Disney CEO Bob Iger confirmed to the Disney shareholder meeting that Pixar is actively working on a sequel to their 2004 hit film The Incredibles. While very little other information was released, Iger did state the original director Brad Bird was working on the script for The Incredibles 2. Iger also mentioned the studio is in work on a second sequel to Cars, Cars 3.
Pixar’s misfortune associated with the ill-fated animated film The Good Dinosaur seem to be continuing. A short two months after announcing that the feature would be held back a year– and only three since changing up the films director– Pixar is laying off 50–60 artists associated with the film at its Emeryville, Calif., headquarters.
Three short years after opening it’s first satellite studio in Vancouver, Pixar announced that the studio is to be shut down. The studio was located in the Gastown area of Vancouver, which has seen a recent boon in animation shops that have recently moved to the Canadian town. “A decision was made to refocus operations and resources under the one roof,” said Disney spokesperson Barb Matheson from Toronto. Disney is the parent company of Pixar. Approximately 100 artists and employees are now unemployed by this unexpected news.
For the first time since 2005, Pixar will not have a feature film release in a calendar year. Disney has just announced that the troubled production The Good Dinosaur has been pushed back to a 2015 release date, leapfrogging over Inside Out. This is the second release date roll back for the film, originally intended for this holiday season. Disney’s Frozen took that slot.
While it was eight years ago today that PIXAR released One Man Band, it almost another half year for anyone to see it. Well, anyone that wasn’t in France at Annecy, at least. DO you remember what film this was ultimately paired with for it’s theatrical release?
Like most PIXAR shorts, the story was short… and the characters sweet. Two street performers compete for a small child’s last coin.
Release date reflects first showing at the 29th Annecy International Animated Film Festival in Annecy, France. General release was attached to PIXAR Films Cars on June 9, 2006.
Violinists who “portrayed” the characters are Clayton Haslop (“Treble”) and Mark Robertson (“Tippy”). The score was recorded at the Paramount Scoring Stage utilized a 38-piece orchestra as well as the two soloists.
The highest-grossing animated film of 2012 won the Golden Globe Award for Best Animated Feature Film on Sunday night.
Brave, co-produced by Pixar Animation Studios and Walt Disney Pictures, made $237.2 million in North America alone to have the seventh-highest gross of any movie — animated or otherwise — released last year.
It won out in the category over fellow Disney releases Frankenweenie (Walt Disney Pictures) and Wreck-It Ralph (Walt Disney Pictures/Walt Disney Animation Studios; Walt Disney Pictures), as well as nominees Hotel Transylvania (Columbia Pictures/Sony Pictures Animation and Rise of the Guardians (DreamWorks Animation LLC).
Brave director Mark Andrews received the Golden Globe from comedian Sacha Baron Cohen, who feigned drunkenness onstage.
“Holy cow! Being brave is about being true to yourself and allowing your loved ones the same freedom,” said Andrews.
The Golden Globes are presented by the Hollywood Foreign Press Association. Sunday’s awards ceremony aired live on NBC.
Mark Andrews and Brenda Chapman were singled out for recognition for Brave. Director Tim Burton was named in connection with Frankenweenie, while Sam Fell and Chris Butler were cited for ParaNorman.
In the category “Outstanding Debut By a British Writer, Director or Producer,” director James Bobin is nominated for his role in Disney’s partly animated The Muppets.
For Short Animation, the nominees are Here to Fall (Kris Kelly and Evelyn McGrath), I’m Fine Thanks (Eamonn O’Neill) and The Making of Longbird (Will Anderson and Ainslie Henderson).
The British Academy Film Awards are similar to the Oscars in the United States.
Lincoln received 10 nominations, the most of any film. Lincoln is nominated for Best Film, Adapted Screenplay, Original Music, Cinematography, Production Design, Costume Design and Make Up & Hair. Daniel Day-Lewis is nominated for Leading Actor, Tommy Lee Jones is nominated for Supporting Actor, and Sally Field is nominated for Supporting Actress.
The EE British Academy Film Awards take place Sunday, February 10 at the Royal Opera House, Covent Garden, London. The ceremony will be hosted by Stephen Fry and will be broadcast exclusively on BBC One and BBC One HD, preceded by a red carpet show on BBC Three. The ceremony is also broadcast in all major territories around the world.
The awards are presented by the British Academy of Film and Television Arts (BAFTA), an independent charity that supports, develops and promotes the art forms of the moving image by identifying and rewarding excellence, inspiring practitioners and benefiting the public.
Camera and staging artist Saschka Unseld is the director. Amidst the rain in a singing city, two umbrellas -– one blue, one red -– fall eternally in love.
The blue umbrella notices and takes a shine to the red umbrella. Distance and natural forces halt their attraction, but objects on the street — such as construction signs and a mailbox — come to life to help bring them together again.
Unseld, 36, is a German native who began working with Pixar in 2008. He got the idea when walking in San Francisco and spotting an umbrella lying in the gutter on a rainy day.
“It was the saddest thing. I stood there and wondered what had happened to him. I think that was when I got the idea of giving him a story,” he recalled.
At first, Unseld got ideas for characters by taking iPhone pictures on San Francisco and New York streets. He asked colleagues to do likewise when they went to such places as Chicago and Paris. One character in the film was inspired by his photo of a manhole cover just two from his San Francisco home.
Meanwhile, he was listening to singer Sarah Jaffe’s music. While shooting an animation test on his iPhone, he timed it to her voice.
Jaffe can be heard in the final film: “She’s been there for me since the inception.”
A photorealistic look was needed, according to Unseld: “If we made it stylized and cartoony, the magic of those things coming to life would be completely gone.”
This entailed techniques not previously used by Pixar: global illumination, in which light is simulated as being emitted and reflected off surfaces, and deep compositing, where images holding three-dimensional data are layered. This results in deeper plays between light and shadow, and greater depth of field.
As well, Unseld slowed filming to 12 frames per second — half the usual rate for movies — at some points. He also varied exposure times, thus resulting in different rhythms of rain.
Unusually, Unseld was directing some of his earlier camera and staging co-workers. Often, he said, he felt guilty when he would send them back with many notes for revisions after they had show him their work.
“If you give someone all that feedback to do all that work, I was used to doing part of that work. Here, I just had someone go off and do all that work by himself. That was a very new experience for me,” he said.
At the same time, however, he considered his background advantageous for good communication with them. “If you work in one of those technical departments, it’s really nice if you have a director who really understands you because you can talk the same language,” he said.
A clip from The Blue Umbrella can be seen on our website now.
Release with the Disney feature Bolt, Tokyo Mater was part of Pixar’s Cars Toons series based on the characters from the hit movie Cars. This series of short cartoons feature the characters Mater and Lightning McQueen in various theatrical shorts.
In Tokyo Mater a routine towing assignment lands Mater in Tokyo where he is challenged to a drift-style race against a nefarious gang leader and his posse of ninjas. With the help of his friend, “Dragon” Lightning McQueen, and some special modifications, Mater attempts to drift to victory and become “Tow-ke-O Mater, King of all Drifters.”
Premiered on The Disney Channel on March 12, 2010.
The fourth released in the “Cars Toons” series. The “Cars Toons” shorts debuted in October 2008 and reached 78.3 million unique total viewers in 2009, including 26.6 million among target age group kids 2–11.
Netflix Inc. and The Walt Disney Company announced Tuesday a new multi-year licensing agreement that will make Netflix the exclusive United States subscription television service for first-run animated and live-action feature films from The Walt Disney Studios.
Beginning with its 2016 theatrically released feature films, new Disney, Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios and Disneynature titles will be made available for Netflix members to watch instantly in the pay TV window on multiple platforms, including television, tablets, computers and mobile phones. Also included in the agreement are high-profile Disney direct-to-video new releases, which will be made available on Netflix starting in 2013.
Separately, Disney and Netflix have reached agreement on a multi-year catalog deal that brought to U.S. Netflix members Tuesday such beloved Disney movies as the animated Dumbo, Pocahontas and Alice in Wonderland.
“Disney and Netflix have shared a long and mutually beneficial relationship and this deal will bring to our subscribers, in the first pay TV window, some of the highest-quality, most imaginative family films being made today,” said Ted Sarandos, chief content officer at Netflix. “It’s a bold leap forward for Internet television, and we are incredibly pleased and proud this iconic family brand is teaming with Netflix to make it happen.”
“With this cutting-edge agreement, we are thrilled to take our highly valued relationship with Netflix to the next level by adding Disney’s premier films to their programming lineup,” said Disney-ABC Domestic Television president Janice Marinelli. “Netflix continues to meet the demands of its subscribers in today’s rapidly evolving digital landscape, and we are delighted that they will have much earlier access to our top-quality and entertaining slate,” she continued.
Financial terms of the agreement were not disclosed.