Tag Archives: Box Office

Hotel Transylvania Opens in 1st Place in Russia

Hotel Transylvania

Hotel Transylvania

There were many guests at “Hotel Transylvania” in Russia over the weekend, where the animated film opened at No. 1 with $5 million from 797 screens.

Overall, the movie collected $14.5 million from 4,510 venues in 38 countries. So far, it’s had a $68.3 million overseas gross.

In the United Kingdom, DreamWorks Animation’s Madagascar 3: Europe’s Most Wanted made just $9.6 million in 519 theatres. This past weekend, the threequel was seen at 2,236 spot in 28 foreign countries for $14.9 million. Distributed overseas by Paramount, Madagascar 3 has made a cumulative $482.9 million overseas.

Frankenweenie brought in $4.1 million from 19 countries during its second overseas weekend for a cumulative foreign total of $11.9 million.

Frankenweenie Collects $4.9 Million Overseas

Frankenweenie

Frankenweenie

Tim Burton’s comedy-horror animated movie “Frankenweenie” opened in nine overseas countries over the weekend to take in $4.9 million.

Directed, co-produced and co-written by Burton, Disney’s Frankenweenie has made $5.3 million abroad so far. It’s grossed $22 million in the United States and Canada over two weekends.

Meanwhile, Sony Animation’s 3D Hotel Transylvania opened in second place in the United Kingdom, gathering $2.8 million at 704 locations. This past weekend, it drew $13.7 million at 3,669 screens in 24 countries. So far, Hotel Transylvania has grossed $49.3 million abroad.

DreamWorks Animation/Paramount’s Madagascar 3: Europe’s Most Wanted remains No. 1 in Austria and Germany. In its second weekend in Germany, it took in $4.9 million at 742 locations.

Overall, Madagascar 3 made $10.1 million from 2,530 screens in 32 countries this weekend for a cumulative foreign gross total of $465 million. The movie opens this week in Britain.

The Fox blockbuster Ice Age: Continental Drift grossed $3.3 million at 721 theaters in four countries this weekend, raising the cumuluative foreign gross to $707.4 million.

This week, Universal’s ParaNorman opens in four countries, including Turkey and Uruguay.

[Via The Hollywood Reporter -- www.hollywoodreporter.com/news/foreign-box-office-taken-2-frankenweenie-looper-ted-378856]

Ice Age 4 Sets Foreign Record for Animated Film

Ice Age: Continental Drift

Ice Age: Continental Drift

After opening at the top of Italy’s box office this past weekend, Fox’s Ice Age: Continental Drift — also known as Ice Age 4 — now holds the record for the highest-grossing animated movie ever to be released abroad.

A $7.8 million debut at 906 venues in Italy has raised foreign cumulative grosses for the sequel to $693.9 million. Barring the unforeseen, it’ll top the $700 million mark in foreign lands.

Over the weekend, Ice Age: Continental Drift made $8.7 million from 1,055 locations in four overseas countries.

The movie now has had the eighth-largest international release of any film — animated or otherwise — in history.

[Via Screen Daily -- www.screendaily.com/box-office/ice-age-4-sets-animation-record-retribution-tops-intl-charts/5047189.article, The Hollywood Reporter -- www.hollywoodreporter.com/news/foreign-box-office-resident-evil-retribution-hotel-transylvania-taken-liam-neeson-375216]

Hotel Transylvania A Monster Animation Success, Sucks Up $43M

Hotel Transylvania

Hotel Transylvania

Talk about a monster movie!

Animated 3-D family film Hotel Transylvania debuted over the weekend at the top of the United States and Canadian box office with $43 million, setting an all-time record for a September opening of a movie.

Featuring the voices of Adam Sandler and Selena Gomez, the hotel opened way ahead of live-action science fiction flick Looper, which collected $21.2 million between Friday and Sunday for second place.

Strong results for both movies helped resurrect a box office that has slowed over several weekd.

Domestic grosses for Hotel Transylvania were way ahead of distributor Sony Corporation’s prediction for at least $25 million in North America. Another $8.1 million was made overseas for a global opening of $51.1 million.

“It’s absolutely an incredible result,” said Rory Bruer, president of worldwide distribution for the Sony Pictures studio. He said that the studio had hoped for a gross around $30 million. Even that, he observed, “in this market would have been extraordinary.”

Hotel Transylvania cost $85 million to produce.

Sony Pictures Animation premiered Hotel Transylvania at 1,700 venues overseas. It opened at No. 1 in Mexico, contributing $3.6 million from 525 screens. In Australia, it opened at No. 3, bringing in $2.2 million from 465 locations.

The movie’s opening North American gross was far ahead of the previous September record-holder, Sweet Home Alabama, which debuted at $35.65 million a decade ago. However, considering the higher ticket prices these days, Sweet Home Alabama sold more tickets.

As well, Sony distributed live-action time-travel tale Looper, starring Bruce Willis, Joseph Gordon-Levitt and Emily Blunt.

“Sony really kind of saved the day here, turning things around after a full month of less-than-stellar box office,” said Hollywood.com analyst Paul Dergarabedian. “The post-summer period didn’t exactly set the world on fire.”

Sony was able to distribute two movies that didn’t have overlapping audiences. That enabled it to take the step — unusual for a single studio — of opening two wide releases on the same weekend.

Fox’s Ice Age: Continental Drift opened in Italy this weekend, grossing an enormous $7.8 million at 906 theaters. Overall, the series entry made $8.7 million at 1,055 locations sites in four countries abroad. The family film sequel has made a cumulative foreign total of $693.9 million, thus becoming the highest-grossing animated movie ever released overseas.

Even after 17 weeks abroad, DreamWorks Animation’s Madagascar 3: Europe’s Most Wanted is still generating money. Over the weekend, it made $6.1 million at 1,514 locations in 28 foreign countries. Overseas, it’s made a total of $422.7 million, with openings in Germany and Austria scheduled this week.

Pixar’s Brave made $5.2 million in this, its 15th overseas weekend, in 55 countries. The total foreign gross now stands at $281.9 million.

Distributed abroad by Universal, Laika Entertainment’s ParaNorman collected $2.3 million at 1,900 venues in 36 countries for a foreign total of $32.4 million.

[Via Reuters -- news.yahoo.com/monsters-rule-box-office-hotel-transylvania-160632797--sector.html, Associated Press -- news.yahoo.com/hotel-transylvania-checks-43m-debut-154646517--finance.html, The Hollywood Reporter -- www.hollywoodreporter.com/news/foreign-box-office-resident-evil-retribution-hotel-transylvania-taken-liam-neeson-375216]

Dracula To Take A Big Bite Out Of BO?

Hotel Transylvania

Hotel Transylvania

Sony Pictures Animation is set to take a big bite out of weekend box office with the release of the animated film Hotel Transylvania. Bets are on that the 3D film will slide to an easy victory in the weekend race to sales, with estimates raising as high as 35 million for the film.

Interestingly enough, one of the other two new releases this weekend is also from Sony, “Looper.” Starring Joseph Gordon-Levitt, Bruce Willis and Rian Johnson, Looper is expected to come in at second place at 22 million. The third film will be a distant third, an expended box office bomb called, “Won’t Back Down.”

With a budget of about 100 million, Hotel Transylvania has had a long and troubled past. Various directors have included Anthony Stacchi, David Feiss and Jill Culton, with Genndy Tartakovsky helming the final version. In February of 2012 Selena Gomez replaced Miley Cyrus as Mavis.

Welcome to the Hotel Transylvania, Dracula’s lavish five-stake resort, where monsters and their families can live it up, free from meddling from the human world. But here’s a little-known fact about Dracula: he is not only the Prince of Darkness; he is also a dad.

Overprotective of his teenage daughter Mavis, Dracula fabricates tales of elaborate dangers to dissuade her adventurous spirit. As a haven for Mavis, he opens the Hotel Transylvania, where his daughter and some of the world’s most famous monsters – Frankenstein and his bride, the Mummy, the Invisible Man, a family of werewolves, and more – can kick back in safety and peace. For Drac, catering to all of these legendary monsters is no problem – but his world could come crashing down when one ordinary guy stumbles on the hotel and takes a shine to Mavis.

Frank is also known as Frankenstein. Eunice is his in-your-face, over-the-top and larger-than-life Bride. Quasimodo, once the hunchback of Notre Dame, is now a crazy, passionate gourmet chef always looking for his next piece de resistance. Wayne and Wanda are a pair of married, harried werewolves, parents to an ever-increasing litter of pups, who are looking forward to their family vacation at the hotel.

Murray, a boisterous Mummy, was once entertainer to the great Pharaohs, and is now the life of the party, and always feeling the urge to let loose and sing. Jonathan is a 21-year-old regular guy, carefree and full of life, whose world travels land him at the Hotel.

ParaNorman Retains First Place in UK; Nemo Finding Fourth

ParaNorman

ParaNorman

Thanks to a No. 1 finish in its second weekend in the United Kingdom, Laika Entertainment’s ParaNorman made $3 million from 2,200 venues in 39 overseas countries this past weekend.

Distributed abroad by Universal, the animated comedy made $1.9 million at 479 British locations for a cumulative total of $4.7 million in the country over 10 days.

ParaNorman had strong openings in Sweden, Poland and Denmark over the weekend as well. Its total foreign gross has now reached $29.2 million.

Meanwhile, Seth MacFarlane’s partly animated comedy-fantasy Ted has grossed a total of $202.8 million internationally, though it’s still to be seen in 12 countries. It’s the third Universal movie so far this year to gross over $200 million abroad.

This past weekend, Ted grossed $9.3 million at 2,800 locations in 43 countries, debuting in Brazil to make $1.3 million at 247 theaters. In its second weekend in Mexico, Ted experienced a 7% increase in grosses, collecting $2.3 million on 465 screens to make $6.2 million over 10 days south of the border. This week, the movie opens in five countries, including South Korea and Hong Kong.

Pixar-Disney’s Brave brought in $5.7 million from 55 countries this weekend. It’s now made $508 million around the world, including $274.4 million overseas.

A 16-week veteran of foreign screens, Madagascar 3: Europe’s Most Wanted finally opened in New Zealand — at No. 1 — and stayed at the top of the box office in its second weekend in Australia. The threequel grossed $2.6 million from 277 screens for a cumulative total of $8.1 million in the market.

Distributed by Paramount, the DreamWorks Animation movie made $4.6 million at 1,712 venues in 33 countries, grossing a foreign total of $411.9 million since it first screened overseas.

Paramount’s release of Tad, the Lost Explorer stayed at No. 1 in the Spanish box office for the fourth weekend in a row. The latest entry in the the Tadeo Jones animation franchise made $1.6 million at 323 venues over the weekend, contributing to a $13.8 million total in Spain. The movie opened in South Korea this weekend, reaching No. 5.

In domestic box office, End of Watch and House At The End of the Street tied with 13 million each, closely followed by Trouble With The Curve with 12.7 million.The Finding Nemo 3D re-release placed fourth with  9.5 million,  beating out Resident Evil at fifth.

More Moviegoers Find Resident Evil Than Nemo

Finding Nemo

Finding Nemo

Finding Nemo” narrowly lost the swimming race with Resident Evil: Retribution at the North American box office this past weekend, according to studio estimates released Sunday.

A 3D version of the 2003 Pixar-Disney smash hit, Finding Nemo charted at No. 2 spot in the United States and Canada to open at $17.5 million, according to Disney.

By contrast, live-action horror sequel Resident Evil: Retribution ruled the roost with $21.1 million.

The 3D version of Finding Nemo has collected $5.1 million in seven overseas countries, including $1.3 million over the past weekend. The initial release of Finding Nemo brought in $527.9 million abroad.

The winner of the Academy Award for best animated feature film, Finding Nemo grossed $868 million worldwide during its first run, making it one of the most successful releases from Disney’s Pixar animation studio. The underwater comedy featured the voices of Albert Brooks, Ellen DeGeneres and Willem Dafoe.

This weekend’s 3D re-release cost little, with the Mouse House spending under $5 million to convert the movie to 3D. Box office results were a bit lower than Disney’s initial projections. However, according to Dave Hollis, Disney’s executive vice-president for motion picture distribution, the gross was similar to those of earlier 3D re-release openings.

“It’s great for families during the day, and then couples at night,” said Hollis. There was a balance of age and gender among those seeing the movie this weekend, he added.

Hollywood.com box office analyst Paul Dergarabedian said he was somewhat surprised that the latest incarnation of Resident Evil would top the box office. He thought that Finding Nemo would be the winner, what with the continued success of Pixar films and last year’s strong opening Disney’s 1994 animated movie The Lion King in 3-D, which debuted at No. 1 with $30.1 million — and which eventually brought in $94 million.

This weekend, animated children’s movie Paranorman, distributed by Universal, was in fifth place in North America with $3 million. In Britain, it reached No. 1 or No. 2, making $2.2 million from 481 venues.

Paranorman opened abroad in eight markets, making $3.8 million overall at 2,700 theaters in 36 countries. So far, the Focus Features film has made $25 million overseas.

On Monday, Seth MacFarlane’s partly animated comedy-fantasy Ted is expected to beat 2009’s The Hangover as the biggest-grossing original R-rated comedy released abroad. So far, Ted made $189 million overseas.

Ted debuted this weekend to collect $2.1 million at 463 venues. Overall, it generated $8.1 million from 2,800 screens in 43 countries. It’s made $406 million around the world and still hasn’t been shown in 17 foreign countries.

DreamWorks Animation’s Madagascar 3: Europe’s Most Wanted opened at No. 1 in Australia, collecting $4.4 million (including previews) at 265 locations. It reached $405 million abroad after making $6.9 million at 2,134 venues in 33 lands.

Tad: The Lost Explorer, the latest entry in the Tadeo Jones animation series, remains No. 1 in Spain. Released by Paramount to 333 theaters, it’s made $2 million in its third weekend, raising the cumulative total to $11.7 million in Spain — the only country where the film’s been screened so far.

[Reuters -- news.yahoo.com/resident-evil-retribution-swims-past-finding-nemo-172727782--sector.html?_esi=1, Associated Press -- news.yahoo.com/resident-evil-rules-box-office-21-1m-155335844--finance.html?_esi=1, The Hollywood Reporter -- www.hollywoodreporter.com/news/foreign-box-office-resident-evil-retribution-madagascar-3-ted-seth-mcfarlane-370653]

Brave takes top position at British box office

Brave

Brave

Pixar’s “Brave” collected an estimated $4.3 million from about 565 screens in the United Kingdom, leading that country’s box office in its fourth weekend.

Overseas, Brave proved a money-maker in general. Distributed by Disney, it was No. 3 at the foreign box office, making $14.6 million in 48 countries during its 10th weekend abroad. The cumulative offshore take is now $212.3 million, while global revenues have reached $442.4 million.

DreamWorks Animation’s Madagascar 3: Europe’s Most Wanted opened in Italy for a first-place showing, garnering $7.7 million over five days. The threequel made $11.7 million at 2,933 screens in 39 countries, ranking No. 5 overseas. In total, Madagascar 3 has made $369 million abroad.

Laika Entertainment’s 3D stop-motion animation ParaNorman, distributed by Focus Features/Universal, brought in $3.9 million abroad this weekend from 2,230 theaters in 17 countries. So far, it’s had foreign grosses of $12.5 million.

Meanwhile, Twentieth Century Fox announced that it’s the first of Hollywood’s six major studios to make over $2 billion this year overseas. That point was reached Saturday.

Fox thus “becomes the only distributor to have achieved this milestone six times and in four consecutive calendar years” (2009 through 2012), the studio said.

Helping Fox’s success were such films as Ice Age: Continental Drift (totaling $665.1 million) and Alvin and the Chipmunks: Chipwrecked ($136 million).

This past weekend, Ice Age: Continental Drift made $7.6 million at 5,988 locations in 48 overseas countries.

ParaNorman not Expendable, makes $14 million

ParaNorman

ParaNorman

Laika Entertainment’s “ParaNorman,” an animated comedy thriller starring a small-town boy who battles zombies, opened at third place in the North American box office this weekend with $14 million.

Distributed by Focus Features and Universal Pictures International, ParaNorman made another $2 million overseas.

The 3D puppet-animated film fared considerably behind the live-action The Expendables 2, which opened at $28.8 million (and another $17.3 million abroad), and The Bourne Legacy, which garnered $17 million (plus $18.2 million overseas) in its second weekend.

Various 3D printed Norman faces

Various 3D printed Norman faces

ParaNorman has the interesting distinction of being the first 3D stop motion animated film that is also computer generated. Twenty seven major characters had their faces “built” in a computer. Through computer modeling, it was easy to manipulate the characters faces for expressions and speaking. Once created, each pose was then outputed to a 3D printer. The 3D printers build up each character’s face by depositing hundreds of layers of fine white plaster-vinyl powder, which is then sprayed with ink. Over 31,000 parts were created this way… each thirty seconds would require almost 300 faces per character.

In international theaters for films distributed overseas by Hollywood studios, Pixar’s Brave was in fifth place with $14.4 million, according to Rentrak. Ice Age: Continental Drift was at No. 7 with $10.1 million.

Fox’s Ice Age: Continental Drift has made $150.1 million domestically since it opened July 13.

Overall, domestic revenues reached $139 million, up 12% from the same weekend last year, when The Help topped the box office with $20 million, tracking company Hollywood.com said. Business had been down the previous three weekends this summer.

According to Hollywood.com, revenues have reached $3.9 billion since the first weekend of May down 5% from the same period last summer, when the season closed with an all-time high of $4.4 billion.

“We’re winding down the summer, and we’re in the dog days of August. They’re called that for a reason, because we’re experiencing the typical summer slowdown, only it seems worse this year,” Hollywood.com analyst Paul Dergarabedian said.

Estimated ticket sales for Friday through Sunday at United States and Canadian theaters were released by Hollywood.com. Final domestic figures are scheduled for release Monday.

Nightmare at DreamWorks: quarterly profit down 63%

DreamWorks Animation SKG

DreamWorks Animation SKG

Second-quarter net income at DreamWorks Animation SKG Inc. fell by a whopping 63 percent, the Glendale, California-based company announced Tuesday.

The studio blamed in part the delayed release of Madagascar 3: Europe’s Most Wanted in several overseas countries, as well as higher distribution costs.

Net income fell to a level below analysts’ expectations. Meanwhile, shares dropped over 8 percent in after-hours trading Tuesday.

Results for the studio were aided by box office revenues from Madagascar 3, which has grossed over $500 million in theaters around the world since it was released June 8. By comparison, Kung Fu Panda 2grossed $600 million a year earlier, although that movie’s revenues were helped by a release two weeks earlier in the quarter.

DWA’s net income in the three months ended June 30 was $12.8 million (15 cents per share), compared with $34.1 million (40 cents per share) last year. Revenue in the second quarter was $162.8 million, down 25 percent from the same period in 2011.

Analysts polled by FactSet, on average, had predicted income of 25 cents per share on revenue of $185 million.

Some of the revenue for Madagascar 3 was recorded after the quarter ended. As well, distributors took a greater cut of ticket sales to pay for film prints and advertising than expected, said studio chief financial officer Lew Coleman.

He also noted that the London Olympics caused the film’s delayed release in such major overseas markets as the United Kingdom, Germany, Austria and New Zealand. Coleman added that markets that had released Madagascar 3, such as Russia and China, have been paying DWA a smaller share of ticket sales than average, which hurt revenue.

Though he blamed timing problems for negatively affecting second-quarter revenue, Coleman predicted that Madagascar 3 would be a “very profitable film.”

DreamWorks Animation shares closed up 2 cents to $19.20 in regular trading. But they fell $1.60 (8.3 percent) to $17.60 after the quarterly report’s release.