Pixar’s misfortune associated with the ill-fated animated film The Good Dinosaur seem to be continuing. A short two months after announcing that the feature would be held back a year– and only three since changing up the films director– Pixar is laying off 50–60 artists associated with the film at its Emeryville, Calif., headquarters.
Three short years after opening it’s first satellite studio in Vancouver, Pixar announced that the studio is to be shut down. The studio was located in the Gastown area of Vancouver, which has seen a recent boon in animation shops that have recently moved to the Canadian town. “A decision was made to refocus operations and resources under the one roof,” said Disney spokesperson Barb Matheson from Toronto. Disney is the parent company of Pixar. Approximately 100 artists and employees are now unemployed by this unexpected news.
For the first time since 2005, Pixar will not have a feature film release in a calendar year. Disney has just announced that the troubled production The Good Dinosaur has been pushed back to a 2015 release date, leapfrogging over Inside Out. This is the second release date roll back for the film, originally intended for this holiday season. Disney’s Frozen took that slot.
While it was eight years ago today that PIXAR released One Man Band, it almost another half year for anyone to see it. Well, anyone that wasn’t in France at Annecy, at least. DO you remember what film this was ultimately paired with for it’s theatrical release?
Like most PIXAR shorts, the story was short… and the characters sweet. Two street performers compete for a small child’s last coin.
Release date reflects first showing at the 29th Annecy International Animated Film Festival in Annecy, France. General release was attached to PIXAR Films Cars on June 9, 2006.
Violinists who “portrayed” the characters are Clayton Haslop (“Treble”) and Mark Robertson (“Tippy”). The score was recorded at the Paramount Scoring Stage utilized a 38-piece orchestra as well as the two soloists.
The highest-grossing animated film of 2012 won the Golden Globe Award for Best Animated Feature Film on Sunday night.
Brave, co-produced by Pixar Animation Studios and Walt Disney Pictures, made $237.2 million in North America alone to have the seventh-highest gross of any movie — animated or otherwise — released last year.
It won out in the category over fellow Disney releases Frankenweenie (Walt Disney Pictures) and Wreck-It Ralph (Walt Disney Pictures/Walt Disney Animation Studios; Walt Disney Pictures), as well as nominees Hotel Transylvania (Columbia Pictures/Sony Pictures Animation and Rise of the Guardians (DreamWorks Animation LLC).
Brave director Mark Andrews received the Golden Globe from comedian Sacha Baron Cohen, who feigned drunkenness onstage.
“Holy cow! Being brave is about being true to yourself and allowing your loved ones the same freedom,” said Andrews.
The Golden Globes are presented by the Hollywood Foreign Press Association. Sunday’s awards ceremony aired live on NBC.
Mark Andrews and Brenda Chapman were singled out for recognition for Brave. Director Tim Burton was named in connection with Frankenweenie, while Sam Fell and Chris Butler were cited for ParaNorman.
In the category “Outstanding Debut By a British Writer, Director or Producer,” director James Bobin is nominated for his role in Disney’s partly animated The Muppets.
For Short Animation, the nominees are Here to Fall (Kris Kelly and Evelyn McGrath), I’m Fine Thanks (Eamonn O’Neill) and The Making of Longbird (Will Anderson and Ainslie Henderson).
The British Academy Film Awards are similar to the Oscars in the United States.
Lincoln received 10 nominations, the most of any film. Lincoln is nominated for Best Film, Adapted Screenplay, Original Music, Cinematography, Production Design, Costume Design and Make Up & Hair. Daniel Day-Lewis is nominated for Leading Actor, Tommy Lee Jones is nominated for Supporting Actor, and Sally Field is nominated for Supporting Actress.
The EE British Academy Film Awards take place Sunday, February 10 at the Royal Opera House, Covent Garden, London. The ceremony will be hosted by Stephen Fry and will be broadcast exclusively on BBC One and BBC One HD, preceded by a red carpet show on BBC Three. The ceremony is also broadcast in all major territories around the world.
The awards are presented by the British Academy of Film and Television Arts (BAFTA), an independent charity that supports, develops and promotes the art forms of the moving image by identifying and rewarding excellence, inspiring practitioners and benefiting the public.
Camera and staging artist Saschka Unseld is the director. Amidst the rain in a singing city, two umbrellas -– one blue, one red -– fall eternally in love.
The blue umbrella notices and takes a shine to the red umbrella. Distance and natural forces halt their attraction, but objects on the street — such as construction signs and a mailbox — come to life to help bring them together again.
Unseld, 36, is a German native who began working with Pixar in 2008. He got the idea when walking in San Francisco and spotting an umbrella lying in the gutter on a rainy day.
“It was the saddest thing. I stood there and wondered what had happened to him. I think that was when I got the idea of giving him a story,” he recalled.
At first, Unseld got ideas for characters by taking iPhone pictures on San Francisco and New York streets. He asked colleagues to do likewise when they went to such places as Chicago and Paris. One character in the film was inspired by his photo of a manhole cover just two from his San Francisco home.
Meanwhile, he was listening to singer Sarah Jaffe’s music. While shooting an animation test on his iPhone, he timed it to her voice.
Jaffe can be heard in the final film: “She’s been there for me since the inception.”
A photorealistic look was needed, according to Unseld: “If we made it stylized and cartoony, the magic of those things coming to life would be completely gone.”
This entailed techniques not previously used by Pixar: global illumination, in which light is simulated as being emitted and reflected off surfaces, and deep compositing, where images holding three-dimensional data are layered. This results in deeper plays between light and shadow, and greater depth of field.
As well, Unseld slowed filming to 12 frames per second — half the usual rate for movies — at some points. He also varied exposure times, thus resulting in different rhythms of rain.
Unusually, Unseld was directing some of his earlier camera and staging co-workers. Often, he said, he felt guilty when he would send them back with many notes for revisions after they had show him their work.
“If you give someone all that feedback to do all that work, I was used to doing part of that work. Here, I just had someone go off and do all that work by himself. That was a very new experience for me,” he said.
At the same time, however, he considered his background advantageous for good communication with them. “If you work in one of those technical departments, it’s really nice if you have a director who really understands you because you can talk the same language,” he said.
A clip from The Blue Umbrella can be seen on our website now.
Release with the Disney feature Bolt, Tokyo Mater was part of Pixar’s Cars Toons series based on the characters from the hit movie Cars. This series of short cartoons feature the characters Mater and Lightning McQueen in various theatrical shorts.
In Tokyo Mater a routine towing assignment lands Mater in Tokyo where he is challenged to a drift-style race against a nefarious gang leader and his posse of ninjas. With the help of his friend, “Dragon” Lightning McQueen, and some special modifications, Mater attempts to drift to victory and become “Tow-ke-O Mater, King of all Drifters.”
Premiered on The Disney Channel on March 12, 2010.
The fourth released in the “Cars Toons” series. The “Cars Toons” shorts debuted in October 2008 and reached 78.3 million unique total viewers in 2009, including 26.6 million among target age group kids 2–11.
Netflix Inc. and The Walt Disney Company announced Tuesday a new multi-year licensing agreement that will make Netflix the exclusive United States subscription television service for first-run animated and live-action feature films from The Walt Disney Studios.
Beginning with its 2016 theatrically released feature films, new Disney, Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios and Disneynature titles will be made available for Netflix members to watch instantly in the pay TV window on multiple platforms, including television, tablets, computers and mobile phones. Also included in the agreement are high-profile Disney direct-to-video new releases, which will be made available on Netflix starting in 2013.
Separately, Disney and Netflix have reached agreement on a multi-year catalog deal that brought to U.S. Netflix members Tuesday such beloved Disney movies as the animated Dumbo, Pocahontas and Alice in Wonderland.
“Disney and Netflix have shared a long and mutually beneficial relationship and this deal will bring to our subscribers, in the first pay TV window, some of the highest-quality, most imaginative family films being made today,” said Ted Sarandos, chief content officer at Netflix. “It’s a bold leap forward for Internet television, and we are incredibly pleased and proud this iconic family brand is teaming with Netflix to make it happen.”
“With this cutting-edge agreement, we are thrilled to take our highly valued relationship with Netflix to the next level by adding Disney’s premier films to their programming lineup,” said Disney-ABC Domestic Television president Janice Marinelli. “Netflix continues to meet the demands of its subscribers in today’s rapidly evolving digital landscape, and we are delighted that they will have much earlier access to our top-quality and entertaining slate,” she continued.
Financial terms of the agreement were not disclosed.
Three feature films each have received 10 nominations for the 49th Annual Annie Awards, recognizing the year’s best in the field of animation.
The three are Brave (Pixar Animation Studios), Rise of the Guardians (DreamWorks Animation) and Wreck-It Ralph (Walt Disney Animation Studios). All three are among the eight nominees for Best Animated Feature.
Also up for Best Animated Feature are Frankenweenie (The Walt Disney Studios), Hotel Transylvania (Sony Pictures Animation), ParaNorman (Focus Features), Britain’s The Pirates! Band of Misfits (Aardman Animations) and France’s The Rabbi’s Cat (GKIDS).
Nominations were announced Monday by the International Animated Film Society, ASIFA-Hollywood.
The Annie Awards cover 30 categories, including Best Animated Feature, Best Animated Special Production, Commercials, Short Subjects and Outstanding Individual Achievements. However, no nominations were made this year for Best Animated Television Commercial.
Annie Award for Best Animated Special Production
Batman: The Dark Knight Returns, Part 1 (Warner Bros. Animation)
Before Orel – Trust – Starburns Industries, Inc.
Despicable Me: Minion Mayhem – Illumination Entertainment
Disney Tron: Uprising – Beck’s Beginning – Disney TV Animation
Dragons: Gift of the Night Fury – DreamWorks Animation
Justice League: Doom – Warner Bros. Animation
Best Animated Short Subject
Brad and Gary – Illumination Entertainment
Bydlo – National Film Board of Canada
Eyes on the Stars – StoryCorps
Goodnight Mr. Foot – Sony Pictures Animation
Kali the Little Vampire – National Film Board of Canada
Maggie Simpson in ‘The Longest Daycare’ – Gracie Films in Association with 20th Century Fox TV
Paperman – Walt Disney Animation Studios
The Simpsons – ‘Bill Plympton Couch Gag’ – Gracie Films in Association with 20th Century Fox TV
Best General Audience Animated TV Production For Preschool Children
Bubble Guppies ‘A Tooth on the Looth’ – Nickelodeon Animation
Chuggington ‘Magnetic Wilson’ – Ludorum
Jake & The Never Land Pirates ‘Peter Pan Returns’ – Disney TV Animation
Doc McStuffins ‘The Right Stuff’ – Disney TV Animation
Justin Time ‘Marcello’s Meatballs’ – Guru Studio
Best Animated Television Production For Children
Adventure Time ‘Princess Cookie’ – Cartoon Network Studios
Dragons: Riders of Berk ‘How to Pick Your Dragon’ – DreamWorks Animation
LEGO Star Wars ‘The Empire Strikes Out’ – Threshold Animation Studios
Penguins of Madagascar ‘Action Reaction’ – Nickelodeon Animation Studios
SpongeBob SquarePants: It’s a SpongeBob Christmas! – Nickelodeon Animation Studios
The Amazing World of Gumball ‘The Job’ – Turner Broadcasting System Europe, Ltd.
The Fairly OddParents ‘Farm Pit’ – Nickelodeon Animation Studios
The Legend of Korra ‘Welcome to Republic City’/’A Leaf in the Wind’ — Nickelodeon Animation Studios
Best General Audience Animated Television Production
Archer ‘Space Race, Part 1’ – Weissman Markovitz Communications for FX
Bob’s Burgers ‘Earsy Rider’ – 20th Century Fox TV
Motorcity ‘Blond Thunder’ – Disney TV Animation
MAD ‘FrankenWinnie/ParaMorgan’ – Warner Bros. Animation
Robot Chicken ‘DC Comics Special’ — Stoopid Buddy Studios
South Park ‘Raising the Bar’ – Central Productions
Animated Video Game
Borderlands 2 – Gearbox Software
Family Guy – Back to the Mutiverse – Heavy Iron Studios
Journey – Sony Computer Entertainment America
Skullgirls – Lab Zero Games
Best Student Film
Can We Be Happy Now – Tahnee Gehm
Defective Detective – Avner Geller & Steve Lewis
Head Over Heels – Timothy Reckart
I Am Tom Moody – Ainslie Henderson
Ladies Knight – Joseph Rothenberg
Origin – Jessica Poon
The Ballad of Poisonberry Pete – Karen Sullivan
Tule Lake – Michelle Ikemoto
Individual Achievement Categories
Animated Effects in an Animated Production
Andrew Nawrot, Joe Gorski, Grant Laker – ‘ParaNorman’
Andrew Schneider ‘Ice Age: Continental Drift’ – Blue Sky Studios
Andy Hayes, Carl Hooper, David Lipton - Rise of the Guardians
Bill Watral, Chris Chapman, Dave Hale, Keith Klohn, Michael K. O’Brien ‘Brave’
Brett Albert – ‘Wreck-It Ralph’
Jihyun Yoon – ‘Madagascar 3: Europe’s Most Wanted’ – DreamWorks Animation
Joel Aron – ‘Star Wars: The Clone Wars’ – Lucasfilm Animation Ltd.
Animated Effects in a Live Action Production
Jerome Platteaux, John Sigurdson, Ryan Hopkins, Raul Essig, Mark Chataway ‘The Avengers’ – Industrial Light & Magic
Stephen Marshall, Joseph Pepper, Dustin Wicke – Columbia Pictures
‘The Amazing Spider-Man – Sony Pictures Animation
Sue Rowe, Simon Stanley-Clamp, Artemis Oikonomopoulou, Holger Voss, Nikki Makar, Catherine Elvidge ‘John Carter’ — Cinesite
Willi Geiger, Rick Hankins, Florent Andorra, Florian Witzel, Aron Bonar ‘Battleship’ – Industrial Light & Magic
Character Animation in an Animated Television/Broadcast Production
Dan Driscoll ‘SpongeBob SquarePants: It’s a SpongeBob Christmas!’
Jennifer Dickie ‘Justin Time: Yodel Odel Day’ – Guru Studio
Keith Kellogg ‘Star Wars: The Clone Wars: Revenge’ – Lucasfilm Animation Ltd.
Forrest Savelen ‘SpongeBob SquarePants: It’s a SpongeBob Christmas!’ – Nickelodeon Animation Studios
Shi Zimu ‘Dragons: Riders of Berk’ – DreamWorks Animation
Sihanouk Marinona ‘Before Orel: Trust’
Teri Yam ‘Dragons: Riders of Berk’ – DreamWorks Animation
Yan Jiazhuang ‘Dragons: Riders of Berk’ – DreamWorks Animation
Character Animation in a Feature Production
Dan Nguyen ‘Brave’
David Pate ‘Rise of the Guardians’
Jaime Landes ‘Brave’
Phillppe LeBrun ‘Rise of the Guardians’
Pierre Perifel ‘Rise of the Guardians’
Travis Hathaway ‘Brave’
Travis Knight “ParaNorman’
Will Becher ‘The Pirates! Band of Misfits’
Character Animation in a Live Action Production
Erik de Boer, Amanda Dague, Matt Brown, Mary Lynn Machado, Aaron Grey ‘Life of Pi — Orangutan’ – Rhythm & Hues Studio
Erik de Boer, Matt Shumway, Brian Wells, Vinayak Pawar, Michael Holzl ‘Life of Pi — Tiger’ – Rhythm & Hues Studio
Jakub Pistecky, Maia Kayser, Scott Benzu, Steve King, Kiran Bhat ‘The Avengers’ – Industrial Light & Magic
Mike Beaulieu, Roger Vizard, Atushi Sato, Jackie Kochler, Derek Esparza, Richard Smith, Mac Tyrie – Columbia Pictures – The Amazing Spider-Man — Sony Pictures Animation
Character Design in an Animated Television/Broadcast Production
Andy Bialk ‘Dragons: Riders of Berk: Alvin and the Outcasts’ – DreamWorks Animaton
Andy Suriano ‘DC Nation-Plastic Man: The Many and the Fowl’ – Big Hair Productions, Inc.
Bryan Konietzko, Joaquim Dos Santos, Ryu Ki-Hyun, Kim Il Kwang, Kim Jin Sun ‘The Legend of Korra: Welcome to Republic City’ – Nickelodeon Animation Studios
“C” Raggio IV ‘Kick Buttowski: Petrified’ – Disney TV Animation
Derrick Wyatt, Chap Yaep, Steven Choi ‘Ben 10: Omniverse: The More Things Change, Pt. 2’ – Cartoon Network Studios
Gordon Hammond ‘T.U.F.F. Puppy: Dudley Do-Wrong’ – Nickelodeon Animation Studios
Robert Valley ‘Disney Tron: Uprising: The Renegade, Part I’ – Disney TV Animation
Thaddeus Paul Cauldron ‘Secret Mountain Fort Awesome: Secret Mountain Uncle Grandpa’- Cartoon Network Studios
Character Design in an Animated Feature Production
Bill Schwab, Lorelay Bove, Cory Loftis, Minkyu Lee ‘Wreck-It Ralph’
Carlos Grangel ‘Hotel Transylvania’
Carter Goodrich ‘Hotel Transylvania’
Craig Kellman ‘Madagascar 3: Europe’s Most Wanted’
Heidi Smith ‘ParaNorman’
Yarrow Cheney, Eric Guillon, Colin Stimpson ‘Dr. Seuss’ The Lorax’ – Illumination Entertainment
Directing in an Animated Television/Broadcast Production
Howie Parkins ‘Jake & The Never Land Pirates: Peter Pan Returns!’ – Disney TV Animation
John Eng ‘Dragons: Riders of Berk: Animal House’ – DreamWorks Animation
Mark Cabalero, Seamus Walsh ‘SpongeBob SquarePants: It’s a SpongeBob Christmas!’’ – Nickelodeon Animation Studios
Mic Graves ‘The Amazing World of Gumball: The Job’
Michael Chang ‘Teenage Mutant Ninja Turtles: Never Say Xever’ — Nickelodeon Animation Studio
Zack Keller ‘Dick Figures: Kung Fu Winners’ – 6 Point Media
Directing in an Animated Feature Production
Genndy Tartakovsky ‘Hotel Transylvania’
Joann Sfar, Antoine Delesvaux ‘The Rabbi’s Cat
Remi Bezancon, Jean-Christophe Lie ‘Zarafa’ — GKIDS
Rich Moore ‘Wreck-It Ralph’
Sam Fell, Chris Butler ‘ParaNorman’
Music in an Animated Television/Broadcast Production
Adam Berry ‘Penquins of Madagascar: Private and the Winky Factory’ – Nickelodeon Animation Studios
Alf Clausen ‘The Simpsons: Treehouse of Horror XXIII’ – Gracie Films in Association with 20th Century Fox TV
Frederik Wiedmann ‘Green Lantern The Animated Series: Into the Abyss’ — F. Wiedmann, Composer
Guy Moon ‘T.U.F.F. Puppy: Really Big Mission’ – Nickelodeon Animation Studios
John Paesano ‘Dragons: Riders of Berk: How to Pick Your Dragon’
Michael Rubin ‘Bubble Guppies: Bubble Puppy’s Fin-tastic Fairytale!’ – Nickelodeon Animation Studios
Music in an Animated Feature Production
Alexandre Desplat ‘Rise of the Guardians’
Bruce Retief ‘Adventures in Zambezia’ – Saltzman Communications
Henry Jackman ‘Wreck-It Ralph’
Joel McNeely, Brendan Milburn, Valerie Vigoda ‘Secret of the Wings’ – DisneyToon Studios
John Powell, Adam Schlesinger, Ester Dean ‘Ice Age: Continental Drift’
John Powell, Cinco Paul ‘Dr. Seuss’ The Lorax’
Mark Mothersbaugh ‘Hotel Transylvania’
Patrick Doyle, Mark Andrews, Alex Mandel ‘Brave’
Production Design in an Animated Television/Broadcast Production
Alberto Mielgo ‘Tron: Uprising: The Stranger’ – Disney TV Animation
Ian Worrel ‘Gravity Falls – Tourist Trapped’ – Disney TV Animation
Lynna Blankenship, Sean Coons, Hugh Macdonald, Debbie Peterson, Charles Ragins, Lance Wilder, Darrel Bowen, John Krause, Kevin Moore, Brent M. Bowen, Brice Mallier, Steven Fahey, Dima Malanitchev, Karen Bauer, Eli Balser, Anne Legge — ‘The Simpsons: Moe Goes From Rags to Riches’ – Film Roman
Nick Jennings, Martin Ansolebehere, Sandra Calleros, Ron Russell, Santino Lascano, Derek Hunter, Catherine E. Simmonds -
‘Adventure Time – The Hard Easy’ – Cartoon Network Studios
Peter Martin, Chris Grine, Ira Baker, Ramon Olivera, Scott Brown ‘hoops & yo yo’s Haunted Halloween’ – Hallmark
Scott Brandon James, Lee Keith ‘Justin Time: The Rubbery Dumplings’ – Guru Studio
Production Design in an Animated Feature Production
Kendal Cronkhite-Shaindlin, Shannon Jeffries, Lindsey Olivares, Kenard Pak ‘Madagascar 3: Europe’s Most Wanted’
Marcello Vignali ‘Hotel Transylvania’
Nash Dunnigan, Arden Chen, Jon Townley, Kyle McNaughton ‘Ice Age: Continental Drift’
Nelson Lowry, Ross Stewart, Pete Oswald, Ean McNamara, Trevor Dalmer ‘ParaNorman’
Norman Garwood, Matt Berry ‘The Pirates! Band of Misfits’
Patrick Hanenberger, Max Boas, Jayee Borcar, Woonyoung Jung, Perry Maple, Peter Maynez, Stan Seo, Felix Yoon ‘Rise of the Guardians’
Rick Heintzich ‘Frankenweenie’
Steve Pilcher ‘Brave’
Storyboarding in an Animated Television/Broadcast Production
Andy Kelly ‘Doc McStuffins: Righty-On-Lefty’ – Disney TV Animation
Cole Sanchez, Rebecca Sugar ‘Adventure Time: Lady & Peebles’ – Cartoon Network Studios
Doug Lovelace ‘Dragons: Riders of Berk: Portrait of Hiccup as a Buff Man’ – DreamWorks Animation
Holly Forsyth ‘Sofia the First: Once Upon a Princess’ – Disney TV Animation
Irineo Marramba, Ciro Nieli ‘Teenage Mutant Ninja Turtles: I Think His Name is Baxter Stockman’’ – Nickelodeon Animation Studios
Robert Valley, Kalvin Lee ‘Tron: Uprising: The Reward’ – Disney TV Animation
Ryan Kramer, Paul Linsley, Kenji Ono, Le Tang, Alice Herring, Mike Mullen, Aaron Hammersley ‘Kung Fu Panda: Legends of
Awesomeness: Enter the Dragon’ – Nickelodeon Animation Studios
Tom Herpich, Skyler Page ‘Adventure Time: Goliad’ – Cartoon Network Studios
Storyboarding in an Animated Feature Production
Emmanuela Cozzi ‘ParaNorman’
Johanne Matte ‘Rise of the Guardians’
Leo Matsuda ‘Wreck-It Ralph’
Lissa Treiman ‘Wreck-It Ralph’
Rob Koo ‘Madagascar 3: Europe’s Most Wantedd’
Voice Acting in an Animated Television/Broadcast Production
James Patrick Stuart as Private ‘Penguins of Madagascar: High Moltage’ – Nickelodeon Animation Studios
Jeff Bennett as Keswick ‘T.U.F.F. Puppy: Pup Daddy’ – Nickelodeon Animation Studios
Jessica Walter as Malory Archer ‘Archer: Lo Scandolo’ – Weissman Markovitz Communications for FX Network
Kevin Michael Richardson as Willem Viceroy ‘Randy Cunningham: 9th Grade Ninja: Gossip Boy’ – Disney TV Animation
Kristen Schaal as Mabel Pines ‘Gravity Falls: Tourist Trapped’ – Disney TV Animation
Mae Whitman as April O’Neil – ‘Teenage Mutant Ninja Turtles: Rise of the Turtles’ – Nickelodeon Animation Studios
Sam Witwer as Darth Maul ‘Star Wars: The Clone Wars: Revenge’ – Lucasfilm Animation Ltd.
Tom McGrath as Skipper ‘Penguins of Madagascar: The Otter Woman’ – Nickelodeon Animation Studios
Voice Acting in an Animated Feature Production
Adam Sandler as Dracula ‘Hotel Transylvania’
Alan Tudyk as King Candy ‘Wreck-It Ralph’
Atticus Shaffer as “E“Gore ‘Frankenweenie’
Catherine O’Hara as Weird Girl ‘Frankenweenie’
Imelda Staunton as Queen Victoria ‘The Pirates! Band of Misfits’
Jim Cummings as Budzo ‘Adventures in Zambezia’
Jude Law as Pitch ‘Rise of the Guardians’
Kelly MacDonald as Merida ‘Brave’
Writing in an Animated Television/Broadcast Production
Doug Langdale — Kung Fu Panda: Legends of Awesomeness: Kung Fu Day Care’ — Nickelodeon Animation Studios
Eric Horsted – Futurama: The Bots and the Bees’ – Gracie Films in Association with 20th Century Fox TV
Gabe Garza – ‘Penguins of Madagascar: Endangerous Species’ — Nickelodeon Animation Studios
Ian Maxtone-Graham, Billy Kimball ‘The Simpsons: How I Wet Your Mother’ — Gracie Films in Association with 20th Century Fox TV
Kacey Arnold – ‘Robot and Monster: The Blimp’ – Nickelodeon Animation Studios
Mike Teverbaugh, Linda Teverbaugh — Dragons: Riders of Berk: Animal House’ – DreamWorks Animation
Stephanie Gillis ‘The Simpsons: A Tree Grows in Springfield’ – Gracie Films in Association with 20th Century Fox TV
Trey Parker – ‘South Park: Jewpacabra’ – Central Productions
Writing in an Animated Feature Production
Chris Butler — ParaNorman
Gideon Defoe - The Pirates! Band of Misfits
Hayao Miyazaki, Keiko Niwa, Karey Kirkpatrick — From Up on Poppy Hill — GKIDS
John August - Frankenweenie
Mark Andrews, Steve Purcell, Brenda Chapman, Irene Mecchi — Brave
Phil Johnston, Jennifer Lee - Wreck-It Ralph
Editorial in an Animated Television Production
Bret Marnell ‘Puss in Boots: Three Diablos’ – DreamWorks Animation
Chris Hink ‘Robot and Monster: Cheer Up Mr. Wheelie’ – Nickelodeon Animation Studios
Hugo Morales, Adam Arnold, Davrik Waeden, Otto Ferraye ‘Kung Fu Panda: ‘Monkey in the Middle’ – Nickelodeon Animation Studios
Hugo Morales, Adam Arnold, Davrik Waeden, Otto Ferraye ‘Kung Fu Panda — Enter the Dragon’ – Nickelodeon Animation Studios
Jason Tucker ‘Star Wars: The Clone Wars: Revival’ – Lucasfilm Animation Ltd.
Lynn Hobson ‘Dragons: Riders of Berk: Animal House’ – DreamWorks Animation
Pieter Kaufman ‘Sofia the First: Once Upon a Princess’ – Disney TV Animation
Steffie Lucchesi, Matt Steinauer, May Blaisdell ‘Dan Vs Monster Under The Bed’ – Film Roman
Editorial in an Animated Feature Production
Catherine Apple ‘Hotel Transylvania’
Joyce Arrastia ‘Rise of the Guardians’
Mark Rosenbaum ‘Secret of the Wings’ – DisneyToon Studios
Nicholas A. Smith, ACE, Robert Graham Jones, ACE, David Suther ‘Brave’
Tim Mertens ‘Wreck-It Ralph’
Winsor McCay Award – Oscar Grillo, Terry Gilliam, Mark Henn
June Foray – Howard Green
Ub Iwerks — Toon Boom Animation Pipeline
The Annie Awards will be presented Saturday, February 2 at UCLA Royce Hall in Los Angeles.
Monsters Inc sequel Monsters University gets a new promotional poster. The new film, set for release next June, will reunite Billy Crystal and John Goodman as Mike Wazowski and James P. ‘Sulley’ Sullivan, in a prequel of their college days together.
From the poster, we can see some interesting items in the Monsters curricula, including what looks to be an advance course in Scareonomics.
This prequel to 2001’s “Monsters Inc.” follows Mike and Sulley during their tenure at the University of Fear, where they start off as enemies. Back when the two first met, they couldn’t stand each other. Monsters University tells the tale of how the two of them resolved their differences and became the best of friends. More details on the plot will be posted as they come.
Dan Scanlon’s directorial debut in a feature film. Frank Oz’s first film role in eight years.
Originally scheduled for release on November 2, 2012 in both 2D and 3D, the movie was pushed back to a June 21, 2013 US release.
The Robot Hall of Fame inducted WALL•E, the fictional robot of the namesake Pixar movie, during a ceremony Tuesday evening at Carnegie Science Center in Pittsburgh.
WALL•E was one of four robots chosen for the first time by a popular vote.
In the Entertainment category, voters chose WALL•E (Waste Allocation Load Lifter Earth Class), the lovable star of the 2008 Disney/Pixar blockbuster by the same name. In the movie, WALL•E inadvertently embarks on a space journey that ultimately decides the fate of mankind. Other nominees in this category included Rosie the maid from the cartoon series The Jetsons.
“More than any previous class of inductees, this group of robots selected by popular vote represents contemporary robotics — robots at the cutting edge of technology — rather than older robots of strictly historical importance,” said Shirley Saldamarco, Robot Hall of Fame director and a faculty member at Carnegie Mellon’s Entertainment Technology Center. “Even our fictional honoree, WALL-E, is from a movie that’s just four years old.”
More than 17,000 people across every continent except Antarctica participated in the online vote in August and September. The 12 nominees on this year’s ballot were chosen by a group of 107 robotics experts, industry leaders and aficionados selected by the Robot Hall of Fame.
The RHOF, created in 2003 by Carnegie Mellon University, recognizes excellence in robotics technology. It honors both the fictional robots that inspire innovation and the real robots that embody it. In 2009, it was integrated into Carnegie Science Center’s roboworld exhibit.
Presenters at the ceremony included Jared L. Cohon, president of Carnegie Mellon; John Dulchinos, president and CEO of Adept Technology; Henry Thorne, chief technology officer of 4Moms; and Quasi, the robot character created by Interbots, a spinoff of CMU’s Entertainment Technology Center. Heather Knight, a Ph.D. student in CMU’s Robotics Institute, and her stand-up comedian robot, Data, performed during the event.
This year’s induction ceremony was celebrated in conjunction with the RoboBusiness Leadership Summit, a conference of hundreds of robotics industry leaders that is in Pittsburgh this week.
The Robot Hall of Fame induction is sponsored by Carnegie Mellon and its Entertainment Technology Center, Carnegie Science Center, the Pittsburgh Technology Council and RoboBusiness. The Robotics Institute, the world’s largest robotics research and education organization, is part of Carnegie Mellon’s School of Computer Science. Information about the RHOF and previous winners is available at www.robothalloffame.org.
“Finding Nemo” narrowly lost the swimming race with Resident Evil: Retribution at the North American box office this past weekend, according to studio estimates released Sunday.
A 3D version of the 2003 Pixar-Disney smash hit, Finding Nemo charted at No. 2 spot in the United States and Canada to open at $17.5 million, according to Disney.
By contrast, live-action horror sequel Resident Evil: Retribution ruled the roost with $21.1 million.
The 3D version of Finding Nemo has collected $5.1 million in seven overseas countries, including $1.3 million over the past weekend. The initial release of Finding Nemo brought in $527.9 million abroad.
The winner of the Academy Award for best animated feature film, Finding Nemo grossed $868 million worldwide during its first run, making it one of the most successful releases from Disney’s Pixar animation studio. The underwater comedy featured the voices of Albert Brooks, Ellen DeGeneres and Willem Dafoe.
This weekend’s 3D re-release cost little, with the Mouse House spending under $5 million to convert the movie to 3D. Box office results were a bit lower than Disney’s initial projections. However, according to Dave Hollis, Disney’s executive vice-president for motion picture distribution, the gross was similar to those of earlier 3D re-release openings.
“It’s great for families during the day, and then couples at night,” said Hollis. There was a balance of age and gender among those seeing the movie this weekend, he added.
Hollywood.com box office analyst Paul Dergarabedian said he was somewhat surprised that the latest incarnation of Resident Evil would top the box office. He thought that Finding Nemo would be the winner, what with the continued success of Pixar films and last year’s strong opening Disney’s 1994 animated movie The Lion King in 3-D, which debuted at No. 1 with $30.1 million — and which eventually brought in $94 million.
This weekend, animated children’s movie Paranorman, distributed by Universal, was in fifth place in North America with $3 million. In Britain, it reached No. 1 or No. 2, making $2.2 million from 481 venues.
Paranorman opened abroad in eight markets, making $3.8 million overall at 2,700 theaters in 36 countries. So far, the Focus Features film has made $25 million overseas.
On Monday, Seth MacFarlane’s partly animated comedy-fantasy Ted is expected to beat 2009’s The Hangover as the biggest-grossing original R-rated comedy released abroad. So far, Ted made $189 million overseas.
Ted debuted this weekend to collect $2.1 million at 463 venues. Overall, it generated $8.1 million from 2,800 screens in 43 countries. It’s made $406 million around the world and still hasn’t been shown in 17 foreign countries.
DreamWorks Animation’s Madagascar 3: Europe’s Most Wanted opened at No. 1 in Australia, collecting $4.4 million (including previews) at 265 locations. It reached $405 million abroad after making $6.9 million at 2,134 venues in 33 lands.
Tad: The Lost Explorer, the latest entry in the Tadeo Jones animation series, remains No. 1 in Spain. Released by Paramount to 333 theaters, it’s made $2 million in its third weekend, raising the cumulative total to $11.7 million in Spain — the only country where the film’s been screened so far.
[Reuters — news.yahoo.com/resident-evil-retribution-swims-past-finding-nemo-172727782–sector.html?_esi=1, Associated Press — news.yahoo.com/resident-evil-rules-box-office-21-1m-155335844–finance.html?_esi=1, The Hollywood Reporter – www.hollywoodreporter.com/news/foreign-box-office-resident-evil-retribution-madagascar-3-ted-seth-mcfarlane-370653]
With Disney’s announcement for a November 13, 2012 Blu-ray release of the Pixar hit Brave, also comes the news of a new short based in the new Brave world. Extras on the release will include a new short called, The Legend of Mor’du as well as 2001’s theatrically released La Luna (which was shown before Brave in it’s theatrical release).
Based in the magical Scotland of Brave, The Legend of Mor’du will give fans the chance to delve deeper into the legend behind Mordu, as told by the eccentric witch who transformed him. Mor’du, as you may remember, was a prince who was transformed into a bear. Mor’du appeared in the film as a monstrous, 15 feet tall black bear with huge claws, a misaligned jaw, and long, sharp teeth, his body covered in scars and broken weapons and arrows. King Fergus lost his leg in a battle against this bear while protecting his wife and daughter.
Other extras on the newly announced Blu-ray package include:
- “La Luna” Theatrical Short – Fans will love this charming short that accompanied the film in theaters. It follows a young boy on his first night working the family business alongside his father and grandfather.
- “The Legend of Mor’du” Short – This rousing new bonus short film will give fans the chance to delve deeper into the legend behind Mordu, as told by the eccentric witch who transformed him.
- Brave Old World – Fans will watch as members of the “Brave” production team investigate Scotland, exploring its land, culture, people and dialects. The research they gathered was brought thrillingly to life in thefilm. Also, fans will hear what actress Emma Thompson (voice of Queen Elinor) thinks of Pixar’s take on her homeland.
- Merida & Elinor – With the creation of Merida and Elinor, the Pixar filmmakers delved deep into the relationship between mother and daughter. Highlighting contrasts in character design, clothing, animation, voicing, even hairstyle, watch how the filmmakers explored this most important of relationships.
- Bears – Take a look inside the art and design behind the bears in “Brave.” Each of the bears, gentle Mum-Bear and terrifying Mor’du, demanded a different approach to creating their physical appearance and personality.
- Brawl in the Hall – A fascinating and hilarious inside look at the process of creating “Brave’s” fighting Scots, through animation, crowd simulation and fight choreography – not to mention a room full of grunting men whose vocal chortles added authenticity to the raucous scene.
- Wonder Moss – Fans will explore how “Brave’s” technical artists examined the real Scottish countryside and studied the laws of nature, then turned thesefindings into computer codes that would blanket Merida’s Scotland in lush moss, lichen and bracken.
- Magic –The magic and mystery of Scotland is revealed to fans in this charming feature about the legends – from mystical potions to the will-o’-the-wisps – seen in “Brave.”
- Clan Pixar – At Pixar, getting into character is a team effort. From making Haggis to Kilt Fridays to celebrating the Scottish poet Robert Burns, fans will see how the “Brave” production crew truly embraced Scottish themes and customs fueled the Pixar crew throughout the creation of “Brave.”
- Once Upon A Scene – A closer look at the evolution of the storylines throughout the production of the film, including alternative openings to the film and many deleted scenes.
- Extended Scenes – Three separate scenes are highlighted in their extended form. Director Mark Andrews discusses the decision making process that led to the shortened versions of these scenes.
- “Fergus & Mor’du” An Alternate Opening – Once upon a time, “Brave” had a different opening scene. Eventually cut from the film, fans can see it in its entirety in this bonus feature narrated by the film’s director Mark Andrews.
- Fallen Warriors Montage – A selection of deleted shots that were cut from the film late in production are presented to fans in various stages ofcompletion through a video montage narrated by director Mark Andrews.
- Dirty Hairy People – Fans will enjoy this uproarious bonus feature discussing the development of “Brave’s” Scots – including the design of their hair, attire, and dirt-crusted physiques.
- It is English…Sort Of – This bonus feature helps fans interpret some of the more Scottish lines in the film, thanks to the real Scottish actors who play the key characters and contributed their own dialects and sayings.
- Angus – A look at Merida’s most trusted companion, Angus, a mighty Clydesdale.
- The Tapestry – Fans will learn the story behind this embroidered emblem of family unity, which was lovingly crafted by “Brave’s” team of artists.
- Promotional Pieces – This bonus includes promotional clips for “Brave,” including: “Feast Yer Eyes,” “Relics,” “Clan DunBroch,” “Launch,” and more.
- Art Gallery – A selection of breathtaking art from the creation of the film, showcasing characters, sets, scenes and stunning landscapes.
- Wee Gaffes – A video montage of simulation, animation and shot bloopers.
- Renaissance Animation Man – Get a look at Director Mark Andrews’ love of Scotland, sword-fighting, music and more!
- Director Commentary
- Teasers and Sneak Peeks
The Brave disks will release on November 13, 2012. There are actually two Blu-ray versions– a 5-disc Ultimate Collector’s Edition (includes 1 Blu-ray 3D disc, 2 Blu-Ray Discs, 1 DVD, and 1 digital copy), 3-disc Collector’s Edition Blu-ray Combo Pack (includes 2 Blu-ray discs and 1 DVD), and a 1-disc DVD edition.
Pixar’s “Brave” collected an estimated $4.3 million from about 565 screens in the United Kingdom, leading that country’s box office in its fourth weekend.
Overseas, Brave proved a money-maker in general. Distributed by Disney, it was No. 3 at the foreign box office, making $14.6 million in 48 countries during its 10th weekend abroad. The cumulative offshore take is now $212.3 million, while global revenues have reached $442.4 million.
DreamWorks Animation’s Madagascar 3: Europe’s Most Wanted opened in Italy for a first-place showing, garnering $7.7 million over five days. The threequel made $11.7 million at 2,933 screens in 39 countries, ranking No. 5 overseas. In total, Madagascar 3 has made $369 million abroad.
Laika Entertainment’s 3D stop-motion animation ParaNorman, distributed by Focus Features/Universal, brought in $3.9 million abroad this weekend from 2,230 theaters in 17 countries. So far, it’s had foreign grosses of $12.5 million.
Meanwhile, Twentieth Century Fox announced that it’s the first of Hollywood’s six major studios to make over $2 billion this year overseas. That point was reached Saturday.
Fox thus “becomes the only distributor to have achieved this milestone six times and in four consecutive calendar years” (2009 through 2012), the studio said.
This past weekend, Ice Age: Continental Drift made $7.6 million at 5,988 locations in 48 overseas countries.