in and kidnaps the pair. His nasty plan is foiled by Oliver's motley crew of canine cohorts.|11818|55|1615|No|No|Yes|Yes|No|Yes|5.5|4.78|93|0|0000-00-00 00:00:00|2019-03-16 06:03:45|Oliver, Dodger, Tito, Einstein, Francis, Rita, Fagin, Sykes, Roscoe, DeSoto, Jenny Foxworth, Winston, Georgette, Louie|Golden Globe Award Nominee, Best Original Song (Motion Picture), "Why Should I Worry?" (Music and Lyrics: Dan Hartmand, Charlie Midnight), 1989|disney/oliver1.jpg|disney/oliver1.jpg , disney/oliver2.jpg , disney/oliver3.jpg|Original Release Poster (Style A) , Original Release Poster (Style B) , Original Video Release Poster|0||38|Vicki Anderson, Chris Bailey, David Cutler, Anthony de Rosa, Russ Edmonds, Rick Farmiloe, Will Finn, Tony Fucile, Ron Husband, Jay Jackson, Dan Jeup, Leon Joosen, Shawn Keller, Jorgen Klubien, Kevin Lima, Jeffrey Lynch, Dave Pruiksma, David P. Stephan, Barry Temple, Kevin Wurzer, Phil Young, Kathy Zielinski|Oliver & Company was the first film to have a separate computer animation department responsible for all computer imagery. The computer animation portions of the film amounted to more than 11 minutes. In this feature, CG animation was used principally for shots of motor vehicles.

    This was the 27th film in the official Disney list of animated films.|Joey Lawrence (Oliver), Billy Joel (Dodger), Cheech Marin (Alonzo Ignacio Julio Federico de Tito), Richard Mulligan (Einstein), Roscoe Lee Brown (Francis), Dom DeLuise (Fagin), Robert Loggia (Sykes), Bette Midler (Georgette), Natalie Gregory (Jennifer 'Jenny' Foxworth), Sheryl Lee Ralph (Rita), William Glover (Winston), Taurean Blacque (Roscoe), Carl Weintraub (Desoto), Frank Welker (Carlo), Debbie Gates, Charles Bartlett, Jonathan Brandis, Kal David, Marcia Delmar, Victor DiMattia, Judi M. Durand, Greg Finley, Javier Grajeda, Robert S. Halligan Jr., J.D. Hall, Jo Ann Harris, Rosanna Huffman, Barbara Harris Iley, Harvey Jason, Karen Kamon, Kaleena Kiff, Carol King, Mary Lee Kortes, Rocky Krakoff, David Lasley, Christina MacGregor, David McCharen, John McCurry, Arlin L. Miller, Nancy Parent, Whitney Rydbeck, Gary Schwartz, Vernon Scott, Penina Segall, Tom Righter Snow, Eugene F. Van Buren|George Scribner|Jim Cox, Timothy J. Disney, James Mangold.
    Story: Roger Allers, Chris Bailey, Michael Cedeno, Mike Gabriel, Vance Gerry, Leon Joose, Kevin Lima, Dave Michener, Jim Mitchell, John Ranft, Gary Trousdale, Kirk Wise, Peter Young.
    Based On The Original Novel "Oliver Twist" By: Charles Dickens||Howard Ashman, Barry Mann, Dan Hartman, Charlie Midnight, Dean Pitchford, Barry Manilow, Jack Feldman, Bruce Sussman, Rob Minkoff, Ron Rocha|Mark Hester, Jim Melton|Walt Disney Studios|Walt Disney Feature Animation|Buena Vista Pictures Distribution||TechniColor|72|1|1|4|U.S.A.|||3|B001ILFUD2|B00CTNUMPO|
  • Camera Operators: Dave Link, John Aardal, Errol Aubry, Ed Austin, Chris Beck, Veronica Hantke, Brandy Hill, Ron Jackson, Lin-z Rogers, Chuck Warren, Dan Larsen, John Cunningham.
    • |No||Yes|No|1988-11-18||Oliver and the Dodger (Working Title)|||2147483647|0|0|0|B003SI5NX0|||||||||||http://blog.bcdb.com/disney-animated-film-list/27-oliver-company/|Disney Classic Animated Film List|||1988-11-18 , 1996-09-25|Original US Theatrical Release date , VHS Masterpiece Collection Release||||$74.2 million|Walt Disney Studios/Feature Films|0 47|Tick Tock Tuckered|440408|eminovitz|1944-04-08|2019-03-03|Roommates and workmates Porky and Daffy are notorious over sleepers. They show up late, and their boss says that if they're late one more time, they'll lose their jobs at the Fly-By-Nite Aircraft Co. They try to go to sleep early so that they can be on time for work the next morning, but a variety of nuisances keep them awake. First, there are cats in the alley, then the moon is too bright and the shade won't stay down. So Daffy shoots the moon out of the sky. "Unbelievable, isn't it?" he says. It starts to rain, and they get a leak over the bed (which makes a good bed-wetting gag), then they get soaked. They wake the next morning in the dresser drawers and roar down to work, but it's Sunday. They roar back home and shoot the alarm clock.|3412|28|750|No|No|No|No|No|Yes|7.86|3.93|7|0|2008-06-15 00:00:00|2019-03-15 01:29:48|Daffy Duck, Porky Pig, Boss||warner/ltmm/tick_tock.jpg|wb/44_lt.jpg , wb/44_lta.jpg , wb/44bb_lt.jpg , wb/44_ltb.jpg , wb/44dd_lt.jpg , wb/44_ltd.jpg , wb/42_lt_cbw.jpg , wb/43_lt_bw.jpg|Looney Tunes Opening Title , Looney Tunes Title Card , Bugs Bunny Title Card , Looney Tunes Title Card , Daffy Duck Title Card , Daffy Looney Tunes Title Card , Black & White Opening Title , Black & White Looney Tunes Title|0|(Blue Ribbon): 1184.
    MPAA: 09238|177|Thomas McKimson (as Tom McKimson).
    Animator, uncredited: Rod Scribner, Phil Monroe|A color remake of Robert Clampett's first cartoon, Porky's Badtime Story.

    In September of 1943, beginning with A Feud There Was, Warner Bros. began re-releasing select color cartoons in their Blue Ribbon program. Typically the Blue Ribbon reissues received new opening sequences with Blue Ribbon title cards and standardized music. Cartoon production credits were also removed. Between ten and fifteen cartoons were released in any given year, with cartoons coming from as far back as 1935. The reissues continued until the close of the studio in the 1960's.

    All Blue Ribbon cartoons were released as "Merrie Melodie" cartoons regardless of the original series. The first "Looney Tunes" short to be included in the Blue Ribbon series was The Hep Cat, which was added in 1949. The only current prints of many of these cartoons are the Blue Ribbon releases, although restoration of these cartoons with original elements and titles is always ongoing.

    Includes the song "September in the Rain," composed by Al Dubin (lyrics) and Harry Warren (music) for the 1937 Al Jolson film "Melody for Two.|Mel Blanc (Porky Pig, Daffy Duck, Boss)|Robert Clampett|Warren Foster|Leon Schlesinger|Carl W. Stalling||Leon Schlesinger Studios||Warner Bros.||Color|7:28|1|4|9|U.S.A.|||3||||No||No|No|1944-04-08|||||2147483647|0|0|0||||||||||||/cartoons/Warner_Bros_/Looney_Tunes/ , /cartoons/Warner_Bros_/Merrie_Melodies/ , /cartoons/Other_Studios/D/DePatie-Freleng_Enterprises/Looney_Tunes/ , /cartoons/Other_Studios/D/DePatie-Freleng_Enterprises/Merrie_Melodies/ , /cartoons/Other_Studios/F/Format_Films/Looney_Tunes/ , /cartoons/Other_Studios/F/Format_Films/Merrie_Melodies/|Looney Tunes (Warner Bros., 1930- ) , Merrie Melodies (Warner Bros., 1931-1991) , Looney Tunes (DePatie-Freleng, 1964-1966) , Merrie Melodies (DePatie-Freleng, 1964-1967) , Looney Tunes (Format Films, 1965-1966) , Merrie Melodies (Format Films, 1965-1967)|||1944-04-08 , 1950-06-03|Original Release , Blue Ribbon Reissue|||||0000-00-00|Warner Bros./Looney Tunes|0 48|Thumb Fun|520301|admin|1952-03-01|2018-03-01|Daffy tries the easy way of migration by hitching a ride to Miami with Porky.|2995|30|495|No|No|No|No|No|Yes|8.8|4.4|5|0|0000-00-00 00:00:00|2019-03-16 01:45:52|Daffy Duck, Porky Pig, Motorist, Big Tall Man, Irish Police Officer||warner/ltmm/thumb_fun.jpg|wb/52_lt.jpg , wb/52_lta.jpg , wb/52_ltbb.jpg|Looney Tunes Title Card , Looney Tunes Title Card , Bugs Bunny Title Card|0|MPAA: 13596|285|Rod Scribner, Phil DeLara, Charles McKimson, Bob Wickersham|This Looney Tune short was reissued as a Blue Ribbon Merrie Melodie cartoon.

    In September of 1943, beginning with A Feud There Was, Warner Bros. began re-releasing select color cartoons in their "Blue Ribbon" program. Typically the Blue Ribbon reissues received new opening sequences with Blue Ribbon title cards and standardized music. Cartoon production credits were also removed. Between ten and fifteen cartoons were released in any given year, with cartoons coming from as far back as 1935. The reissues continued until the close of the studio in the 1960's.

    All Blue Ribbon cartoons were released as "Merrie Melodie" cartoons regardless of the original series. The first "Looney Tunes" short to be included in the Blue Ribbon series was The Hep Cat, which was added in 1949. The only current prints of many of these cartoons are the Blue Ribbon releases, although restoration of these cartoons with original elements and titles is always ongoing.|Mel Blanc (Daffy Duck, Porky Pig, Motorist, Big Tall Man, Irish Police Officer)|Robert McKimson|Tedd Pierce|Edward Selzer|Carl Stalling||Warner Bros. Cartoons, Inc.||Warner Bros.||Color|7:21|1|4|9|U.S.A.|||3|||
  • Layouts: Peter Alvarado.
  • Backgrounds: Richard H. Thomas.
    • |No||No|No|1952-03-01|||||2147483647|0|0|0||||||||||||/cartoons/Warner_Bros_/Looney_Tunes/ , /cartoons/Warner_Bros_/Merrie_Melodies/ , /cartoons/Other_Studios/D/DePatie-Freleng_Enterprises/Looney_Tunes/ , /cartoons/Other_Studios/D/DePatie-Freleng_Enterprises/Merrie_Melodies/ , /cartoons/Other_Studios/F/Format_Films/Looney_Tunes/ , /cartoons/Other_Studios/F/Format_Films/Merrie_Melodies/|Looney Tunes (Warner Bros., 1930- ) , Merrie Melodies (Warner Bros., 1931-1991) , Looney Tunes (DePatie-Freleng, 1964-1966) , Merrie Melodies (DePatie-Freleng, 1964-1967) , Looney Tunes (Format Films, 1965-1966) , Merrie Melodies (Format Films, 1965-1967)|||||||||0000-00-00|Warner Bros./Looney Tunes|0 49|Thugs With Dirty Mugs|390506|eminovitz|1939-05-06|2017-12-13|A spoof of gangster pictures in general, and the Warner Bros. variety in particular, in which our hero, Officer Flat Foot Flannigan, chases after bank-robbing mobster Killer Diller (as portrayed by "Edward G. Rob'em Some").|3712|15|876|No|No|No|No|No|Yes|8|3.22|5|0|2008-06-15 00:00:00|2019-03-14 23:01:46|Flat Foot Flanigan, Killer Diller||warner/ltmm/thugs_mugs.jpg|wb/39_mm.jpg , wb/39mm_a.jpg|Merrie Melodies Opening Title , Merrie Melodies Title Card|0|8753.
    MPAA: 5060|120|Sid Sutherland|A character in the audience tells police where to find the gangsters.

    In September of 1943, beginning with A Feud There Was, Warner Bros. began re-releasing select color cartoons in their Blue Ribbon program. Typically the Blue Ribbon reissues received new opening sequences with Blue Ribbon title cards and standardized music. Cartoon production credits were also removed. Between ten and fifteen cartoons were released in any given year, with cartoons coming from as far back as 1935. The reissues continued until the close of the studio in the 1960's.

    All Blue Ribbon cartoons were released as "Merrie Melodie" cartoons regardless of the original series. The first "Looney Tunes" short to be included in the Blue Ribbon series was The Hep Cat, which was added in 1949. The only current prints of many of these cartoons are the Blue Ribbon releases, although restoration of these cartoons with original elements and titles is always ongoing.|Mel Blanc (Tattle-Tell Bank Clerk, Annoyed Mobster, Secret Agents, Man in Audience), Tex Avery (Killer Diller), John Deering (Flat-Foot Flanagan)|Tex Avery|Jack Miller|Leon Schlesinger|Carl W. Stalling||Warner Bros.||||Color|7:56|1|4|8|U.S.A.|||3|B000ADS62G|||No||No|No|1939-05-06|||||2147483647|0|0|0||||||||||||/cartoons/Warner_Bros_/Looney_Tunes/ , /cartoons/Warner_Bros_/Merrie_Melodies/ , /cartoons/Other_Studios/D/DePatie-Freleng_Enterprises/Looney_Tunes/ , /cartoons/Other_Studios/D/DePatie-Freleng_Enterprises/Merrie_Melodies/ , /cartoons/Other_Studios/F/Format_Films/Looney_Tunes/ , /cartoons/Other_Studios/F/Format_Films/Merrie_Melodies/|Looney Tunes (Warner Bros., 1930- ) , Merrie Melodies (Warner Bros., 1931-1991) , Looney Tunes (DePatie-Freleng, 1964-1966) , Merrie Melodies (DePatie-Freleng, 1964-1967) , Looney Tunes (Format Films, 1965-1966) , Merrie Melodies (Format Films, 1965-1967)|||1939-05-06 , 1944-06-03|Original Release , Blue Ribbon Reissue|||||0000-00-00|Warner Bros./Merrie Melodies|0 50|Three's A Crowd|321210|eminovitz|1932-12-10|2012-01-26|Book-cover characters climb off their volumes and come to life. The film opens with an old man in a rocking chair reading Alice in Wonderland. He blows out his candle, puts his book aside and heads towards his bedroom. Alice comes out of the book, runs across the table and turns on a radio to hear a crooner performing the title song. Dozens of book characters get up and dance. As she dances by a copy of "Robinson Crusoe," both Crusoe and his man Friday pop out. Rip Van Winkle awakes from his book and comes out. The Three Musketeers come out of their book and join in. Such other characters as Napoleon, Omar Khayyam and Henry VIII also appear. Marc Antony steps out of "Antony and Cleopatra" and introduces master violinist Emperor Nero (complete with a scene of Rome burning in the background). Cleopatra emerges from the book and dances. Alice calls for Uncle Tom to come out of his book. "I'm comin'!", shouts Tom, as he steps into spotlight in blackface and sings "Got the South in My Soul." As Alice is watching Tom, a very scary Mr. Hyde sneaks out of "Dr. Jekyll and Mr. Hyde" and snatches Alice away. Tarzan, Crusoe, Friday, Robin Hood and the Three Musketeers all attack Hyde, who leaps into a box for safety. The characters close up the box and throw it into a trash can.|5170|28|1129|No|No|No|No|No|Yes|6|4.38|6|0|2008-06-15 00:00:00|2019-03-15 10:24:41|Old Man, Alice, Robinson Crusoe, Friday, Omar Khayyam, Uncle Tom, Mr. Hyde, Tarzan, Three Musketeers, Robin Hood, Rip Van Winkle, Napoleon, Henry VIII, Marc Antony, Cleopatra, Nero||warner/three_crowd.gif|wb/31mm.jpg , wb/32mm_i.jpg|Merrie Melodies Opening Title , Merrie Melodies Title Card|0|5529|17|Rollin Hamilton, Larry Martin|Possibly the very first of Warner Brothers' books-coming-to-life cartoons.

    Soundtrack: "Three's a Crowd," Music by Harry Warren, Lyrics by Al Dubin and Irving Kahal; "Got the South in My Soul," Music by Victor Young, Lyrics by Ned Washington and Lee Wiley; "One Step Ahead of My Shadow," Music by Sammy Fain; "Old Black Joe," Written by Stephen Foster; "Funeral March," Music by Frédéric Chopin; "Träumerei," Music by Robert Schumann.||Rudolf Ising||Hugh Harman, Rudolf Ising|Frank Marsales||A Hugh Harman-Rudolf Ising Production, Vitaphone Pictures||Warner Bros.||Black & White|6:57|1|4|8|U.S.A.|||3||||No||No|No|1932-12-10|||||2147483647|0|0|0|||
    |||||||||/cartoons/Warner_Bros_/Looney_Tunes/ , /cartoons/Warner_Bros_/Merrie_Melodies/ , /cartoons/Other_Studios/D/DePatie-Freleng_Enterprises/Looney_Tunes/ , /cartoons/Other_Studios/D/DePatie-Freleng_Enterprises/Merrie_Melodies/ , /cartoons/Other_Studios/F/Format_Films/Looney_Tunes/ , /cartoons/Other_Studios/F/Format_Films/Merrie_Melodies/|Looney Tunes (Warner Bros., 1930- ) , Merrie Melodies (Warner Bros., 1931-1991) , Looney Tunes (DePatie-Freleng, 1964-1966) , Merrie Melodies (DePatie-Freleng, 1964-1967) , Looney Tunes (Format Films, 1965-1966) , Merrie Melodies (Format Films, 1965-1967)|||||||Warner Bros./Merrie Melodies|0 51|3 Ring Wing-Ding|680824|admin|1968-08-24|2009-04-02|Colonel Rimfire reads of a circus's offer of $1,000 for a live tiger, and tries to hunt Cool Cat!|2088|15|0|No|No|No|No|No|Yes|0|0|0|0|2008-06-15 00:00:00|2019-03-15 22:02:18|Cool Cat, Colonel Rimfire||warner/ltmm/wing_ding.jpg|wb/68_lt.jpg , wb/CoolCat.jpg|New Style Graphic Opening- W7 , Character Title Card|0|MPAA: 21825|437|Ted Bonnicksen, Laverne Harding, Volus Jones, Ed Solomon|Features a special opening theme variation on this cartoon.|Larry Storch|Alex Lovy|Cal Howard|William L. Hendricks|William Lava|Hal Geer|Warner Bros.||Warner Bros. Seven Arts||Color||1|4|9|U.S.A.|||3|||
  • Layouts: Bob Givens.
  • Backgrounds: Bob Abrams.
    • |No||No|No|1968-08-24|||||2147483647|0|0|0||||||||||||/cartoons/Warner_Bros_/Looney_Tunes/ , /cartoons/Warner_Bros_/Merrie_Melodies/ , /cartoons/Other_Studios/D/DePatie-Freleng_Enterprises/Looney_Tunes/ , /cartoons/Other_Studios/D/DePatie-Freleng_Enterprises/Merrie_Melodies/ , /cartoons/Other_Studios/F/Format_Films/Looney_Tunes/ , /cartoons/Other_Studios/F/Format_Films/Merrie_Melodies/|Looney Tunes (Warner Bros., 1930- ) , Merrie Melodies (Warner Bros., 1931-1991) , Looney Tunes (DePatie-Freleng, 1964-1966) , Merrie Melodies (DePatie-Freleng, 1964-1967) , Looney Tunes (Format Films, 1965-1966) , Merrie Melodies (Format Films, 1965-1967)|||||||Warner Bros./Looney Tunes|0